1. What are the ancient poems and articles that use scenery to explain reasoning
"North Wind Journey"
Tang Dynasty: Li Bai
The candle dragon lives in a poor family, The light is still open.
Why can’t the sun and moon shine like this? Only the north wind roars up from the sky.
The snowflakes in Yanshan Mountain are as big as a mat, and they blow down Xuanyuan Terrace.
In December, when I miss my wife in Youzhou, I stop singing and laugh, and the two moths destroy her.
Leaning against the door and looking at passers-by, it is sad to read that the Great Wall is bitter and cold.
When I said goodbye, I picked up my sword and went to save him. I left behind this golden sword with tiger inscriptions.
There is a pair of white-feathered arrows in it, and a spider spins a web of dust.
The arrows are empty, and people will die in battle now and never come back.
I couldn’t bear to see this thing, so I burned it to ashes.
The Yellow River can be blocked by holding soil, but the north wind, rain and snow can hardly cut it.
"Under the Autumn Night and the Moon"
Tang Dynasty: Meng Haoran
The bright moon hangs in the autumn sky, moistened with lustrous dew.
The startled magpie has not yet settled down, and the flying firefly rolls in behind the curtain.
The cold shadows of the locust tree in the courtyard are sparse, and the neighboring pestle sounds urgently at night.
How long is the good time? Standing looking at the sky.
"Lao Lao Pavilion"
Tang Dynasty: Li Bai
Where the world is sad, Lao Lao sees off guests at the pavilion.
The spring breeze knows no pain and does not send away the green willows.
"Chunzhuang"
Tang Dynasty: Wang Bo
Orchid leaf path in the mountains, plum peach garden outside the city.
I don’t know that people and things are quiet, and I don’t notice the noise of birds.
"Happy Meeting·The slight cloud touches the distant peak"
Qing Dynasty: Nalan Xingde
The faint cloud touches the distant peak, cold and soft, just right Personal Qingxiao thrush is the same.
Red wax tears, green silk quilt, heavy water, but listen to the west wind with Huang Maoye shop. 2. What are the ancient poems and articles that use scenery to explain reasoning?
"North Wind Travel" Tang Dynasty: Li Bai Zhulong lives in a poor house, and the light is still open.
Why can’t the sun and moon shine like this? Only the north wind roars up from the sky. The snowflakes in Yanshan Mountain are as big as a mat, and they blow down Xuanyuan Terrace.
In December, when I miss my wife in Youzhou, I stop singing and laugh, and the two moths destroy her. Leaning against the door and looking at passers-by, it is sad to think of the bitter cold on the Great Wall.
When I said goodbye, I picked up my sword and went to save him. I left behind this golden sword with tiger inscriptions. There is a pair of white-feathered arrows in it, and a spider spins a web of dust.
The arrows are empty, and people will die in battle now and never come back. I couldn't bear to see this thing, so I burned it to ashes.
The Yellow River can be blocked by holding soil, but the north wind, rain and snow can hardly cut it. "Under the Autumn Night and the Moon" Tang Dynasty: Meng Haoran, the bright moon hangs in the autumn sky, moistened by the dew.
The startled magpie has not yet settled down, and the flying firefly rolls in behind the curtain. The cold shadows of the locust tree in the courtyard are sparse, and the neighbor's pestle sounds urgently at night.
How long is the good time? Standing looking at the sky. "Lao Lao Pavilion" Tang Dynasty: Li Bai went to the sad place and Lao Lao saw off guests in the pavilion.
The spring breeze knows no pain and does not send away the green willows. "Chunzhuang" Tang Dynasty: the orchid leaf path in Wangbo Mountain and the peach garden outside the city.
I don’t know that people and things are quiet, and I don’t notice the noise of birds. "Happy Meeting, A Touch of Clouds on a Remote Peak" Qing Dynasty: Nalan Xingde's faint clouds touch a distant peak, cold and soft, just like his personal Qingxiao Thrush.
Red wax tears, green silk quilt, heavy water, but listen to the west wind with Huang Maoye shop. 3. Reasoning verses
(1) Inscription on Xilin Wall: Written on the wall of Xilin Temple. Xilin Temple is located at the northern foot of Lu. Title: writing, inscription. Xilin: Xilin Temple, in Lushan, Jiangxi. (2) Horizontal view: Viewed from the front. Lushan Mountain always runs north-south, so when viewed horizontally, it means looking from the east to the west. Side: Viewed from the side. (3) Different: not the same. (4) Knowledge: see clearly. (5) True face: refers to the real scenery of Mount Lu. (6) Yuan: Same as "original", because; due to. (7) This mountain: This mountain refers to Mount Lu.
