Impression:
In the late autumn season, the poet stood alone at the head of Orange Island, looking at the Xiangjiang River rushing north day and night. At his feet was Orange Island, and in front of him was the gurgling water. The water of the Xiangjiang River flows forward, and behind it is the autumn scenery of "the vast river, the sky, and the frost".
The combined background of the whole picture has a single character in front of "Li", which makes people seem to see the image of the poet standing tall, majestic and heroic, and the mainstay. The author puts himself in the autumn water. In the vast background, readers are brought into a lofty late autumn artistic conception.
Aesthetics:
Aesthetics are reflected in the artistic beauty of showing a three-dimensional autumn color picture full of strong dynamics, strength and strong colors. This is the unity of subjectivity and objectivity, and it is also a strong expression of individuality that expresses one's own soul! One "struggle", one "strike" and one "fly" are full of the movement of drastic changes and the power of struggle. The dazzling autumn colors also turn silence into movement, revealing the tenacious power of life.
The first is the depth: mountain red means "red all over", and Jiangbi means "blue and transparent"; secondly, the number: tens of thousands of mountains, hundreds of forests, and hundreds of rivers. .
The author has a broad vision, and the scenery he chooses is either extensive, grand, or majestic. Take the sentences above that are led by the word "look", for example, there are "layers of forest" on the mountains, "hundreds of boats" in the river, there are eagles in the sky, and there are fish swimming at the bottom of the water.
Looking at the state of the scenery, there are static fiery red maple forests, and dynamic "hundred boats" "competing for the flow". The author looks from far to close, from looking up to overlooking, the sky is vast, the mountains are red and the water is green.
Extended information:
Creative background:
"Qinyuanchun·Changsha" was written by Mao Zedong in the autumn of 1925. Through the description of the autumn scenery of Changsha and the memories of the revolutionary struggle life in his youth, this poem expresses the revolutionary youth's emotion about the fate of the country and their heroic ambition to take the world as their own responsibility, despise the reactionary rulers, and transform old China.
In the history of Chinese poetry, Qu Yuan was the first poet to extensively describe the beauty of nature and to combine the description of natural beauty with concern for the fate of the country and the people. This is a fine tradition of Chinese classical poetry.
Mao Zedong’s poetry inherits this fine tradition. He is good at integrating natural beauty and social beauty, and expresses the content of social beauty through lifelike and vivid artistic images of natural beauty.
By describing the autumn scenery of Changsha and recalling the revolutionary struggle life of his youth, this poem raises the question of "who is in charge of ups and downs", and expresses the spirit of optimism about the future of the Chinese nation and the world's affairs The heroic ambition of one's own mission.
The last three sentences end with a question, cleverly answering the question of "who is in charge of the ups and downs". Just like those who hit the water in the middle of the stream, they bravely threw themselves into the revolutionary waves and advanced bravely.
Baidu Encyclopedia-Qinyuanchun·Changsha