pick the ragged shepherd's purse from left to right. The beautiful and virtuous woman came to her with a married couple and a married couple. Uneven water chestnut, left and right. My Fair Lady is the music of bells and drums. (Chapter III)
① Guan Guan, Mao Chuan: "Harmony also" The pheasant dove, the osprey, and Niu Yunzhen said: "Only Guan Guan", and clearly wrote two doves. Sound first, then land, love. If you make a' river island pheasant, its sound is off', the meaning is short. "
② Mao Chuan: "I am gentle and graceful, and I am leisurely. Shu, good. " In "Nine Songs Shan Gui", "Zi Mu Yu is gentle and graceful", and Wang Yi notes: "Gentle and graceful, good appearance."
③ Gentleman, Zhu Dongrun said: "According to the preface of Mao's poems, there are six works written by a gentleman. A gentleman thinks that he is a doctor, or that he is a general name of Qing, doctor and scholar, or that he is a virtuous man, or that a woman calls her husband's words." "As far as Poetry is concerned, the word" gentleman "can go up to the emperor and the vassal, and down to the Qing Dynasty, doctors and scholars." "The theory of virtue is the extended meaning, the name of a doctor, and the social status of a wife as a husband." Mao Chuan: "The horse is also." If you press the button, you will still say a good word.
(4) Ruo, Mao Chuan called it "Jieyu", and there are many other synonyms. Li Shizhen said, "The common name is Ruo silk dish, which is called by people in Chi, but it is called by people in Huai, and it is called the lotus seed in Jiangdong", and so on. Gentianaceae, a perennial herb, with roots attached to the bottom of the water and leaves floating on the water. For food since ancient times. Lu Ji said, "Its white stems are soaked in bitter wine (pressed with vinegar), which is fat and beautiful." Lu Wenyu, a close neighbor, said, "The old preserved fruit in Baiyangdian, An 'an, Hebei, is called Yellow Flower Vegetable, which uses stems and petioles as small bundles. When eating, it is quite refreshing to remove its skin with water and mix it with vinegar and oil."
⑤ Liu, Mao Chuan: "Seek also." Use the article "Er Ya Shi Yan". Zhu Xi said, "Go with the current and take it."
⑥ thinking and language auxiliary words. Clothing, Mao Chuan: "Thinking is also." "Zhuangzi Tian Zifang", "I have forgotten to serve my daughter", Guo Xiang notes: "Those who' serve' think about existence."
⑦ Zhu Xi said, "You are leisurely and long." Press leisurely and leisurely, and the depth of missing is long.
⑧ ⒂, Mao Chuan: "Choose also."
⑨ bells and drums, played in gold, are a grand ceremony and fun. Wang Guowei said, "The music of playing gold is played with bells and drums; Doctor, it's just a drum. " According to this poem, "the music of bells and drums" is a body language. Judging from the combination of musical instruments and ritual vessels in the two-week tombs, the use of the music of the stone is indeed clearly graded, even in the Eastern Zhou Dynasty, where the so-called "ritual collapsed and the music was bad". More than 2, tombs of Guo, Zheng, Sanjin and Zhou in the Central Plains have been excavated, and the unearthed bells and chimes are limited to individual tombs with high burial standards, accounting for about 1% of the total. Judging from the production requirements of bronze musical bells, this is also inevitable-it is not a "powerful person", but it cannot be done. And all this is just consistent with the social features reflected in the poem.
Guanju is a poem with simple meaning. Perhaps it is best in music, as evidenced by Confucius' comment, The Analects of Confucius Taber: "The beginning of the teacher's loyalty, the chaos of Guanju, resounded with joy." Chaos is the ensemble at the end of the music. It's second best in meaning. Guanju is not real writing, but virtual. Dai Jun 'en said: "This poem is only' My Fair Lady, My Gentleman is Good at My Fair Ladyship', but I turned over a paragraph that I didn't get, and wrote a scene of complaining and suffering;" Dig out a passage that has been obtained, and write a happy scene, which is nothing more than describing the word' a gentleman is good'. If you recognize the reality, it is a dream in a dream. " Niu Yunzhen said: "Tossing and turning, playing the lute, playing the bell and drums, are all imaginary in the air, expressing feelings in the air, and the poets think that the facts are lost." They are all insightful. Poetry describes the feelings of men and women in a virtual way, that is, the so-called "realm of thinking", such as Han Guang, such as Moon Out, such as Zepi, and so on, while Guanju is the most quiet and gentle, and has a beginning and a ending, especially a happy ending. As a music song, it is sent as ".