Different look. The reason why people can't recognize the true face of Mount Lushan is because they are in Mount Lushan! [1]
Edit this paragraph to appreciate the works
When Su Shi was demoted from Huangzhou to Ruzhou to serve as deputy envoy of regiment training, he passed through Jiujiang and visited Mount Lu. The magnificent mountains and rivers triggered great thoughts, so he wrote several travel poems about Mount Lu. "Tixilinbi" is a summary after visiting Mount Lushan. It describes the changing appearance of Mount Lushan and uses the scenery to reason. It points out that observation issues should be objective and comprehensive. If it is subjective and one-sided, no correct conclusion can be drawn. The first two sentences, "Viewed from the side, there are ridges and peaks, with different heights from near and far", which is a realistic description of what you see when you travel to the mountains. Lushan Mountain is a large mountain with crisscrossing hills and undulating peaks. Visitors will see different scenery depending on their location. These two sentences summarize and vividly describe the ever-changing scenery of Lushan Mountain. The last two sentences, "I don't know the true face of Mount Lu, just because I am in this mountain" are reasoning in the scene and talking about the experience of traveling in the mountain. Why can't we recognize the true face of Mount Lushan? Because we are in Lushan Mountain, our field of vision is limited by the peaks and ridges of Lushan Mountain. What we see is only one peak, one ridge, one hill and one ravine of Lushan Mountain, only part of it. This is bound to be one-sided. This is what you see when you travel to the mountains, and it is often the same when you observe things in the world.
These two poems have rich connotations. They enlighten people to understand a philosophy of how to deal with people - because people are in different positions and have different starting points for looking at problems, their understanding of objective things will inevitably be one-sided; to understand the truth of things and the overall picture, we must transcend the narrow scope and get rid of subjective prejudices. This is a philosophical poem, but the poet does not make an abstract discussion, but closely talks about his unique feelings about the mountain tour. With the help of the image of Mount Lu, he uses popular language to express the philosophy in a simple and profound way, so it is cordial and natural. [1]
Edit this paragraph for later influence
The meaning of this poem is very profound, but the language used is extremely simple. Explaining the profound things in a simple way is exactly one of Su Shi's language characteristics. When Su Shi wrote poems, he had no habit of carving. What the poet pursues is to use a simple, smooth and fluent language to express a fresh and unprecedented artistic conception; and this artistic conception is shining with the light of philosophy from time to time. Judging from this poem, the language expression is concise, but its connotation is rich. In other words, poetry itself is a highly unified image and logic. In four lines of poetry, the poet summarized the characteristics of the image of Mount Lu, and at the same time accurately pointed out the reason why looking at the mountain is incomprehensible. The vivid sensibility and clear rationality are intertwined, causing each other, and the image of the poem is therefore sublimated into a typical example in the realm of reason. This is why people regard the last two sentences as philosophical aphorisms thousands of times. If the poetry tradition before the Song Dynasty was characterized by expressing aspirations and emotions, then in the Song Dynasty, especially Su Shi, a new style of poetry characterized by reasoning and reasoning appeared. This style of poetry is a new path developed by the Song Dynasty people after Tang poetry. In Su Shi's words, it is "creating new ideas in the law and expressing wonderful principles in the bold and unrestrained". The characteristics that form this type of poetry are: shallow language and deep meaning, embodying reasoning based on things, and conveying a taste of indifference. "Inscribed on the Silin Wall" is such a good poem. [1]
Edit the introduction of the author of this paragraph
Portrait of Su Shi
Su Shi (1037~1101), also known as Zizhan, also named Hezhong, also known as "Dong" Po Jushi", the world calls him "Su Dongpo". A native of Meizhou (now Meishan, Sichuan, Meishan City in the Northern Song Dynasty), his ancestral home is Luancheng. A famous writer, thinker, politician, calligrapher, painter, and gourmet in the Northern Song Dynasty. He was one of the Eight Great Masters of the Tang and Song Dynasties and a representative of the bold and unconstrained poets. His poems, poems, poems, and prose are all of high achievement. He is also good at calligraphy and painting. He is a rare all-rounder in the history of Chinese literature and art. He is also one of the most outstanding people recognized for their literary and artistic attainments in China's thousands of years of history. He was the literary leader in the Northern Song Dynasty after Ouyang Xiu. His prose and Ouyang Xiu were collectively called Ou Su; his poetry and Huang Tingjian were collectively called Su Huang; his poetry and Xin Qiji were collectively called Su Xin; and his calligraphy, together with Cai Xiang, Huang Tingjian, and Mi Fu, were collectively called the "Four Song Masters" ; His paintings created the Huzhou School of Painting. His works include "Seven Collections of Dongpo" and "Dongpo Yuefu". Politically, he belongs to the old party. 4. Write poems about Mount Lu using scenery and reasoning.
