? Word: Art is a vivid illusion.
? (Unity and contradiction)
Practical value and emotional aesthetic value
? Automation and defamiliarization
Evil is not necessarily ugly, and good is not necessarily beautiful.
Emotional retrogression (Cao Cao killed Lv Boshe)
Sentence: Multi-dimensional discovery with rich and complex emotions is the discovery of beauty.
Chapter Two: Causality, Strike Routine and Emotional Dislocation.
Word: plot-assuming a unique causal relationship
Cross section of life
? Mutation and reversal (second environment, second mentality)
Generally speaking, the role of the plot is to break the routine, to expose two (deep) hearts, and to cause emotional dislocation between characters.
Lecture 3-6: Multiple Dislocation
Word: Cao Cao-beautify to ugliness
Song Wu-Divinity and Humanity (Li Kui jy)
Perceptual dislocation
Sister Xianglin —— Triple Contradiction and Four Levels of Depth
The plot gradually faded,
? Multiple perceptual dislocation
Kong Yiji: Narrative perspective opens emotional distance.
A calm narrative, an element of an essay
laugh
Sentence: From the perspective of Lu Xun's pursuit, novel aesthetics is the multiple perceptual changes of characters. Lu Xun's greatness lies in discovering that a character's life lies not only in the conflict of behavior, language and thought, but also in the overlapping/deviating structure of human feelings. Everyone's perception is different and unconnected, but it is not only linear opposition, but also multi-staggered (misplaced). In Lu Xun's misplacement perception aesthetics, the perception of others and self-perception form an organic structure, which makes the function of self-perception mutate and the centralized self-independent perception loses its autonomy. Characters often have no feelings for themselves, but feelings for others are regarded as life-threatening. The character's self-feeling depends on others, mainly the perception of the people around him, as if living for the perception of others; The most extreme thing is that people don't let her have a blessing, and she has a nervous breakdown and can't live.
The seventh lecture on classical poetry: metaphor, image, implication, artistic conception, and expressing one's mind directly.
To sum up, there are three artistic conceptions in China's poems: the first one wins by the change of meaning, the emotion is dynamic, and its meaning is linear and tortuous. Second, the meaning pulse is not dynamic, but a state of continuous concentration. Visually, it is the stillness of the eyes; As far as hearing is concerned, hearing is in a static state (there are more silent stories than talking). The third is the infiltration and diffusion of meaning. Emotion is not only static, but also virtual, while images are free, self-contained and unadorned. This reveals a certain concept, and the weakened and vague emotion is moving because perception transcends the direct concept of emotion and blends with water and milk, showing the harmony between man and nature, the integration of mind and matter, and the high unity of meaning and environment. In a sense, this should be more in line with the concept of "nothing, everything is romantic".