Author: Li Bai
My hair barely covers my forehead. I am picking flowers and paying by my door.
When you, my love, ride a bamboo horse, run in circles and throw your childhood.
We live in an alley in Qingkan. We are all young and happy.
When I was fourteen, I became your wife, and I was too shy to laugh.
I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls.
But at the age of fifteen, I raised my eyebrows and laughed, knowing that no dust can seal our love.
Even to death, I will wait for you in my post, and I will not lose heart in the silent watchtower.
When I was sixteen years old, you embarked on a long journey, crossing the Qingtang Canyon full of rocks and swirling water.
Then the fifth month, I couldn't help it anymore. I tried to listen to the monkeys in your distant sky.
I looked at the place where you walked, your footprints in front of our door, each hidden under the green moss.
Hiding under the moss is too deep to sweep away, and the first autumn wind adds leaves.
Now, in the eighth month, yellow butterflies, two by two, are hovering on the grass in our western garden.
Because of all this, my heart is broken, and I am worried that my bright cheeks will fade.
Oh, finally, when you come back through three Pa areas, send me a message home in advance! .
I'll pick you up, and I won't mind the distance, all the way to Sha Changfeng.
To annotate ...
Long March: a miscellaneous song belonging to Yuefu.
Changganli: In today's Nanjing, it is a place where boat people live, so Changganli expresses the feelings of boatmen and women.
Initial forehead: refers to the hair that just covers the forehead when you are young.
Plot: the game.
Bamboo Horse: Ride a horse with a bamboo pole.
Bed: the well bed in the courtyard, that is, the pulley frame for drawing water.
Cohabitation: To live together.
No suspicion: No suspicion.
Show your eyebrows first: it means that your emotions are revealed in your brow.
Bao Zhuxin: The song "Zhuangzi Stole Feet" is about Wei Sheng meeting a woman under the bridge. When the woman didn't arrive, the water suddenly rose. Weisheng kept his promise and refused to leave. He was drowned by a pillar in the water.
Luandui: a large reef at the mouth of Qutang Gorge, one of the Three Gorges. The water rises in May of the lunar calendar, and there is no reef, so ships are easy to hit the rocks and sink.
Trajectory: refers to the footprint left by the husband when he goes out.
Butterfly Yellow: It is said that there are many colorful butterflies in spring and Huang Die in autumn.
Feel this: I just feel butterflies flying together.
Sit: Because.
Sooner or later: when.
Book: letter.
Not far: if you don't say far, you don't have to go far.
Dust Storm in Longsha: Place name, near the Yangtze River in Anqing City, Anhui Province, about 700 miles away from Nanjing.
Make an appreciative comment
This is a poem about a businesswoman's love and parting. In the tone of a woman's self-report, she expressed her nostalgia for her husband who was doing business in other places. The poem skillfully combines some life fragments (or the life scenes imagined by the heroine) into a complete artistic whole by using the age ordinal method and the style of four seasons acacia.
In the first four sentences of the poem, the woman recalls that she grew up with her husband when she was a child. They were "childhood friends" and "two young people had no guesses". The sentence "I became your wife when I was fourteen years old" wrote the scene of my first marriage with extremely delicate brushstrokes. Although the other person is a childhood friend, he is still shy when he is married. "But at the age of fifteen, I frowned and laughed", which expressed the passionate love developed between husband and wife after marriage. Zhuangzi. Stealing the soles of the feet and saying, "Wei Sheng, the woman is dating under the beam (bridge). If the woman doesn't come, the water won't go, and she will die with a beam. " Young couples are willing to live and die together, and always have the belief of sticking to their posts. Where did they ever think that there would be a husband platform today? "Then I'm sixteen years old, and you're far away." In four sentences, Yao Si's husband traveled in the dangerous road of the Three Gorges of the Yangtze River. I can't help but feel scared when I think of the environment where apes are crying and reefs are piled up under high waves and rapids. The following eight sentences, "Your footprints are in front of our door, where I watched you go", are touching, and the deep-rooted acacia is tormenting the young woman's heart. The footprints left by standing in front of the door were covered with moss and fallen leaves. Coupled with the butterflies flying in the West Garden, it is particularly sad. Because of the suffering of sadness, my face is not haggard. The last four sentences, take a message to distant relatives: whenever you come back, write a letter to your family in advance so that I can pick you up, even if we meet in the long sandstorm 700 miles away, it won't be too far.
