This is an excellent poem of Tang poetry. The first couplet wrote about Jia Yi's three deposed officials, which ended in "eternal sorrow". Write clearly about Jia Yi, but secretly move to exile. The bleak scenery of ancient houses written by Zhuan Lian, such as "autumn grass", "cold forest", "people going" and "sunset", is gloomy. The neck couplet wrote Jia Yi's humble opinion, and he paid tribute to Qu Zi in those days.
vaguely contact yourself, and now rent Jia Yi. The tail couplet lingers in front of the house, the dusk is thicker and the autumn color is deeper, expressing the sorrow of exile. Through mourning and lamenting the unfortunate experience of Jia Yi, a writer in the Han Dynasty, this poem expresses the poet's grief and indignation at being demoted and his dissatisfaction with the social reality at that time. The artistic conception of the whole poem is sad, sincere and touching, and it can be called the masterpiece of the seven laws of the Tang Dynasty.
The "three-year-old official" in the first couplet only ended in "eternal sorrow", and the meaning of the upper and lower sentences was linked with each other, and the response was compact, giving people a feeling of depression and heavy sadness. The word "this" points out "Jia Yizhai". "Living late", like a bird gathering its wings and resting, can't fly. This kind of life is originally uneasy, and it is just right to use it as a metaphor for Jia Yi's frustration.
"Chu Ke", a guest living in Chu, symbolizes Jia Yi's identity. The word "sadness" runs through the end of the poem, laying the melancholy tone of the whole poem, which not only suits Jia Yi's life, but also implies the miserable fate of Liu Changqing's own exile.
"Zhuan Lian" is described around the word "Guo" in the title. "Autumn Grass", "Cold Forest", "People Going" and "Sunset" render the desolate scenery of my hometown, and in this atmosphere, the poet has to "seek alone", and a feeling of admiration and loneliness arises spontaneously. It's not only what we saw in front of us, but also the actual situation of Jia Yi at that time, and it's also a portrayal of the critical situation of the Li and Tang Dynasties.
The necklaces are vaguely related to themselves from Jia Yi's ignorance. Pay attention to a word "Youdao" and a word "Jude" when making a sentence. Emperor Wen of Chinese, known as "Youdao", was so kind to Jia Yi. Then, Tang Daizong, who was groggy and incompetent at that time, was certainly not grateful to Liu Changqing. It is inevitable that Liu Changqing will fall again and again, and it will be bumpy. This is the so-called "between the lines".
The poet's subtle way of pointing the innuendo at today's emperor is quite ingenious. Then, with a turn of the pen, he wrote the couplet "could you hope that the dull river Xiang would understand you". This is also quite subtle.
Xiang shui is heartless, and it has been lost for many years. How can Qu Yuan of Chu know that hundreds of years later, Jia Yi will come to the shore of Hunan River to mourn himself; Jia Yi of the Western Han Dynasty did not expect that Liu Changqing would meet the bleak autumn wind to mourn his site nearly a thousand years later. The hearts of the latecomers can't hate the ancients coming down to the ground to listen, and no one in the world can understand it. The poet is sincerely looking for a bosom friend, and the mood of depression without complaint and negative behavior is very emotional and true.
"these desolate waters, these taciturn mountains, when you came, like me, so far away?!" Reading the sentence in this couplet, it seems that Liu Changqing is standing in front of the reader. He lingered in front of the house, the twilight deepened and the mountains became more silent. A gust of autumn wind swept by, and yellow leaves fell one after another, dancing wildly on the hay. This picture of decadence at sunset is a typical environment for Liu Changqing's activities.
It symbolizes the declining situation of the country at that time, and complements the "sunset" in the fourth sentence, which adds to the flavor of the times and emotional color of the poem. "Jun" refers to both Jia Yi and Liu Changqing himself; "Pity for the monarch" is not only pity for others, but also pity for oneself. "What is the end of the world?" It can be seen that the two should not have been exiled to the end of the world.
The implication here is: You and I are innocent. Why should we be punished so severely? This is a strong accusation against the unreasonable reality imposed on them. Reading the end of this question, I seem to see the tears that the poet can't hold back, and hear the sad sighs of the poet.
The poet's connection with Jia Yi's experience of being demoted makes the scenery in his eyes more desolate and desolate psychologically. Grumpy, I feel deeply about the misfortune of talented people, and I integrate myself with Jia Yi.
On the surface, this nostalgic poem sings about the ancient events of the ancients, but in fact, it focuses on the present and the present. There is a poet's self everywhere between the lines, but these are not so explicit, but very subtle. The poet is good at combining his own life experience, sadness and excitement into the image of the poem, showing a slight irony in the twists and turns, giving people a sense of vigilance.