however, whether as music or as a song, it is uneven and not monotonous. He Yisun said, "I'm glad to have it, but I'm sleepy and thinking about it. Leisurely, tossing and turning', these four sentences are waves in the poem. Without these four sentences, the whole poem is not only flat and straight, but also restrained, and the syllables are short, sharp and tight, so how can it be influenced by the orchestral strings? Suddenly, I inserted these four sentences between the four stacks before and after' My Fair Lady', and I felt that the whole article was full of leisurely movements. " Deng Xiang said, "With this discount, the literary trend will be uneven, and the following" friendship "and" joy "will be even more serious. Leisurely leisurely', the two-sentence structure is a sentence,' tossing and turning', and the four-sentence structure is a sentence. When the literary spirit comes here, the music tune also comes here to take a break, and the next chapter is to pick up the front cavity. " Although the "pause" and "front cavity" are people's intentions to guess the ancients in the future, such speculation is not unreasonable. According to this, Guanju naturally does not belong to oral singing, but is "made" through some thoughtful arrangements. In fact, it can also be said that "three hundred poems" is better than.
"Guan Guan's dove is in the river continent", and Mao Chuan said, "Xing Ye." But how to prosper is a big problem. If we edit all the expositions about "Xing" through the ages, I'm afraid it's a huge book, so how dare we talk about it easily? However, after reading The Poetry, there is no way to avoid the problem of happiness, so we have to perfunctory a few common words. The so-called "xing" can be said to cause a topic, or it is caused by the scene. The combination of this scene and emotion is mostly the poet's current sentiment, which can be immediate or wishful thinking; The former is a real scene, while the latter is a mental image. However, it only causes the topic, and once it enters the topic, it can be put aside, so there is no direct metaphor in "Xing", if so, it is "Bi". As for the relationship between scenery and emotion or between objects and heart, that is, the scenery is so sensible that it is enlightened. Although the day is direct to the poet, it is subtle if others look at it. In fact, it is in the poet himself, and it is not fleeting and difficult to capture. Time has passed, and it is more difficult for future generations to find a definitive answer. What's more, the creation of "Poetry" has a history, and the creation is in the former. Many of them have become aphorisms first, including sentences with Xingyi, which the author took over at once and combined his own temporary feelings. The same interest can still have different meanings. But we might as well look at it from what we can perceive. Luo Dajing said: "Du Shaoling's quatrains say:' The mountains and rivers are beautiful late in the day, and the flowers and plants are fragrant in the spring breeze. Mud melts to fly swallows, sand warms to sleep mandarin ducks. " Or how this is different from the children's genus, I say otherwise. In the first two sentences, there is no business between two rooms, and in the next two sentences, there is no discomfort in everything. It is not enough to feel the joy of my heart to swim here and realize it. "We might as well look at the prosperity of Poetry from this point of view. There is no business between two rooms, and everything is not suitable. This is the simplest and most direct feeling that nature gives people. Therefore, it can be a standard to look at human things: or everything is like this, so people are happy, such as "Peach every day, burning its flowers" ("Nan Zhou Taoyao"), such as "Yo Yo Luming Literature, the apple of the wild" ("Xiaoya Luming Literature"). Or everything is like this, and people are not, so they are sad and resentful, such as "the male pheasant flies in the air, venting its feathers" ("the wind is fierce and pheasant"), such as "learning the valley wind, taking the rain with the yin" ("the wind is the valley wind"), such as "the spring water of the mountain" In the poem, the pure natural scenery is advocated, which is probably not intended. In a word, Xing is special because it is so direct to poets, but it is often obscure to others. However, if we understand that poets regard the sudden changes of the four seasons of heaven and earth and the ups and downs of all natural things as the witness of life and the comparison of life, then the meaning of Xing is very clear. Although it is simple, there is a profound understanding of life.
"The music of the bells and drums" is a status language, and the sentence "Friends of the harps and instruments" is the most attractive. Zhu Xi said, "A friend means love." Fu Guangshen said: "Those who take friends as their dear meaning are covered with friends of brothers and sisters." In this way, the description of "Yan Er's new faint, like a brother" in "Gu Feng" is a ready-made annotation of the word "friend". If we read Zheng Feng's cock crow and Martin's Pool in the East Gate together, we will know that "friends on the harp and the harp" is not a general term, and the gentleman's "good temperament" is not only really a "sound", but also an intimate one. In the Spring and Autumn Period, songs and poems were used as the rhetoric. We only knew the elegance of diplomacy that day, and Guanju wrote about a good marriage. The harmonious beauty and thriving business in daily emotional life were the deepest roots of that elegance. At that time, "Poetry" was not a decoration, not an ornament, not just to repair the defects in life, but a real "commodity of life" (Gu Jiegang's words), and "Guan Yu" seemed to be a declaration of the unity of life and art, and appeared vividly at the dawn of the history of literature.