This poem is about the tenderness, delicacy, lingering and tactfulness of southern women. With Xu Shu's harmonious syllables and vivid language, it shows integrity and creativity in depicting life scenes, rendering environmental atmosphere and describing characters' personalities. Poems in the Tang and Song Dynasties praised: "The affair of children is straight out of my heart. Back and forth, I am deeply in love. " Very high evaluation. This poem almost shows the history of the heroine's character development through a series of typical life fragments and descriptions of psychological activities. Moreover, with the growth of the characters, the sons and daughters of a pair of merchant families all write the liberation color of marriage and love. Chang Gan in the poem is a special living environment. It is located in Jinling Lane, Bengu, Nanjing, and most of its residents are engaged in business. In ancient times, the control of feudal ethics was relatively weak between businessmen and citizens. This long-term dry woman seems to have been away from the guardianship of feudal ethics since she was a child, but in a relatively open living environment. Childhood life is beneficial to the healthy development of the mind. When she was newly married, she was "too ashamed to laugh, bowed her head and went to a dark corner, and refused to make a long-awaited call to you", which did not show the distress of some women because of the persecution of feudal marriage, but showed her reserved love and sincere character through shy modality. After her marriage, "knowing that no dust can seal our love", "I will wait for you in my post until I die" and her deep thinking after leaving her husband vividly show sincere and equal love and eager pursuit and yearning for love and happiness. This kind of love was liberated from feudal ethics.
In the first half of the eighth century, the economy of the Tang Empire flourished, and the industry, commerce and cities further developed. Born in a merchant family, Li Bai has always been in close contact with the citizens, and is the poet who dares to despise the feudal order most in the Tang Dynasty. It can be said that he and his eldest son and daughter are the first people to breathe some fresh air produced by the civic circle. Li Bai's Long March was more than half a century earlier than Bai Juyi's pipa. Before and after Pipa Xing came out, it almost became a fashion to write about businessmen or prostitutes in poems and legends. At the same time, civic literature has sprouted and developed. Therefore, Li Bai's article can be said to have revealed the market atmosphere in some feudal orthodox literature as early as possible, and it is the predecessor of Pipa Xing and other works.
Yueyang linxiang
Appreciation of Li Bai's Yuefu Poem Gan Long Xing
A Song of Changgan
Lipper
My hair is newly repaired. I am picking flowers and paying by my door.
When you, my love, ride a bamboo horse, run in circles and throw your childhood.
We live in an alley in Qingkan. We are all young and happy.
When I was fourteen, I became your wife, and I was too shy to laugh.
I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls.
But when I was fifteen, I frowned and smiled and said, May it become dust and ashes.
Even to death, I will wait for you in my post, and I will not lose heart in the silent watchtower.
Then when I was sixteen, you left on a long journey, didn't you? many
Then in the fifth month, I couldn't help it anymore. The ape shouted in the sky.
Every old footprint in front of the door is hidden under green moss.
Hiding under the moss is too deep to sweep away, and the first autumn wind adds leaves.
Yellow butterflies in August, hovering in the grass of our West Garden in pairs.
Because of all this, my heart is broken, and I am worried that my bright cheeks will fade.
Oh, finally, when you come back through three Pa areas, send me a message home in advance! .
I'll pick you up, and I won't mind the distance, all the way to Sha Changfeng.
Make an appreciative comment
Li Bai's Long March is another successful work that he borrowed from the folk songs of the Six Dynasties.
The Long March belongs to Yuefu Zaqu, which was originally a folk song in the lower reaches of the Yangtze River. Jiangdong called the clearing between hills dry. There are mountains in the south of Jianye (now Nanjing), and the mountains are flat, and the government and the people live together, which is called "big long stalks and small long stalks". The whole poem adopts the first-person style, and uses the narrative of the years and the folk songs of the four seasons of lovesickness to skillfully connect the heroine's life scenes together to form a complete artistic whole.
