Holding an oil-paper umbrella alone
Wandering in the long, long
Lonely rain lane,
I hope to see
Like cloves.
A girl with a grudge.
She does.
Clove-like color,
Lilac-like fragrance,
Sad as cloves,
Mourning in the rain,
Sadness and hesitation;
She lingers in this lonely rain lane,
Hold an oil-paper umbrella
Like me,
Like me.
voicelessly
Cold, sadness and melancholy.
She approached quietly,
Get close and throw again.
Breathing eyes
She floated by.
Like a dream,
As sad and confused as a dream.
Floating like a dream
A lilac field,
I passed this girl by;
She left silently, left,
A crumbling fence,
Walk through this rainy path.
In the lamentation of the rain,
Remove her color,
Spread her fragrance,
Disappeared, even hers
Breathing eyes
Lilac is melancholy.
Holding an oil-paper umbrella alone
Wandering in the long, long
Lonely rain lane,
I hope to float over.
Like cloves.
A girl with a grudge.
Analysis: Rain Lane is Dai Wangshu's famous work and early masterpiece, for which he was nicknamed "Rain Lane Poet". This poem was written in the summer of 1927. At that time, the whole country was in a state of white terror Because Dai Wangshu participated in progressive activities, he had to take refuge in a friend's house in Songjiang, chewing the disillusionment and pain after the failure of the Great Revolution in loneliness, and his heart was full of lost emotions and hazy hopes. The poem "Rain Lane" is an expression of his state of mind, which is intertwined with the dual emotional appeal of disappointment and hope, disillusionment and pursuit. This feeling was common at that time. Rain Lane adopts symbolic lyrical techniques. The narrow and gloomy rain lane in the poem, the lonely traveler wandering in the rain lane, and the girl as sad as lilac are all symbolic images. These images constitute a symbolic artistic conception, which implicitly implies the author's confusion, sadness and expectation, giving people a hazy and profound aesthetic feeling. Musicality is another outstanding artistic feature of Rain Lane. In the poem, repetition of sounds, repetition of sentences, repetition of singing and other techniques are used, resulting in the cycle of melody and pleasant sense of music. Therefore, Mr. Ye Shengtao praised this poem for opening a "new era" for the syllables of China's new poems.
In Rain Lane, the poet created a girl with a lilac knot. Although this is inspired by some works in ancient poetry. It is a traditional expression in ancient Chinese poetry to use lilac knots, that is, lilac buds, to symbolize people's worries. For example, there is a poem in Li Shangyin's "Gifts for Generations" that says "bananas don't show lilac knots, but they are worried about the spring breeze in the same direction". In the Southern Tang Dynasty, Li Jing tied a lilac knot with me in the rain. He has a song "Huanxisha"
Roll up pearls to make curtains and hang hooks. In the tall building, I look like before, and my depression is still locked. Who is the Lord in the wind? Take it easy!
The messenger didn't bring news to the pedestrians far away. The lilacs in the rain reminded me of sadness. I looked back at the Three Gorges at dusk and saw the river falling from the sky.
In this poem, the lilac knot in the rain is used as a symbol of people's sadness. Obviously, Dai Wangshu absorbed the artistic conception and methods of describing sadness from these poems and applied them to form the artistic conception and image of Rain Lane. This kind of absorption and reference is obvious, but can we say that the artistic conception and image of Rain Lane are the expansion and desalination of the modern vernacular version of the old poem "Lilacs are sad in the rain"? I don't think so. When the poet conceived the artistic conception and image of the rain lane, he not only absorbed the juice of his predecessors, but also created his own. First, the ancients used the lilac knot itself as a symbol of sadness in their poems, while Yuxiang imagined a girl who was as sad as lilac. She has the image of lilacs disappearing in an instant, which is different from the old classical poems and other works created by the poet in his early days. She is full of the tone of the old poems and shows more flavor of the new era. "Lilacs in the rain bear sorrow" can arouse people's hope and disillusionment more than "girls who are as sad as lilacs", and this image is a rare creation in the field of expressing the sorrow of the times. Secondly, in ancient poetry, the lilac knot in the rain is based on the real life scene to pin the poet's feelings. The poet added his imagination to his life experience. It is the product of artistic imagination, more beautiful than life.
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Farewell to Cambridge-Xu Zhimo
I left quietly, just as I came gently;
I waved my hand gently and bid farewell to the clouds in the western sky.
The golden willow by the river is the bride in the sunset;
Beautiful shadows in the waves ripple in my heart.
Green grass on the soft mud, oily, swaying at the bottom of the water;
In the gentle waves of He Kanghe, I would like to be an aquatic plant!
The pool under the shade of the elm tree is not a clear spring.
It is the rainbow in the sky that is crushed in floating seaweed, precipitating a rainbow-like dream.
Looking for dreams? Support a long pole and swim back to a greener place on the grass.
Full of starlight, singing in the splendor of starlight.
But I can't play the piano, just a farewell flute;
Summer insects are also silent for me. Silence is Cambridge tonight.
Analysis: Farewell to Cambridge is a beautiful lyric poem, just like an elegant and beautiful light music. 1In the autumn of 928, the author visited England again, revisiting his old place, which was full of poetry, and turned his life experience into a series of emotions, blending into the beautiful scenery of Cambridge and galloping in the poet's imagination.
The whole poem begins with "tenderness", "walking", "waving" and "parting from the clouds", and then uses the alternating method of reality and reality to describe a series of flowing pictures, which constitutes a wonderful artistic conception and shows in detail the poet's love for Cambridge, longing for his past life and helpless sadness at present.
This poem shows the poet's superb artistic skills. The poet combines specific scenery with imagination to form a vivid artistic image of poetry, and skillfully blends atmosphere, feelings and scenes into the artistic conception to achieve the feelings and scenes in the scene. The structure of the poem is rigorous and neat. The whole poem consists of 7 sections, each with 4 lines, forming two parallel steps; 1 and 3 lines are slightly shorter, and 2 and 4 lines are slightly longer, ranging from 6 to 8 words per line. It seems that the poet intends to combine the forms of metrical poetry and free verse, making it a new form of poetry, full of nationalization and modern architectural beauty. The language of the poem is fresh and beautiful, the rhythm is gentle and euphemistic, harmonious and natural. With the ups and downs of emotions, it is like a melodious board, light and tactfully, touching the readers' heartstrings.
In the 1920s, the poet Wen Yiduo advocated the beauty of music, painting and architecture in modern poetry. Farewell to Cambridge can be said to have three beauties, and it is the swan song in Xu Zhimo's poems.