How to write literary criticism of poetry

The following examples are for your reference:

The poem is enchanting

It’s too outrageous, too out of the ordinary.

Too carefree, too detached.

How happy it is to be able to release yourself so freely? The era in which the poet lives must be an era that advocates human nature and dignity; the space in which the poet lives must also be a space that advocates relaxation and freedom. China's history is created by the people, and Chinese poetry is also created by the people, and "Three Hundred Poems" is no exception. She has never been interested in things ordered by the emperor, and even disdained them. It is said that the best execution of the poems and lyrics prescribed by Emperor Kangxi was his grandson Qianlong, who wrote more than ten thousand government poems. However, such a "precious" thing has long been completely digested by the common people and grains. How can it be Not a pity? "Three Hundred Poems" said what I wanted to say, wrote the poems I wanted to write, and composed the words I wanted to compose. I had no intention of being new and innovative, but just let nature take its course. Whether it is releasing or venting, you are all expressing your feelings in your own way, so why not? (Cedar)

Good poetry is hard work

Everyone in the world is harmonious but different.

When I read it as a child, my child’s heart was filled with injustice.

Read it when you are in your prime, and it will bring you great ambition and pride.

When I read it in my old age, I shed tears.

"Three Hundred Poems" is the accumulation of wasted years; it is the precipitation of rich history; it is the concentration of colorful life; it is the refinement of the essence of heaven and earth. Those who are not wise cannot see its door, and those who are not benevolent cannot see beyond its reach. In the past, she was a bridge, a link, and a carrier; now, she is a mainstream, a direction, and a flag; in the future, she will become a memory, a piece of history, and a symbol. This is not based on the will of a certain person, or some people. (Wang Huaijun)

The heart of poetry stays forever

When it comes to softness, it becomes strong, when it comes to tranquility.

The winner has eternity and all things turn into light.

In your charm, we gain eternity; in your holy law, we have perfection. Your "Yangchun, White Snow" has high and low-pitched music; "Dark Fragrance, Sparse Shadows" is sung softly; "Sun, Moon, Stars, Chen" complement each other; "Wind, Frost, Rain, Snow" is full of emotion; "Orchid, Plum," "Bamboo and Chrysanthemum" mocks the world; "Poetry, Ci, Song, Fu" is full of spirit... all of these have left an indelible impression deep in our hearts for life.

The poetic field is broad

Be independent without fear, and be secluded from the world without boredom.

The tide is dangerous, but its trustworthiness is not broken.

"Three Hundred Poems" will always be the blue sky, earth, mountains and sea in people's minds. Because you are as broad-minded as the blue sky; as tolerant of all things as the earth; as tenacious as the mountains; and as absorbing of all rivers as the sea. (Zhai Fenqin)

The poetic realm is lofty and far-reaching

It is both unrealistic to be elegant but not rich.

If you don’t take the precepts and try to improve yourself, this is the central wish.

If "Three Hundred Poems" is compared to the sea, then the poems of other schools are like a layer of mist on the sea level, although the fog has a charming style and a dreamlike appearance. artistic conception. But the sea has its own turbulent, vast, deep, boundless and all-encompassing splendor. (Ma Xianhua)

Famous poems

Sentiments in heaven, love in the world.

Respect should be kept straight inward, and righteousness should be directed outward.

"Three Hundred Poems" is not only a high-level summary of a huge work, but also a precise simplification of a great classic. Behind almost every poem, there was a legendary story that shocked the world and made people cry. She told people without any doubt: The era of "evil slaves barking at Yao and Shun, and all the people sighing for talented people" is gone forever! (Wei Kunlun)

The road of poetry is far away

There are no flats or slopes, and there is no return.

There is no fault in being honest and tough, don’t lose your virtue.

