1. This poem indirectly expresses the various forms, verve and strength of the wind by grasping the variability of four natural images of leaves, flowers, waves and bamboo under the action of the wind.
1. Leaves can fall in late autumn, flowers can be pushed in early spring and February, thousands of feet waves will be raised when crossing the river, and ten thousand bamboos will be blown when blowing into the bamboo forest. The whole poem consists of four sentences in pairs, and the numbers of "three", "two", "thousand" and "ten thousand" are arranged in pairs to show the power of the wind and express the poet's awe of nature.
2. Creative background. The age of this poem has not yet been determined. Some people think that Li Qiao, Su Wei Dao and Du traveled together in Lufeng Mountain in spring. The scenery on the mountain is beautiful and lush. At the peak, a breeze blew, and Li Qiao was so excited that he recited the poem casually.
3. Appreciate the whole work. This poem is about the power of the wind. As far as the seasonal function of "wind" is concerned, autumn wind can make all trees wither, but spring wind can teach all flowers to bloom; The last two sentences describe where the "wind" goes in different scenes: when the wind crosses the river, the water surface is rough; When I entered the bamboo forest, I saw the bamboo poles close together. Wind, as an image of nature, is invisible and intangible, and can only be felt in the individual's heart or known through the changes of external objects.
4. There is no word "wind" in the whole poem, nor does it directly describe the external form and external characteristics of the wind, but it shows the gentleness and tenacity of the wind through the changes of the original or original state of foreign objects under the action of the wind. It can be seen that the poet is familiar with and clear about material common sense. Supported by this common sense of life, the poet skillfully expresses the characteristics of the wind through the deformation of foreign objects, indirectly describes various modes of the wind, and makes people really feel the gentleness and charm of the wind.
5. "Fu, Bi and Xing" are the basic techniques of classical poetry. The so-called "xing" means "xing fa" and "feeling xing", which is caused by the role of external things. "Three autumn leaves can bloom in February", "fallen leaves" and "flowers bloom" are natural qualitative changes when things develop to an extreme state, and the role of external forces can only be to speed up or slow down their changes. Here, the poet attributed the fallen leaves and flowers to the role of the wind, which showed the subtlety of the author's observation and inner delicacy, closely linked the changes of all things in nature with the role of wind-external force, and implicitly showed the vitality of the wind and its warm concern for foreign objects.
6. The words "solve" and "solve" are well used. As the saying goes, "the autumn wind sweeps away the fallen leaves", and the arrogance of the autumn wind can be seen. You don't have to "sweep" or "blow" or "scrape" or "peel", just use a solution. "Solving" means solving it carefully, intently and intently. No hurry, no delay, no madness, no impetuousness, so that Ye Er can leave her mother's body calmly, find a good home, show the gentleness of the wind to the fullest, and also deeply touch the readers' indifferent mood and reawaken people's feelings for a better life.