An analysis of the image of pinglan in song ci

The Historical Origin of the Image of "Pinglan"

"Balcony" is also called "balcony". In ancient China, the "balcony" and the "terrace" were interlinked, and they were necessary railings on the pavilions and pavilions in ancient China, with both decorative and protective functions. This is the literal meaning of "leaning against the railing", which refers to the action of people leaning against and holding the railing. The poet also made "leaning on the column", "beating the column" and "supporting the column" according to the needs of rhyming scenes in ancient poems. The origin of the image of "leaning on the railing" can be traced back to the tradition of China ancient literati climbing high and expressing their feelings.

As early as the Book of Songs, there was a lyric poem: "I long for Cui Wei, and I long for my horse." Let's pour a golden pot of wine first to comfort me. Climbing up the high mountain ridge, the horse's legs are already soft and confused. Think about it and you'll never get hurt. "Because my wife misses her husband who went to war, she climbed up to drink to soothe her wounds, hoping to send away some thoughts on that high mountain, spread the call farther and get closer to her distant husband.

With the change of years, the culture of climbing high and expressing emotion gradually extends to the railing. This is because the balcony must be built with railings, and the viewing balcony should generally be built in a high place, so that you can enjoy the scenery at the top. People lean on the pavilion and look at the railing, which gives people a sense of dependence. The majestic scenery outside the railing always reminds people of the past and the future, and always makes people reluctant to go.

During the Tang and Song Dynasties, the development of garden architecture in China reached its peak, and the construction of pavilions and pavilions became more generally mature. Palace courtyards, hilltop flag pavilions, riverside lakes, pavilions and railings are also clearly visible. At the same time, under the literary trend of Tang poetry and Song poetry, the railing has become a way for literati to express their feelings, and "railing" has also become an image that poets often like to express.

Classification of common words in ancient poetry.

In Tang poetry and Song poetry, stand by and lean on the fence and overlook, letting the breeze stroke your face. Under different historical backgrounds and personal experiences, they rely on railings to express different emotional will. The following are the emotional colors expressed by several common types of "railings", which are discussed separately.

1, expressing patriotic feelings

The most classic poem that expresses patriotism and concern for the country by railing is Yue Fei's "Man Jiang Hong rushes to the crown with anger" and "Rushing to the crown with anger and resting on the railing with rain". Although it is still controversial whether this poem "The Red River over Man" is really written by Yue Fei, its concern for the country and the people and its ambition to kill the enemy for the country are admirable. The generals loyal to the sun and the moon, seeing that the country was trapped by the enemy, were indignant and rainy, and all gave generously at this moment.

Xin Qiji, a "dragon in the word" who fought against the enemy all his life, was trapped by the peace faction when he was an envoy in Fujian and was dismissed. When passing through Nanjian House (located in the northern part of Fujian Province), I boarded the famous Shuangxi Building and wrote "Looking down at burning rhinoceros, I was frightened by the wind, thunder and anger, and the fish and dragons were miserable" ("The water dragon hid in the Shuangxi Building in Nanjian"). In Xin Qiji's situation at that time, the ideal of recovering the Central Plains could not be realized. Now, overlooking the fence, I want to light the rhinoceros horn and go down to the pool to see it, but I am afraid to lean against the fence. The wrath of the storm is fierce. Among them, I am afraid of the fence.