Waterfall
Jiang Wei
Directly south of Mount Lu, the waterfall has been heard since ancient times.
Thousands of miles away Facing the sea, Qianxun emerges from the white clouds.
The sound of coldness eventually fades away, and the Ling sect is divided.
Except for Deng Tiantai, there is no other advection group.
Inscribed on the wall of the Western Forest
Su Shi
From the side, there are ridges and peaks, with different heights from near to far.
I don’t know the true face of Mount Lu, just because I am in this mountain. .
Lushan Waterfall
Xu Ning
The waterfall is thousands of feet straight,
Thunder rushes into the sea without stopping.
< p> The current and the past are as long as the white fly,A boundary breaks through the color of the green mountains.
The river sees off guests visiting Mount Lu 5. Poems about reasoning on the scene in the wall of the Western Forest
< p> These are the last two sentences of the poem: I don’t know the true face of Mount Lu, just because I am in this mountain.(1) Inscription on Xilin Wall: written on the wall of Xilin Temple. Xilin Temple is located at the northern foot of Lu. Title: writing, inscription. Xilin: Xilin Temple, in Lushan, Jiangxi. (2) Horizontal view: Viewed from the front. Lushan Mountain always runs north-south, so when viewed horizontally, it means looking from the east to the west. Side: Viewed from the side. (3) Different: not the same. (4) Knowledge: see clearly. (5) True face: refers to the real scenery of Mount Lu. (6) Yuan: Same as "original", because; due to. (7) This mountain: This mountain refers to Mount Lu.
Different look. The reason why people can't recognize the true face of Mount Lu is because they are in Mount Lu! [1]
Edit this paragraph to appreciate the works
When Su Shi was demoted from Huangzhou to Ruzhou to serve as deputy envoy of regiment training, he passed through Jiujiang and visited Mount Lu. The magnificent mountains and rivers triggered great thoughts, so he wrote several travel poems about Mount Lu. "Tixilinbi" is a summary after visiting Mount Lushan. It describes the changing appearance of Mount Lushan and uses the scenery to reason. It points out that observation issues should be objective and comprehensive. If it is subjective and one-sided, no correct conclusion can be drawn. The first two sentences, "Viewed from the side, there are ridges and peaks, with different heights from near and far", which is a realistic description of what you see when you travel to the mountains. Lushan Mountain is a large mountain with crisscrossing hills and undulating peaks. Visitors will see different scenery depending on their location.
