In the poem, love is dependent and compatible, lingering and bitter with sweet love. As long as readers carefully taste a product, it is not difficult to understand the taste. What is worth noting is the way this poem is written.
The first thing is to be good at discovering the essential connection between two unrelated things. For example, the grass is associated with the lover's green skirt, the plum blossom is associated with noble quality, and the safflower of kapok sighs with love. Just like this poem, the combination of tea and water is linked with the combination of love. This kind of observation and discovery often goes against our familiar life experience, which requires us to change the conventional way of thinking, so as to jump out of the shackles of things, find the organic connection point with the soul in various subtle relationships, and produce a leap in creation.
Of course, observation and discovery alone are not enough, but also the input of "I" (not only emotional input, but also formal input). Take Love Poems of Tea as an example. The poet does not simply describe my relationship with tea, but puts himself in things, materializes himself into water, and then personifies tea and water. In this way, I am in the water, and the water is me. The dialogue between water and tea is not only a dialogue between poets and lovers, but also a dialogue between poetry and readers, which builds the spread of poetry on a multi-level relationship and expands the internal expressive force of poetry.
This poem has many subtleties, such as allegorical skills and the use of musical metaphors. But fundamentally, it focuses on the above two points: discovery and investment.