The water in Taoxi is still rushing forward, and I don't want to live here at all. As long as the lotus root is broken in autumn, there is no place to pick it up. Looking back, at the beginning, two people were waiting for each other by the Chilan Bridge, and now I am the only one wandering by the yellow road.
How majestic the cave is, still shrouded in smoke. From a distance, you can only see green spots, which are countless. The geese on their way home were covered with sunset and Xia Hong. At this time, the sun is setting. Life is like a white cloud, destined to float into the river. Parting is always sad, as sticky as the tidbits on the ground.
The first word is a fairy tale love story, which describes the sadness of the poet revisiting his hometown after leaving his lover. The whole word is dual, which makes people feel dignified, profound and meaningful.
The last sentence, after the rain, the ground was covered with catkins, which clung to the ground tightly, vividly expressing the poet's emotional bond at this moment, and the chaotic mood was also set off. Two metaphors are used, but they are both unnatural and deliberate, but they also vividly express the poet's inner feelings, which makes people feel heavy and powerful, and they don't think this is a trace of deliberate carving. "Love sticks to the ground like rain" can be said to be the crowning touch of this word, which is expressed around this feeling.
The duality of the whole article also makes people feel the poet's profound language skills, and he is worthy of being a master of literature.
What is the main content of Zhou Bangyan's Falling Rope?
A Lost Rope is a poem written by Zhou Bangyan to women. The whole article is about women's appearance and feelings. It is a work of boudoir love. It is said that Zhou Bangyan met some geisha when he was young and wrote for them.
I wrote that this woman's eyebrows are beautiful, as if she could compete with the green hills in spring, but now she often frowns. Beauty has a pair of beautiful eyebrows, but frowning every day is naturally not beautiful. Therefore, the poet advised her not to let tears drip on the flower branches and wet the petals, for fear that the flowers would be as thin as people. It turned out that the woman's inner sorrow was her haggard face. The word "flower" in these three sentences is actually the woman herself. When she says don't shed tears at the flowers, she actually means that the woman should not cry. It is a common technique in poetry to set off people with the fineness of flowers, such as Li Qingzhao's "People are thinner than yellow flowers".
Xiatan, the woman hasn't played Yu Di for a long time, and her clear flute no longer exists, because there are too few bosom friends in the world. This implies that women used to have bosom friends, and now this scene is definitely the reason why bosom friends are not there. If you want to know why women worry against railings every day, it is better to ask the willow tree in front of the pavilion. "Liu" has always been a symbol of parting in ancient poetry, and it is also the embodiment of parting sadness. In this poem, if you want to know a woman's sadness, you should ask Liu Shu. This is probably because she once dealt with the bosom friend here and leaned against the railing every day, presumably waiting for the day when he came back.
This poem describes a woman's boudoir, her loneliness and sadness, as well as her sadness and yearning, but the good thing is that she misses not only love, but also her bosom friend, which is a unique experience and feeling of a geisha.
What are the interesting things in Zhou Bangyan?
Zhou Bangyan was a famous poet in the Northern Song Dynasty and occupied an important position in the literary world at that time. In Qing Dynasty, Zhou Ji once praised Zhou Bangyan's ci in Preface to Selected Poems of Song Sijia, calling it "Hun". This kind of realm can't be achieved by ordinary people, only by outstanding talent and hard work the day after tomorrow can it be achieved. Therefore, it is also regarded as the "master" of Ci by later generations. Zhou Bangyan left many anecdotes because of his free and easy personality and informality.
Zhou Bangyan wrote a poem called "Journey to Youth", which mainly tells the whole process of a man staying in a prostitute: * * White and slender fingers holding bright and sharp scissors cut a fresh orange in a fruit bowl and sprinkled a layer of salt on it to entertain the man. The room was filled with fragrance for a while, and the quilt on the bed had already been laid. However, the two men did not have a good time. I saw them sitting face to face, making noises and feeling, and then snuggling up to each other. After making out, the man left immediately, but the woman told him that it was very late, and there were not only few pedestrians outside, but also heavy frost at night. Let's stay until dawn.
About this word, some people think it is about Zhou Bangyan's own behavior of staying for prostitution. However, due to the obscure description between the lines, it is difficult for future generations to know who they are talking about. No matter in the Southern Song Dynasty, there is a new saying that Song Huizong visited the famous geisha Li Shishi and Zhou Bangyan happened to be there. The feeling be nasty under, Zhou Bangyan can only hide under Li Shishi's bed. When Song Huizong came to Li Shishi, he also brought a fresh orange, which is said to have been picked in Jiangnan. Afterwards, Song Huizong and Li Shishi laughed heartily. All this was heard by Zhou Bangyan. After he left Song Huizong, he wrote the word "Youth Journey" accordingly.
Actually, if you think about it carefully, this story is obviously untrue, because after all, Song Huizong was once an emperor, and no matter how much he craved beauty, he would explore it in advance. If Zhou Bangyan hides under the bed, he will be found.
What are Zhou Bangyan's words?
