Parallel prose is also called parallel prose, parallel prose or parallel prose; In ancient China, words and sentences were opposite and constituted a chapter.
Wen Fu is a style in ancient China, which pays attention to literary talent and rhythm, and has the nature of poetry and prose.
2. Different characteristics
Parallel prose is mainly composed of two sentences (even sentences and even sentences), which pay attention to the neatness of antithesis and the loud melody. From the Han Dynasty to the Six Dynasties, there has always been a debate about "writing" and "writing" in China's prose.
Fu prose is characterized by "expressing feelings with words, writing aspirations with things", paying attention to writing scenery and expressing feelings with scenery. The development of Fu has gone through several stages: it first appeared in hundred schools of thought's prose and was called "short Fu"; Qu Yuan's "Sao Style" is a transition from poetry to fu, which is called "Sao Fu". The style of Fu was formally established in the Han Dynasty, which is called "Ci Fu". After Wei and Jin Dynasties, it developed in the direction of parallel prose, which was called "parallel prose".
Extended data:
Parallel prose is relative to prose. Its main feature is that it focuses on four or six sentence patterns and pays attention to antithesis. Because of the opposite sentence pattern, it is like two horses running neck and neck, so it is called parallel prose. In phonology, it pays attention to the use of flat and harmonious rhythm; Rhetorically, it pays attention to decoration and allusions.
Because parallel prose pays attention to formal skills, the expression of content is bound, but if used properly, it can also enhance the artistic effect of the article. During the Northern and Southern Dynasties, there were also many works with profound contents.
For example, Yu Xin's Ode to the South of the Yangtze River, on the one hand, describes the sadness of his life experience, on the other hand, condemns the fatuity of the monarch and ministers of the Liang Dynasty and expresses his nostalgia for the motherland. After the Tang Dynasty. The form of parallel prose is becoming more and more perfect, and there are four or six sentences of parallel prose throughout, so it is generally called parallel prose in Song Dynasty.