The first six sentences of the poem are about the heroine's happy childhood, which is also one of the most touching paragraphs in the poem. She fondly recalled the time when she grew up with her husband, "childhood friends" and "two children don't guess". This memory began with a touching childhood story: "I got a new forehead, and I picked flowers and paid by the door." When you, my love, ride a bamboo horse, run in circles and throw your childhood. We live together in an alley in Changgan, and we are all young and happy. " Drama, games. Bed, an ancient seat, is not a bed for sleeping now. The heroine in the poem has lived by her husband since she was a child. When she was a lovely little girl, whose hair just left beautiful bangs on her forehead, and she was keen on playing with flowers and plants at home, the little boy in the neighborhood rode a horse made of bamboo poles all day and sat around the little bench of the little girl, playing endlessly. During this period, I had a wonderful experience with the plum tree as the background. When she grows up, she often recalls this. This is undoubtedly much luckier than those arranged marriages that were completely designated by parents and had no emotional foundation at that time.
Next, the poem describes the scene of the first marriage with extremely delicate expressions and vivid brushstrokes: "I became your wife at the age of fourteen, and I was too shy to laugh." I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls. " Although her husband was a childhood playmate, in the first year of marriage, a girl aged 14 suddenly became someone else's bride without any preparation. Naturally, she felt shy. She was at a loss for the sudden change of her identity. The little boy who only knew horse riding and had childhood friends suddenly became the groom's official, but she was very satisfied with the marriage. Unfortunately, despite his enthusiastic call for his new wife, the bride just faces the wall, shy and silent. This dramatic detail description is so unexpected, but it is very reasonable, which vividly reproduces the unforgettable wedding night for women.
Then this poem expresses the passionate love developed by the young couple because of their married life in a very sweet tone. "But at the age of 15, I raised my eyebrows and smiled, knowing that no dust can seal our love. A lasting letter will never lose confidence in the silence of the tower. " After a year of marriage, she is no longer that shy and inexperienced little girl, and her shyness and embarrassment have long since vanished. The heroine has completely entered the role of wife and lived a harmonious life with her husband. She has a good life and a good mood. She not only smiles all day, but also secretly vows to live with her husband forever. Here, dust and ashes symbolize her unswerving love for her husband and her determination to share joys and sorrows with him. The poet carefully selected two allusions, which concisely expressed the happy mentality of the young couple immersed in the sweetness of love. Hug column published the book Zhuangzi Stole Feet: In ancient times, there was a man named Weisheng who met a woman under a bridge. Before the arrival of the woman, the flood came, and Weisheng refused to break his promise, so he clung to the bridge column and refused to leave, and was drowned alive by the flood. The legend of Wang Fuzhi was very common in ancient China. Generally, the husband has been away from home for many years, and the wife often stands on the mountain, expecting her husband to come back early and turn into a stone over time. But this year, the young couple were inseparable, and her husband took good care of her, just like the most infatuated man in ancient times, and remained faithful, which made her full of fantasy and hope for her future life and love. Accompanied by such a husband, unlike those unfortunate sisters around her, she often struggles alone for several years because of her husband's long journey, living alone in an empty room and eventually becoming a cold husband stone. Seeing this, we may be sincerely happy for the heroine and sigh with kindness again. What a lucky woman.
"So when I was sixteen, you left, Qu Tangying? Heap. " However, I never imagined that the happy days only lasted for one year. /kloc-at the age of 0/6, my husband was forced to make a living, far from home, and walked along the Yangtze River to the most dangerous natural barrier in the world. Heap "! Hey? Yes, a huge rock in the Yangtze River is located at the mouth of Qutang Gorge, five kilometers east of fengjie county, Sichuan. The pile extends out of the river, and the water surface narrows. When the water is heavy, it sinks to the bottom of the river and disappears. In short, whenever it passes, it is extremely dangerous. It was blown up in the early days of liberation. A folk song said, "Am I? As big as a horse, Qutang can't get down. Hey? As big as a turtle, a winding pond is a boat. Hey? As big as a turtle, the winding pond is invisible. "When my husband just left home, my wife was most worried about his safety. Just last year, she was glad that she was "never discouraged in the tower of watching". Unexpectedly, now she has joined the ranks of this misfortune. But her husband went out for the livelihood of the family, and there was nothing she could do. She is worried about the safety of her husband's travel. Without her husband's care and service, she has only the hardships and dangers of life. It's scary to think of these things. The rhythm of the following poems was obviously accelerated, from May to August, showing the heroine's uneasy mood at home as if she had spent a year.
