Appreciation of Wang Ji in Wild Hope

Appreciation 1: Wang Ye is about Shan Ye and autumn scenery. It is Wang Ji's masterpiece, with some hesitation and depression in his leisurely mood. "I hope I will look forward to it and I will rely on it." Gao is a water town. Gaodong refers to a place in Longmen, Jiangzhou, his hometown. After retirement, he often traveled to Beishan and Gaodong, calling himself "Donggaozi". "Depend" means wandering. "What do you want?" In Cao Cao's "Short Songs", the meaning of "the moon stars are scarce, blackbirds fly south, and there are no branches to lean on" shows the feeling of boredom and hesitation. The following four sentences describe the scenery seen at dusk: "All trees are in autumn, only the hills and mountains are bright. The shepherd brought the calf back, hunted the horse and brought the bird back. " Looking around, it is autumn everywhere, and it is more and more bleak in the afterglow of the sunset. On this quiet background, the close-ups of shepherds and hunting horses, with an idyllic pastoral atmosphere, enliven the whole picture. These four poems are like a picture of Shan Jutu on an autumn night. Light and color, long-range and close-range, static and dynamic match well. However, Wang Ji could not find comfort from the countryside like Tao Yuanming, so he finally said, "I don't know each other, and Long song loves Wei." He said that he was lonely in reality, so he wanted to make friends with people like Boyi and Shu Qi. People who are familiar with Tang poetry may not find this poem particularly beneficial. However, if we read this poem by Song, Qi, Liang and Chen in the Southern Dynasties in the order of poetic history, we will suddenly applaud its simplicity. The poetic style of the Southern Dynasties is mostly gorgeous, like a jewel-like lady wrapped in satin. Walking out of the women's group, I suddenly met a village girl with a cloth skirt. Without makeup, there will be a special charm. Ji Wang's ambition has such a simple advantage. The genre of this poem is five-character verse. Since Shen Yue and others applied legal knowledge to poetry creation in the first year of Qiyong in the Southern Dynasties, this new genre of legal poetry has been brewing. In the early Tang Dynasty, Shen Quanqi's and Song's regular poems became an important poetic genre. Wang Ji, more than 60 years earlier than Shen and Song, can write such a mature poem as Wild Hope, which shows that he is a man who dares to try new forms. The beginning and end of this poem are lyrical, and the middle is lyrical. After the repetition of emotion-scene-emotion, the meaning of poetry has deepened. This is in line with a basic composition of metrical poetry. Appreciation 2: This poem, written by Shan Ye and autumn scenery, is one of Wang Zhen's representative works. It is full of emotion, simple and fresh, fluent and natural in the scenery, trying to correct the shortcomings of Qi Liang's glitz and splendor. The first couplet is both narrative and lyrical, and the next six sentences are always carried. The first sentence casts a thin twilight on the "looking" middle scene of the middle two couplets; The second sentence is called the last sentence; Make the whole poem shrouded in faint sadness. The lower jaw couplet is about autumn scenery in the dusk, knowing each other, mountains and trees, a piece of autumn color, a touch of light. Depression and silence aroused the poet's sense of helplessness. Neck couplets describe the moving scenery of Akita, with mountains, trees, autumn colors and twilight as the background, showing the picture of "the shepherd drives the calf home and hunts the horse to return to the bird". This is a typical scene at dusk in autumn in Shan Ye. Since it is "return" and "return", its dynamics from far to near are also faintly visible. If these shepherds and hunters are old acquaintances, they can talk and laugh with them (the migration of Tao Qian). However, this is not the case, which leads to the ending of the couplet: "I have no acquaintance", and I can only use Long song to express my distress. Wang Ji worships Tao Qian, but he doesn't get comfort from rural life like Tao Qian, so his pastoral poems sometimes show hesitation and disappointment. This poem washed away the habit of carving in the Southern Dynasties, but developed a new martial art form that was gradually legalized since the Southern Qi Yongming. It is already a relatively mature five laws, which have a great influence on the form of modern poetry.