Zhou Bangyan was a famous poet in the Northern Song Dynasty. When I was young, my personality was scattered, but I liked reading. When I was in Song Shenzong, I wrote Biandu Fu to praise the new law. In Hui Zong, he is waiting for the emblem pavilion and the Promotion Sheng Da Building. Proficient in melody, he created many new tones.
As for his ci works, most of them are works of boudoir and wandering, but there are also works of chanting things. His rhyme is rigorous, his language is beautiful and elegant, and his long tune is especially good at description, which was later accepted by metrical poets. His works have always been regarded as "authentic" among elegant poets. In the old ci theory, he was called "the crown of poets" or "the old Du in ci", and was recognized as a poet with negative pronouns, which had a great influence in the Song Dynasty.
In addition, he is considered as a master of graceful and restrained school, and the founder of Jiang Kui and Wu Wenying's metrical ci school in the Southern Song Dynasty. There are many works about his ci, such as Lan Ling Jun Liu, Xihe Jinling Nostalgia, Su Muzhe's Aquilaria Resilience, Youth Journey, Knife Running Water, Huanxi Sha, Red Wet after Rain and so on. He inherited the predecessors, absorbed, refined and carried forward, and made contributions to the development of graceful words. The metrical typesetting he created made graceful words reach the artistic peak.
As for his ci, he is really better than others in artistic skills. He interweaves the past, the present and the future scenes, with changeable techniques, tight structure and euphemism. Secondly, he is proficient in music and carries out "professional creation". He has done a lot of accurate work in modifying the tone of words, expanded the field of music, and made many new innovations in lyrics skills. He can also play music and create new epigrams such as Six Ugliness. In a word, he inherited the achievements of Liu Yong, Qin Guan and others, created the metrical school, and made contributions to the artistic form of Ci.
Appreciation of Zhou Bangyan's slow moon worship
? The word "slow moon worship" is about emotion. Out of the author's fantasy, readers can feel the beautiful image he sketched.
The last film is about the first encounter between the poet and his lover, how quiet it is, and his inner happiness, all of which are vivid under his delicate description. In the first half of the next movie, we continue to write about the past joys and sorrows of the poet and his lover. In the middle, we just used the phrase "the cold wind blows hard", simply saying that what happened before was just a memory, which turned the real scene into a virtual scene, and in the environmental description at the end, people felt the poet's inner bitterness and the unbearable feeling of missing his lover.
In the last movie, it is so unusual to describe the beauty of a beautiful woman through a lot of rhetoric. Finally, I summed up my love for her with a sentence "I have never seen it in my life". The words "I have never seen it in my life" once again highlight the beauty of a beautiful woman, which is the most beautiful thing the poet has ever seen. A few sentences after "Meeting with Laughter" describe the feeling that a beautiful woman was surprised by her surprise at first sight, which can be described from the side without superfluous words, and achieves the miraculous effect of being vivid in a virtual place. I also wrote about my special admiration for a beautiful woman after meeting her. I also wrote about how rare it is to meet her. On the contrary, in the following films, the lyricist's emotional narrative has great ups and downs. The phrase "the crying wind blows away" tells how painful the poet was at that time. The pain of lovesickness was enough to break his heart, and all his feelings were expressed by the word "bitterness".
Between the lines, its structure is to describe the combination of the virtual and the real, and through the description of the virtual and the real, it has reached a vivid level, which makes people feel worried.
Appreciation of Zhou Bangyan Bodhisattva, a poet in the Northern Song Dynasty
Xue Bodhisattva is a work collected by Zhou Bangyan, a poet in the Northern Song Dynasty, in Pian Yu Ci. The name of this word is Yongmei Si Nuo, which actually expresses a farewell feeling through Yongmei's research, and implies the feeling of falling and falling.
This word is always full of eight sentences, which can be regarded as a scene and a feeling. Among them, love is in the scene, and love is seen in the scene. There is no trace of the words echoing up and down, and the scene is muddy. There are both cleverness and muddiness, which can be called ingenuity.
As for the background of Zhou Bangyan's writing this word, it is the most intense period of the struggle between the old and new parties. Even the quiet Imperial College was reduced to a bipartisan position. Before entering Zhou Bangyan, a former college student named Yu Fan appealed against the unfair teaching in the college. So this common dispute was exploited by the New Party, which triggered a sensational case and led to the exile or imprisonment of party member, an old teacher in imperial academy. Since then, the New Party has occupied imperial academy, and its theory has become the standard textbook of imperial academy. Any theory that goes against the interests of the new party is regarded as heresy. Professors must give lectures according to Wang Anshi's explanation, and students must take exams according to Wang Anshi's theory. Any dissatisfied remarks will be reported by the ubiquitous eyeliner. This is Zhou Bangyan's business. Being in it, facing such a scene, the author himself will inevitably have a freezing chill in the frozen hell, and then he will write this word.
Although this word is ostensibly about the snow in Yongmei, if we appreciate it carefully, we will find that this search word is actually about the author's farewell feelings, which implies the feeling of falling behind. At the beginning, it was a big rendering, and the snow shore was gray. He also quoted the words in Liu Yong's Klang Ganzhou, which is light and affectionate and intriguing.