"Then in the fifth month, I couldn't help it anymore. The ape was crying in the sky. Every old footprint in front of the door is hidden under green moss. Hiding under the moss is too deep to sweep away, and the early autumn wind adds leaves. " In May this year, the heroine who stayed at home saw that the river in front of her house was getting higher every day, and naturally she associated it with the water in the Three Gorges. The pile has been submerged by the river, so it is difficult to distinguish the passing ships and it is easy to hit the rocks and sink. Thought of here, she was very upset, as if she even heard the cry of river apes in the canyon. Old footprints refer to the footprints left by the husband when he lived together. I don't know where my husband is here and now, because there is no news, so the traces of his life left at home are very shocking. The path in front of the door is taken every day when her husband is at home, but only a few months later, because her husband is gone, this path has grown green moss. The word "all hidden, every one, under the green moss" is very unique. Vividly shows the heroine's longing for her husband. She is at home, no matter what she looks at. It seems that everyone can see the footprints left by her husband at home. Every "trace" reminds her of the good life in the past, deepens her thoughts about her husband and causes her anxiety. In this unconscious memory, miss and worry, the "moss" in front of the door grew thicker and thicker, until one day, she suddenly found that the whole summer had passed and I didn't know when it had fallen on the next layer of leaves blown by the autumn wind. Looking at the fallen leaves, she couldn't help sighing: "How come this autumn is so early!"
"Yellow butterflies in August, two by two hovering in the grass of our West Park. Because of all this, my heart is broken, and I am worried about my bright cheeks, lest they fade. " The word "sit" often means "because" in ancient poetry. For example, Du Mu's famous sentence "Stop and sit and love the maple forest late, and the frost leaves are red in February flowers" ("Mountain Walk") means that I can't help but stop and watch because I love the maple leaves. In May, when she saw her husband's tracks, her heart was filled with infinite lovesickness. In August, no matter what she saw, she only felt sad. She felt that her fate was worse than a butterfly dancing in the West Garden! In this ever-present suffering of lovesickness, even my face has become increasingly haggard. In fact, at this time, she is still a young woman in her prime, but her expression and charm of "recovering at first", "never opening her mouth" and "showing her eyebrows at first" that excited us at the beginning have been tortured beyond recognition by real life, and our hearts have become heavier, so we can't help sighing for her misfortune. Judging from the following "Old Track in front of the Door", the touching scene is full of sadness, such as the love of fire turning into unforgettable acacia, which torments the heroine who has become a young woman's heart. I saw mosses on the road in front of my house in May, and butterflies flying in the West Garden in August. What I see and think of is nothing more than the traces left by my husband. What I care about is nothing more than the safety of my husband going out. I am completely numb to my daily life and healthy diet. Unconsciously, the stars have shifted and times have changed. The naive and romantic little girl who "my hair began to recover" no longer exists, but has become a businesswoman who "I am worried about my bright cheeks lest they fade". How shocking and unbearable all these changes are. However, years can grow old and beauty can fade away, but the heroine's loyalty to her husband will never change because of the torture of years, only deeper and more dignified. Perhaps at this time, without the enthusiasm when I was fifteen, I frowned and smiled, which will increase my persistence and firmness.
"Oh, finally, when you come back through the three Pa areas, give me a message to go home! . I will come to pick you up, and I won't mind the distance until Sha Changfeng. " Sooner or later. Sanba, a place name, refers to Baxian, Badong and Brazil, all in the east of Sichuan Province. Changsha riot, place name, also known as Changfeng gorge. On the edge of the Yangtze River, five miles east of Huaiyuan County, Anhui Province. Lu You's Book of Entering Shu says that it is 700 miles from Nanjing to Changfeng Gorge. At the end of the poem, she couldn't help silently calling her husband who was thousands of miles away. Whenever I go home, I must send a message in advance to let me know that even if it is a "long sandstorm" 700 miles away, I will meet it without hesitation. Isn't this confession of "I will come back to see you, regardless of the distance, until Sha Changfeng" more attractive to her longing for love and showing her true feelings for her husband than countless Wang Fu stone tablets standing in history? Although she appears in front of readers with the image and mentality of a weak woman in the whole poem, there is a loyal heart hidden under her weak appearance. From beginning to end, the heroine's external image and inner world have undergone earth-shaking changes, but one thing has not changed at all, that is, her sincerity to her husband.
