Zheng Liu, formerly known as Liu, was born in Beijing in June, 1926. He likes literature since he was a child. In middle school, he studied art and classical poetry first, and then learned to write new poems. From 65438 to 0946, he studied in Peking University, joined the "New Poetry Society" in Peking University, and published some poems in the wall newspaper and the progressive publication "Poetry Horn". At the beginning of 1949, Liu Zheng joined the China People's Liberation Army and was discharged due to illness. For decades after the founding of the People's Republic of China, he has been engaged in educational editing and served as deputy editor and editor of People's Education Publishing House. For a long time, Liu Zheng mainly engaged in the creation of allegorical poems and satirical poems. Yang Jinting, a poet, said, "Liu is the first poet and a well-deserved pioneer in China's 3,000-year history of classical poetry and 60-year history of new poetry." In the 1960s, Liu Zheng's representative works included the fable Three Rings (Haiyan Ring, Tianji Ring, Shanquan Ring) and Sticking a Tiger Notice. After the downfall of the Gang of Four, he created a large number of allegorical poems and satirical poems, among which The Story of Spring Breeze won the 1986 National Excellent Poetry Award. His other allegorical satirical poems include Hai Yan Jie, Flower God and Goddess, Owl Collection and Liu Zheng's Allegory Poems.
He is the author of satirical poems and collections of satirical poems such as Hai Yan Jie, Flower God Rain God, The Last Sausage, Xiao Ming Ji, Liu Zheng's satirical poems, Thorns and Flowers, Poems of Living in a Tiger House, Yue Ji Collection, Wandering around and New Ancient Rhyme. Thirty books have been published.
Chun Feng Yan Yu 1978-1980 won the National Excellent Poetry Award of Young Poets, 1986 won the National Excellent Poetry Collection Award, and Liu Zheng's Fable Poetry 1994 won the Golden Camel Award of China Fable Literature Research Association.
Liu Zheng claimed to be a recruit in the essay field and began to write essays in the new period. He said: "After 1976 smashed the Gang of Four, I felt a few shouts, suddenly broke' Don't leave a word in the world' and began to dance and splash ink, and that ominous irony revived in my pen. Mistakes are like cold springs breaking ice and diarrhea. I can't help myself. I like to write satirical poems in the form of fables. It is inevitable that two cranes will fight in this kind of poem-it is wrapped around the neck, which is not convenient for me to express my feelings directly. If I want to say something faster, I will use prose. " For the language, please refer to Zheng Liu's Postscript of Qingshui Baishi Collection (Wenxin Publishing House, 1990 edition). For example, the meaning of this essay has been brewing in the author's mind for a long time, and it feels like a sore throat, but I don't want to spit it out, so I used it. Because "satirical poems are interlinked with essays", Liu Zheng writes essays with ease, and the more he writes, the more he can't stop. Prose collections include Selected Prose of Contemporary Liu (Hunan Literature and Art Publishing House, 1986, 1 October Edition) and Clear Water and White Stone Collection (Wenxin Publishing House, 1990,1Edition).