There are several poems by Gong Zizhen.

Gong Zizhen's literary creation presents an unprecedented new look and opens a new chapter in modern literature. Gong Zizhen thinks that literature must be useful. He said, "On sanctification, we should give priority to usefulness", "We should not seek the beauty of politics, words and literary talent" ("Born in the same year, please ask Tang and Liu to worship Buddha ……"). It is necessary to point out that Confucianism, politics and poetry have the same purpose. He thinks that poetry, like the function of history, is criticizing social history, and both articles and poems are related to history. He believes that the Six Classics is the ancestor of the history of Zhou. The Book of Songs is collected and sorted by historians. "The poet's fingers are a tributary of this group's history" (On the occasion of B and C). Therefore, the purpose of choosing poems to write history is to "enjoy people and win them, but fight for them" and criticize social history. Therefore, he regards his poems as "discussion" or "discussion". "Nobles discuss with each other and take care of each other, so don't make a discussion about the world" ("Miscellaneous Poems", written in the capital in spring and summer, four times out of ten); Comments on "An's words are in accordance with the Han system, and poetry becomes stone" (Night Straight). From this poetic point of view, he believes that the motivation of poetry creation is caused by "external environment", that is, real life. "The external environment overlaps, like the wind blowing water, everything is in one article" (with Jiang Jushi's reading notes), but it has to be otherwise. Like writing history, the creative method should use historical materials (Send Xu Xu Xu). Gong Zizhen's poems are consistent with his poetics. He broke the silence of the poetry circle since the middle of Qing Dynasty, rarely described the natural scenery simply, but always focused on the realistic political and social situation, expressed his feelings and discussed it vertically and horizontally. His poems are full of social and historical contents, and are the poems of a historian and politician. He began to chronicle poems at the age of 15, and by the age of 47, he had 27 volumes of poems. He treasures his few works very much. "Hou Wen Duan Mian listens to high music, less rigorous and not polished"; "Young people are so sad and happy that they cry for no reason." (self-care chores). Although these works, which are "precise and strict" and "every sentence is true", have been lost, they are "hurting the time" and "scolding the bureaucracy" at that time and are regarded as "great" by ordinary scholars. Therefore, he gave up poetry several times.

In the autumn of the twenty-fifth year of Jiaqing (1820), he began to quit poetry. The next summer, because Zhang Jing was not admitted, he was given a 15 little fairy song, and he broke the rules again. In October of the seventh year of Daoguang (1827), he made an oath to abstain from poetry after compiling two volumes of Broken Grass. "There used to be poems, and Chen Geng's poems were very complicated." Because his poems can't be tolerated by decadent and vulgar society. So later he broke the precepts and wrote poems. Gong Zizhen now writes more than 600 poems, most of which are his works after middle age. The main content is still "hurting time" and "scolding sitting". Daoguang's five-year poem "Ode to History" is the masterpiece of this kind of poem. Poetry chants the history of the Southern Dynasties, feeling that celebrities in the south of the Yangtze River were awed by the sinister rule of the Qing Dynasty, vulgar and peaceful, and buried themselves in writing books. "Avoid seats and fear literary inquisition, and write books for the benefit of the rice beam." At the end of the poem, the story of Tian Heng's anti-Han reveals the intention of the Qing Dynasty to deceive the scribes with fame and fortune: "There are 500 people living in peace in Tian Heng, why not go back and wait for them?" Another example is the Seven Laws "One of the Four Solutions" written in the sixth year of Daoguang (1826), which angrily refutes the slander of vulgar bureaucrats, saying that "every article is once ill, and many words are not all day"; Spicy mocked the imperial bureaucrats for their disgust, saying, "Keep silent, be feminine, and don't try to lose sleep at night." In his later years, the poet pointed out the invasion and harm of foreign capitalist forces to China and the fatuity and depravity of the ruling class, and saw the suffering of the people, expressing deep sympathy and guilt, such as "only raising more than ten husbands in one line" and "salt and iron are useless to raise rivers", which reflected the main social contradictions at that time and had profound practical and historical significance.

Gong Zizhen's more lyric poems show the poet's deep sense of melancholy, loneliness and pride. For example, Sitting at Night in the third year of Daoguang (1823) consists of seven poems and two poems, "When a mountain rises, thousands of mountains admire it, and when all is silent, the emperor sits in the spirit". In the quiet and dark scenery of Shan Ye, the poet's sober ambition reposes his loneliness and anger, and expresses his deep worries about this lifeless world. In Daoguang's six-year autumn heart poem, there are three poems with seven rhymes, "Who is cold in the northwest, and the southeast is full of flutes". He is deeply worried about the border situation and feels that there are not many people with lofty ideals who are brave enough to serve the country, and even fewer comrades who know each other. He often uses "sword", "Xiao", "firm but gentle" and "Xiao Xin" to pin his ideological ambitions. "One flute and one sword leveled the merchants, and I lost my reputation for fifteen years" ("Mangan"); "Young swordsmen play the flute more, but the case of firm but gentle flute is not seen" (Ji Hai's chores); I am deeply depressed that my ambition can't be realized. In the realistic environment of "abandoning the lake and mountain as a flute and autumn, there is no sorrow on earth" ("Four Sentences in a Dream"), it is an inevitable development and outlet for poets to recall the beautiful past and fantasize about the wonderful realm and world outside reality, in addition to expressing their feelings and discussing freely. Therefore, there are many contradictions in many works of the poet. A seven-character ancient poem, A Journey to Youth by Nenglinggong, written in the first year of Daoguang, fairly concentrated the contradictions in the poet's thoughts. There are negative factors in the poem that escape to nothingness, and the more positive significance lies in the poet's extreme disgust and denial of the helpless real social environment. Therefore, in Ji Hai's Miscellaneous Poems, two poems, namely, Young People's Seclusion and Kyushu's Angry Relieving on the Wind and Thunder, he firmly believes that unprecedented changes of the times are bound to come, and hopes that the outbreak of the Wind and Thunder will sweep away all the rapid trends and break the suffocating silence.

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