This weak southern woman, through poetry, revealed to us the ordinary but infatuated emotional experience in her life in a "touching and tortuous" style, which deeply touched us. After reading it, we almost forgot that this poem was written by a "poetic fairy" Li Bai, which is perhaps the most commendable place of this poem. No wonder Zhong Xing said that this poem is "an ancient show, a true China Yuefu." Without a trace of posturing and affectation, the Long March is simply more folk songs and more Yuefu. Who can say that this is not an out-and-out Yuefu poem "Feeling sad and happy, starting from something"? Li Bai is really a versatile person.
Respondent: Principal of Zheng No.1 Middle School, 12 grade 6- 19 13:28.
My hair is newly repaired. I am picking flowers and paying by my door.
When you, my love, ride a bamboo horse, run in circles and throw your childhood.
We live in an alley in Qingkan. We are all young and happy.
When I was fourteen, I became your wife, and I was too shy to laugh.
I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls.
But when I was fifteen, I frowned and smiled and said, May it become dust and ashes.
Even to death, I will wait for you in my post, and I will not lose heart in the silent watchtower.
Then when I was sixteen, you left on a long journey, didn't you? many
Then in the fifth month, I couldn't help it anymore. The ape shouted in the sky.
Every old footprint in front of the door is hidden under green moss.
Hiding under the moss is too deep to sweep away, and the first autumn wind adds leaves.
Yellow butterflies in August, hovering in the grass of our West Garden in pairs.
Because of all this, my heart is broken, and I am worried that my bright cheeks will fade.
Oh, finally, when you come back through three Pa areas, send me a message home in advance! .
I'll pick you up, and I won't mind the distance, all the way to Sha Changfeng.
Make an appreciative comment
Li Bai's Long March is another successful work that he borrowed from the folk songs of the Six Dynasties.
The Long March belongs to Yuefu Zaqu, which was originally a folk song in the lower reaches of the Yangtze River. Jiangdong called the clearing between hills dry. There are mountains in the south of Jianye (now Nanjing), and the mountains are flat, and the government and the people live together, which is called "big long stalks and small long stalks". The whole poem adopts the first-person style, and uses the narrative of the years and the folk songs of the four seasons of lovesickness to skillfully connect the heroine's life scenes together to form a complete artistic whole.
The first six sentences of the poem are about the heroine's happy childhood, which is also one of the most touching paragraphs in the poem. She fondly recalled the time when she grew up with her husband, "childhood friends" and "two young children don't have to guess". This memory began with a touching childhood story: "I got a new forehead, and I picked flowers and paid by the door." When you, my love, ride a bamboo horse, run in circles and throw your childhood. We live together in an alley in Changgan, and we are all young and happy. " Drama, games. Bed, an ancient seat, is not a bed for sleeping now. The heroine in the poem has lived by her husband since she was a child. When she was a lovely little girl, whose hair just left beautiful bangs on her forehead, and she was keen on playing with flowers and plants at home, the little boy in the neighborhood rode a horse made of bamboo poles all day and sat around the little bench of the little girl, playing endlessly. During this period, I had a wonderful experience with the plum tree as the background. When she grows up, she often recalls this. This is undoubtedly much luckier than those arranged marriages that were completely designated by parents and had no emotional foundation at that time.
Next, the poem describes the scene of the first marriage with extremely delicate expressions and vivid brushstrokes: "I became your wife at the age of fourteen, and I was too shy to laugh." I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls. " Although her husband was a childhood playmate, in the first year of marriage, a girl aged 14 suddenly became someone else's bride without any preparation. Naturally, she felt shy. She was at a loss for the sudden change of her identity. The little boy who only knew horse riding and had childhood friends suddenly became the groom's official, but she was very satisfied with the marriage. Unfortunately, despite his enthusiastic call for his new wife, the bride just faces the wall, shy and silent. This dramatic detail description is so unexpected, but it is very reasonable, which vividly reproduces the unforgettable wedding night for women.
