1. Zhu is a cultural maze. To interpret Zhu, we must first avoid the entanglement. Believe me, Zhu Yu is a trap, a stone array of language, whose purpose is to stop the harassment of those who have no chance.
2. To interpret Zhu is to interpret yourself. This is why he has always been concerned. Zhu's text is the water of time and always reflects the reader himself. The reader's understanding and penetrating power is the premise to avoid being possessed.
3. Zhu is the only master who linked spirituality and magic with his own understanding in the context of China. His insight into truth has three overlapping levels: the truth between himself and the world and the truth of language. The so-called "Zhu Yu" is a speech strategy that combines the wisdom of the East and the West. From this perspective, Zhu Yu itself is impeccable. To put it bluntly, those who know it will understand it as soon as they listen, and those who don't understand it will not understand it.
Everyone is talking about Zhu's predicament. Thanks for asking. In fact, this is Zhu's loneliness. Zhu and his texts constitute a androgynous and self-sufficient magnetic field. If Zhu doesn't cut into the territory of China with the attitude of joining the WTO, the so-called dilemma is only ourselves. It is we who transfer the pressure and crisis of self-help to Zhu. Just like wishing to fly out of the sun at midnight. What is absurd is not the darkness of the world, but our own ignorance.
When it comes to theology or belief, People's Republic of China (PRC) has no theological problems, but some people believe in the chastity of the Queen. So God never left him, because he never approached God. Not unwilling but powerless, just like a desperate love. I saw him sitting opposite to God, staring at the distance with a crush expression, superb, like a virgin.
Zhao Yiheng: Every year is different.
People are surprised to find that his amazing but unrepeatable "Zhu Yu" flies higher and higher, and his endless amazing views become sharper and sharper.
Zhang: Zhu's mental memory
Parody is a tense rhetorical skill in Zhu Yu. In a series of parody practices, Zhu showed the openness of interpretation. What he refuses is the suppression of interpretation by rights, and he hopes to complete the pursuit of the price of freedom by copying.
Lonely Cloud: Zhu: Seeking the Expression of Independent Voice
Zhu was the initiator of the popular "cool criticism" at that time, and his writing style was called "Zhu Yu". Hu Heqing, a literary critic, called Zhu a "cultural dinosaur", which is an evaluation of his thoughts to some extent. In terms of creativity, Zhu is a "master of writing".
Zhu's words are magnificent, changeable and penetrating, and the plain words are magically endowed with extraordinary power through his arrangement and combination. This language skill is the result of long-term training, and Zhu has been immersed in it for more than 35 years. From the third grade of primary school, he began to collect words and beautiful sentences and polish them. This habit has not been broken until college.
Interestingly, Zhu had a slight stutter when he was a child. Or it is precisely because of this that Zhu chose writing as a tool of life expression.
Although many writers imitate Zhu's writing style now, they may not understand the true meaning of "metaphorical writing". Zhu believes: "The power of criticism comes from accurate judgment and estimation first, and then from its metaphorical combination. After all, the right to speak is not just a matter of words. Without the support of semantics, we cannot gain the power of discourse. "
Ye Tan's Guide to Shanghai Literature Criticism
Zhu, a talented person, is regarded as a representative of outsiders, so his metaphorical style is regarded as a model by some young people who are interested in the "out-of-hospital model" and has been endlessly imitating it. Zhu's article is full of metaphors. Because of its unique style, it has become a typical "academic school". Zhu's "out-of-hospital criticism" article, the so-called "Zhu Yu", was once a powerful aphrodisiac for sexual impotence critics, and it is still undercurrent. But some people think he is a model of Liberalism Theological.
Wang Shi's "almost morbid stunts"
There are many ways to evaluate Zhu's reputation: keen insight, extraordinary discourse creativity; Metaphorical writing interwoven with sensibility and rationality; Become an anomaly in the literary world with innovative style; A strange maze of gorgeous words; Strange discourse experiments have greatly expanded the power of language; Every time he speaks, he is like a bolt of lightning ... and so on.
Although, there are also many people who think that Zhu's writing style is too ostentatious and obsessed with amazing words and skills. However, it is undeniable that in an era when the critical environment lacks courage and frank attitude, Zhu's criticism is rare and sharp, and his language is full of the temptation of "bizarre and magnificent".
The author is unknown
To understand Zhu, we must start by exploring his language. Zhu Yu opens the way to survival, but it doesn't tell people where the way out is. People who are used to following the rules often get lost here. Zhu is not easy to be copied. The copied Zhu is like a language stripped of the core of life and becomes a language show that has nothing to do with the soul. Walking into Zhu is like walking into a chronic meat grinder. You must accept its strangulation and always look for a breakthrough in the language castle. I still like Kafka's Land Surveyor, and I can only wander around the chateau of Zhu.
Glass Village: Cultural Dinosaurs and Wild Thinking
Language is a colorful mask in which thoughts are projected beyond words, just as a rainbow is just a reflection of light by raindrops. Some people are doomed to be unable to cross the maze of Zhu language and find a boat to borrow. They study, imitate and write a character code that looks like Zhu language, and it frequently flashes in the scene of common words in Zhu language. However, if a poor jeweler is faced with a pearl of words at a loss because of the serious lack of self-original ideas, he can't string the pearl of words into a chain of idioms. Therefore, the original thin and anemic words are full of words. However, it is obviously naive and ridiculous to think that we have seen through the mystery only through the entanglement of words and the superficial borrowing of Zhu-style vocabulary.
Yu Ge: I have seen the best works by China writers in the past ten years.
My criticism has not deviated from Zhu's model in general. Teacher Zhu is a talented person with a strong foundation. Even if he sings his criticism an octave higher, no one dares to make irresponsible remarks. This may be painful for the younger generation who follows him. One difference is that drawing a tiger won't turn into a cat. The learning difficulty of Lao Zhu lies not only in his metaphorical writing, but also in the thinking behind Zhu Yu.