"Man Jiang Hong" became a household name overnight; "One Cut Plum" has been circulated for many years; "Fishing, Woodcutting, Farming, and Reading" traveled over the mountains and ridges and spread like wildfire; "Poetry, Love, Painting, and Meaning" " traveled across the ocean and disappeared; the bookstore was illuminated by "Wild Goose Song", and the boudoir was sublimated by "Lotus Picture"... All of this fully and powerfully proves that "Three Hundred Poems" has been universally accepted by society. Recognition and fair evaluation of history.

(Shen Dancheng)

Poetry and dream are deep

The position of respect is great, and the top and bottom should be in harmony.

Strong and civilized, prosperity comes from time to time.

We need air! We need sunshine! We need "Three Hundred Poems" even more! Every time we read about her, our souls will be completely purified! In the past, we were intoxicated by it; now, we are lingering over it; in the future, we will also remember an era forever! Always remember the true heroes of an era! (Li Guangzu)

Roading in the Sea of ??Poems

If you know what you have learned, you can talk about it.

Knowing the end will help you preserve meaning.

The painter Dai Xi once said: "It is better to surprise people than to make people happy, and to make people happy it is better to make people think." "Three Hundred Poems" records an arduous struggle process and depicts a A rare insight into life.

Many historical scenes have gained new vitality because of these poems, which in turn triggered people to think more. Some scenes are even worth a fortune, which is unexpected by people. (Tie Lin)

Poetry is booming

The flying dragon is in the sky, and it is in heaven.

Use nine in Qianyuan to see the laws of heaven.

When the sky is healthy, a gentleman will strive to strengthen himself; when the terrain is weak, a gentleman will be virtuous.

"Three Hundred Poems" is in harmony with heaven and earth in its virtues, in harmony with the sun and moon in its brightness, in harmony with the order of the four seasons, in harmony with ghosts and gods in its good and bad fortune. What is innate is not contrary to heaven, and what is acquired is according to heaven. It’s not against Heaven, but it’s worse than humans! How about ghosts! (Wang Jinzhong)

Cherish poetry like gold

When it stops, it stops, when it goes, it goes.

If you don’t lose your time, your path will be bright.

The old two thousand years have passed, and "Three Hundred Poems" has retained for us the last beautiful sunset of the old century; the new two thousand years have begun, and "Three Hundred Poems" has preserved for us the last beautiful sunset of the old century; It brings the first charming dawn of the new century. (Shi Ci)

Poetic nature is natural

Benefiting the land and becoming a sundae, progressing day by day has no boundaries.

Heaven’s gift to the earth is beneficial to all.

Mr. Bai Yu's "Nature, Human Nature, and Personality" can help us deepen our understanding of "Three Hundred Poems". Through the smoke and dust of history, the author sees the common acidity and servility behind the rationality of literati in the Song, Yuan, Ming and Qing dynasties. Most of the poems and songs written over the past hundreds of years are the release of this kind of mind under extreme repression. Only the Tang Dynasty was an era that allowed people's individuality to be freely expressed, and it was also an era in which nature, human nature, and individuality were most perfectly and fully combined. Later generations call that era the true romantic era. The rise and fall of politics, economy, and culture in that era were all reasonable. By the Qing Dynasty, the Chinese people were so pitiful that they were reduced to servility, especially the literati. Poems could only be written in accordance with the "Imperial Ci Pu" and articles could only be written in the "Eight-legged Essay". For this reason, the author wishes to "cross the Song, Yuan, Ming and Qing dynasties," to restore the nature, humanity, and personality of the Chinese people that have been strongly distorted for hundreds of years, and sighs painfully: "The "Qin Ding Ci Pu" and "Eight Part Essays" are a rule imposed on literati. It is a way of death, not a way of survival." He strongly advocated that nature should be straightforward, human nature should be simple, and personality should be public. This is completely consistent with the law of harmony of human society and forward development of civilization.

"Peace, freedom, spring" is an eternal theme of "Three Hundred Poems"! (Wei Lei)

Reference material: "Three Hundred Poems", author: Bai Yu