Origin: The Book of Songs without Clothes in Qin Feng, Guo Feng is the first collection of poems in ancient China.
Excerpt from the original: Are you naked? Robe with my son. Wang Yuxing, fix my spear. Hatred with my son! Have I nothing to wear? Take your son. Wang Yu started the division and repaired my spear and halberd Work with your son!
Who said we had no clothes to wear? Take that robe. Your majesty sent his troops to battle, trimmed my spear and killed the enemy with you as his goal. Who said we had no clothes to wear? Take that pair of underwear. Your majesty sent his troops to battle, trimmed my spear and halberd, and set out to be with you.
Poems that expand information are full of passion and generosity. Judging from its content, it is a battle song. The whole poem shows the high-spirited fighting spirit and optimistic spirit of unity and mutual assistance between the army and the people of Qin, and its unique vigorous and hearty style is the embodiment of Qin patriotism.
At that time, Qin was located in eastern Gansu and Shaanxi. Wood is deep and soil is thick, but people are thick and straight. Ban Gu said in "Biography of Guo Chong and Xin Qingji" that Qin "learned folk customs, prepared for war, fought bravely, and rode and shot pommel horses. Therefore, Qin Shihuang said,' Wang Yuxing writes poems, trains our soldiers and walks with his sons.' Its style and customs have existed since ancient times, and today's songs are still generous and romantic. "
Zhu's Biography of Poetry also said: "The customs of Qin people are generally heroic, brave first, forgetting life and death, so they are found in poems." This poem is full of high spirits and lofty sentiments, which truly reflects the martial spirit of Qin people.
When the enemy was in Enemy at the Gates, they put the overall situation first and kept consistent with the Zhou royal family. As soon as they heard "Wang Yu urged teachers", they responded loudly, followed closely, United and friendly, and fought together, showing lofty and selfless quality and heroism.
Because this poem aims at praising, that is, focusing on "beauty", it has great inspiration to Qin Yun.
According to Zuo Zhuan, in the fourth year of Lu (506 BC), the army of Wu captured the capital of Chu, and the minister of Chu went to Qin for help. "I cried at the court wall and couldn't drink the spoon all day long. On the seventh day, Qin Aigong gave him "no clothes" and sat on the ninth day, and Qin went out. "
So he repelled Wu Bing at once. As you can imagine, this poem is like the oath of the king of Qin; For soldiers, this is like a mobilization order.
As I said before, Qin people are brave and good at fighting, and this poem embodies this. Reading this poem, I can't help but be infected by the burning passion in it. The impassioned heroism is fascinating. The first reason for this artistic effect is that the question-and-answer syntax is adopted at the beginning of each chapter.
The sentence "I have no clothes" seems to blame myself, like a rhetorical question, full of uncontrollable anger and indignation. It seems to light a fire in people's revenge hearts, so countless soldiers responded in unison: "I am in the same robe as my son!" " "Take your son!" "Take your son!"
The second is that language is full of strong actions: "Fix my spear!" "Fix my spear halberd!" "Fix my armor!" Let people imagine the warm scene of soldiers sharpening their knives, dancing and waving halberds. This kind of poem can sing and dance, and it is an exciting live drama.
The three chapters of the poem adopt overlapping and overlapping forms. The number of sentences and words in each chapter is equal, but the same structure does not mean simple mechanical repetition, but progress and development. For example, in the first chapter, the sentence "I have a son's revenge" is emotional and says that I have enemies with my peers. The second chapter ends with the sentence "Work with your son", which means that work is the beginning of action.
The third chapter ends with the sentence "walk with your son" and continues to train, which indicates that the soldiers in the poem will go to the front to kill the enemy together. Although this overlapping and overlapping form is limited by music, it is also closely combined with the rhythm fluctuation and cycle of dance.
What constitutes the main theme of poetry is a kind of fighting passion, and the ups and downs of passion naturally form the rhythm of music and dance movements. As the saying goes, "It's a long story, I lament." I don't know how to dance with my hands "("Book of Rites and Music ")
References:
Baidu Encyclopedia-Guofeng Qin Feng Wuyi