Then this poem expresses the passionate love developed by the young couple because of their married life in a very sweet tone. "But at the age of 15, I raised my eyebrows and smiled, knowing that no dust can seal our love. A lasting letter will never lose confidence in the silence of the tower. " After a year of marriage, she is no longer that shy and inexperienced little girl, and her shyness and embarrassment have long since vanished. The heroine has completely entered the role of wife and lived a harmonious life with her husband. She has a good life and a good mood. She not only smiles all day, but also secretly vows to live with her husband forever. Here, dust and ashes symbolize her unswerving love for her husband and her determination to share joys and sorrows with him. The poet carefully selected two allusions, which concisely expressed the happy mentality of the young couple immersed in the sweetness of love. Hug column published the book Zhuangzi Stole Feet: In ancient times, there was a man named Weisheng who met a woman under a bridge. Before the arrival of the woman, the flood came, and Weisheng refused to break his promise, so he clung to the bridge column and refused to leave, and was drowned alive by the flood. The legend of Wang Fuzhi was very common in ancient China. The average husband has been away for many years, and his wife often stands on the mountain, looking through the autumn water, hoping to make a stack? Gold? Hey hey? ? Wet and desolate? Chuanchuanchuan? Broken curtain? Bad luck? Wei skirt? Sakamoto dragging a gun? What's so fierce about it? Lying? Yi Huan? Hook alliance? Silly porcelain? Bucket? Hammer blasphemy? Hey, Meng Meng, Mi? Last name? Do you agree with him? What's wrong with lying? Leech? What is the brain satin? R, what's the matter with you Lang Lang? Fermented against Toona sinensis? Hey? Resist Larva? ? Blow a straw? Are you strong? Kindness Do you want to play with me? Are you afraid of badger's mother? What are you talking about? Search for health?
"So when I was sixteen, you left, Qu Tangying? Heap. " However, I never imagined that the happy days only lasted for one year. /kloc-at the age of 0/6, my husband was forced to make a living, far from home, and walked along the Yangtze River to the most dangerous natural barrier in the world. Heap "! Hey? Yes, a huge rock in the Yangtze River is located at the mouth of Qutang Gorge, five kilometers east of fengjie county, Sichuan. The pile extends out of the river, and the water surface narrows. When the water is heavy, it sinks to the bottom of the river and disappears. In short, whenever it passes, it is extremely dangerous. It was blown up in the early days of liberation. A folk song said, "Am I? As big as a horse, Qutang can't get down. Hey? As big as a turtle, a winding pond is a boat. Hey? As big as a turtle, the winding pond is invisible. "When my husband just left home, my wife was most worried about his safety. Just last year, she was glad that she was "never discouraged in the tower of watching". Unexpectedly, now she has joined the ranks of this misfortune. But her husband went out for the livelihood of the family, and there was nothing she could do. She is worried about the safety of her husband's travel. Without her husband's care and service, she has only the hardships and dangers of life. It's scary to think of these things. The rhythm of the following poems was obviously accelerated, from May to August, showing the heroine's uneasy mood at home as if she had spent a year.
"Then in the fifth month, I couldn't help it anymore. The ape was crying in the sky. Every old footprint in front of the door is hidden under green moss. Hiding under the moss is too deep to sweep away, and the early autumn wind adds leaves. " In May this year, the heroine who stayed at home saw that the river in front of her house was getting higher every day, and naturally she associated it with the water in the Three Gorges. The pile has been submerged by the river, so it is difficult to distinguish the passing ships and it is easy to hit the rocks and sink. Thought of here, she was very upset, as if she even heard the cry of river apes in the canyon. Old footprints refer to the footprints left by the husband when he lived together. I don't know where my husband is here and now, because there is no news, so the traces of his life left at home are very shocking. The path in front of the door is taken every day when her husband is at home, but only a few months later, because her husband is gone, this path has grown green moss. The word "all hidden, every one, under the green moss" is very unique. Vividly shows the heroine's longing for her husband. She is at home, no matter what she looks at. It seems that everyone can see the footprints left by her husband at home. Every "trace" reminds her of the good life in the past, deepens her thoughts about her husband and causes her anxiety. In this unconscious memory, miss and worry, the "moss" in front of the door grew thicker and thicker, until one day, she suddenly found that the whole summer had passed and I didn't know when it had fallen on the next layer of leaves blown by the autumn wind. Looking at the fallen leaves, she couldn't help sighing: "How come this autumn is so early!"
