I respect people with classic works and unique ideals. So I respect every word written by Yasunari Kawabata. Couples flying in the clouds must have wings. Kawabata Yasunari faithfully based on Japanese classical literature, inherited the elegant spirit of Japanese tradition, and integrated classicality with character building. As he wrote in "Literary Autobiography", "Use my style to praise the illusion of oriental classics." In the end, the nothingness in the depths of the snow country convinced the spiritual aristocrats in western Europe, and the Nobel Prize comforted the nothingness soul, which finally strengthened my enthusiasm for classicism.
But in this land of Han and Tang dynasties, classicism has been a thousand years. If the spiritual connotation is expressed through artistic forms, there will be idealized works, so I regret that idealization will be the end of China classical literature. Huainanzi? Mian Xue said: "The rise and fall of learning is important to the world." Up to now, people are pursuing Jing M.Guo's "sad words", but they don't know Zong Baihua's elegant prose. They are excited by Han Han's bold style of writing and his numerous quotations, but they refuse to read Qian Zhongshu's Guan Cone. Who caused the Han and Tang Dynasties to lose their charm? Who put the ink painting on the shelf? There is nothing wrong with those innovative writers. It is never their intention to end China's classical literature with their own works with unique ideals. But who can surpass the Red Chamber? Who can blend the charm of the East? I can only lament Liu Changqing's lament in the Tang Dynasty that "singing old favorite songs, there are not many plays today", and later generations will find a few people when they unite.