These two sentences summarize and vividly describe the ever-changing scenery of Lushan Mountain. The last two sentences, "I don't know the true face of Mount Lu, just because I am in this mountain." They are reasoning in the scene and talking about the experience of traveling in the mountain. Why can't we recognize the true face of Mount Lushan? Because we are in Lushan Mountain, our field of vision is limited by the peaks and ridges of Lushan Mountain. What we see is only one peak, one ridge, one hill and one ravine of Lushan Mountain, only part of it. This is bound to be one-sided. This is what you see when you travel to the mountains, and it is often the same when you observe things in the world. These two poems have rich connotations. They enlighten people to understand a philosophy of how to deal with people - because people are in different positions and have different starting points for looking at problems, their understanding of objective things will inevitably be one-sided; to understand the truth of things and the overall picture, we must transcend the narrow scope and get rid of subjective prejudices. This is a philosophical poem, but the poet does not make an abstract discussion, but closely talks about his unique feelings about the mountain tour. With the help of the image of Mount Lu, he uses popular language to express the philosophy in a simple and profound way, so it is cordial and natural. [1]
Edit this paragraph for later influence
The meaning of this poem is very profound, but the language used is extremely simple. Explaining the profound things in a simple way is exactly one of Su Shi's language characteristics. When Su Shi wrote poems, he had no habit of carving. What the poet pursues is to use a simple, smooth and fluent language to express a fresh and unprecedented artistic conception; and this artistic conception is shining with the light of philosophy from time to time. Judging from this poem, the language expression is concise, but its connotation is rich. In other words, poetry itself is a highly unified image and logic. In four lines of poetry, the poet summarized the characteristics of the image of Mount Lu, and at the same time accurately pointed out the reason why looking at the mountain is incomprehensible. The vivid sensibility and clear rationality are intertwined, causing each other, and the image of the poem is therefore sublimated into a typical example in the realm of reason. This is why people regard the last two sentences as philosophical aphorisms thousands of times. If the poetry tradition before the Song Dynasty was characterized by expressing aspirations and emotions, then in the Song Dynasty, especially Su Shi, a new style of poetry characterized by reasoning and reasoning appeared. This style of poetry is a new path developed by the Song Dynasty people after Tang poetry. In Su Shi's words, it is "creating new ideas in the law and expressing wonderful principles in the bold and unrestrained". The characteristics that form this type of poetry are: shallow language and deep meaning, embodying reasoning based on things, and conveying a taste of indifference. "Inscribed on the Silin Wall" is such a good poem. [1]
Edit the introduction of the author of this paragraph
Portrait of Su Shi
Su Shi (1037~1101), also known as Zizhan, also named Hezhong, also known as "Dong" Po Jushi", the world calls him "Su Dongpo". A native of Meizhou (now Meishan, Sichuan, Meishan City in the Northern Song Dynasty), his ancestral home is Luancheng. A famous writer, thinker, politician, calligrapher, painter, and gourmet in the Northern Song Dynasty. He was one of the Eight Great Masters of the Tang and Song Dynasties and a representative of the bold and unconstrained poets. His poems, poems, poems, and prose are all of high achievement. He is also good at calligraphy and painting. He is a rare all-rounder in the history of Chinese literature and art. He is also one of the most outstanding people recognized for their literary and artistic attainments in China's thousands of years of history. He was the literary leader in the Northern Song Dynasty after Ouyang Xiu. His prose and Ouyang Xiu were collectively called Ou Su; his poetry and Huang Tingjian were collectively called Su Huang; his poetry and Xin Qiji were collectively called Su Xin; and his calligraphy, together with Cai Xiang, Huang Tingjian, and Mi Fu, were collectively called the "Four Song Masters" ; His paintings created the Huzhou School of Painting. His works include "Seven Collections of Dongpo" and "Dongpo Yuefu". Politically, he belongs to the old party. 6. Ancient poems about reasoning
"Inscribed on the Wall of the Western Forest" by Su Shi of the Northern Song Dynasty It looks like a ridge from the side and a peak from the side, with different heights near and far.
I don’t know the true face of Mount Lu, just because I am in this mountain. "Reflections on Reading" by Zhu Xi of the Southern Song Dynasty: A half-acre square pond opens up, and the skylight and cloud shadows linger.
Ask the canal how clear it is, because there is a source of living water. Chen Yuyi of the Southern Song Dynasty, "Xiangyi Daozhong" Flying flowers on both sides of the bank illuminate the boat red, and the hundred-mile elm embankment is half a day wind.
I lay down and looked at the sky full of motionless clouds. I didn’t know that the clouds were east of me. "Quequatrains" by Xia Yuanding of the Southern Song Dynasty. When I visited Kongtong and reached Xianghu Lake, I became confused after reading thousands of volumes of poems and books.
It takes no effort to get there even if you wear iron shoes. Lu You of the Southern Song Dynasty wrote "Reading on a Winter Night" to Ziyu. The ancients spared no effort in learning, and it was only when they were young that they were able to achieve success.
I only know that this matter needs to be carried out in detail. "Poem Inscribed on Zhang Siye" by Wang Anshi of the Northern Song Dynasty Suzhou Siye is famous for his poetry, and his music and music are all wonderful and captivating.
What seems ordinary is the most extraordinary, but it is easy but difficult to achieve.