"Yellow butterflies in August, two by two hovering in the grass of our West Park. Because of all this, my heart is broken, and I am worried about my bright cheeks, lest they fade. " The word "sit" often means "because" in ancient poetry. For example, Du Mu's famous sentence "Stop and sit and love the maple forest late, and the frost leaves are red in February flowers" ("Mountain Walk") means that I can't help but stop and watch because I love the maple leaves. In May, when she saw her husband's tracks, her heart was filled with infinite lovesickness. In August, no matter what she saw, she only felt sad. She felt that her fate was worse than a butterfly dancing in the West Garden! In this ever-present suffering of lovesickness, even my face has become increasingly haggard. In fact, at this time, she is still a young woman in her prime, but her expression and charm of "recovering for the first time", "never opening her mouth" and "showing her eyebrows" that excited us at the beginning have been tortured beyond recognition by real life, and our hearts have become heavier, so we can't help sighing for her misfortune. Judging from the following "Old Track in front of the Door", the touching scene is full of sadness, such as the love of fire turning into unforgettable acacia, which torments the heroine who has become a young woman's heart. I saw mosses on the road in front of my house in May, and butterflies flying in the West Garden in August. What I see and think of is nothing more than the traces left by my husband. What I care about is nothing more than the safety of my husband going out. I am completely numb to my daily life and healthy diet. Unconsciously, the stars have shifted and times have changed. The naive and romantic little girl who "my hair began to recover" no longer exists, but has become a businesswoman who "I am worried about my bright cheeks lest they fade". How shocking and unbearable all these changes are. However, years can grow old and beauty can fade away, but the heroine's loyalty to her husband will never change because of the torture of years, only deeper and more dignified. Perhaps at this time, without the enthusiasm when I was fifteen, I frowned and smiled, which will increase my persistence and firmness.
"Oh, finally, when you come back through the three Pa areas, give me a message to go home! . I will come to pick you up, and I won't mind the distance until Sha Changfeng. " Sooner or later. Sanba, a place name, refers to Baxian, Badong and Brazil, all in the east of Sichuan Province. Changsha riot, place name, also known as Changfeng gorge. On the edge of the Yangtze River, five miles east of Huaiyuan County, Anhui Province. Lu You's Book of Entering Shu says that it is 700 miles from Nanjing to Changfeng Gorge. At the end of the poem, she couldn't help silently calling her husband who was thousands of miles away. Whenever I go home, I must send a message in advance to let me know that even if it is a "long sandstorm" 700 miles away, I will meet it without hesitation. Isn't this confession of "I will come back to see you, regardless of the distance, until Sha Changfeng" more attractive to her longing for love and showing her true feelings for her husband than countless Wang Fu stone tablets standing in history? Although she appears in front of readers with the image and mentality of a weak woman in the whole poem, there is a loyal heart hidden under her weak appearance. From beginning to end, the heroine's external image and inner world have undergone earth-shaking changes, but one thing has not changed at all, that is, her sincerity to her husband.
This weak southern woman, through poetry, revealed to us the ordinary but infatuated emotional experience in her life in a "touching and tortuous" style, which deeply touched us. After reading it, we almost forgot that this poem was written by a "poetic fairy" Li Bai, which is perhaps the most commendable place of this poem. No wonder Zhong Xing said that this poem is "an ancient show, a true China Yuefu." Without a trace of posturing and affectation, the Long March is simply more folk songs and more Yuefu. Who can say that this is not an out-and-out Yuefu poem "Feeling sad and happy, starting from something"? Li Bai is really a versatile person.
return