The life consciousness embodied in Qu Yuan's works is mainly manifested in two aspects. On the one hand, time flies, beauty's sense of urgency and cold sense of death. Facing the changes of the four seasons in nature, it can arouse people's sense of time and life, and the ancient China literati's expression of the sense of disappearance of beauty is endless from generation to generation. But no one has felt a sense of urgency or even fear in the face of fleeting time like Qu Yuan.
Second, the influence of patriotism in Qu Yuan's literary works on later generations.
As a great patriot and patriotic poet, Qu Yuan was admired by later generations. His deep and persistent patriotic enthusiasm, his spirit of persisting in ideals, unyielding death, pursuing truth and boldly criticizing reality in political struggle set an example for later writers. There are many poems in Lisao that show Qu Yuan's patriotic spirit.
After the failure of political struggle in the early Han Dynasty, Jia Yi was demoted to Changsha. When he passed the Miluo River, he felt that he had a similar experience with Qu Yuan and wrote a very painful "Mourning Qu Fuyuan". On the one hand, I mourn Qu Yuan and introduce Qu Yuan as my confidant. On the one hand, he studied Qu Yuan's creative spirit and boldly exposed and attacked the dark social reality.
Sima Qian, a great historian and writer, praised Qu Yuan even more, and made a biography of Qu Yuan in Historical Records, which correctly affirmed Qu Yuan's historical position.
He said: I have read Li Sao, Tian Wen, Evocation and Mourning, and I am sorry for my ambition. When you are in Changsha, you can see Qu Yuan's self-destruction, but you can't help crying and want to see him.
Historical Records is a historical prose work, which embodies the author's ideal, the author's love and hate, and the spirit of pursuing truth. It is the inheritance of Qu Yuan's great literary spirit.
After the Han Dynasty, Qu Yuan's spirit was further developed in many writers. Li Bai, a great poet in the Tang Dynasty, worshipped Qu Yuan very much. His spirit of despising powerful people and resisting reality is the inheritance and development of Qu Yuan's spirit.
In addition, China poets and writers of all ages always wrote impassioned patriotic poems during the period of national oppression. There are still many writers who, in the dark political era, persisted in their ideals and struggles, did not hide their love and hate, and even gave their lives in the political struggle, adding luster to the history of China's ancient literature. This great spirit can be traced back to Qu Yuan.
Third, the romantic creative technique.
Qu Yuan's romantic writing technique has a far-reaching influence on later literary creation. In particular, Li Bai, a great romantic poet in China in the Tang Dynasty, also consciously studied Qu Yuan's positive romantic writing techniques. There are many Luo Zhi myths and legends, historical figures, the sun and the moon in Li Bai's poems, which constitute a magnificent picture.
Fourthly, the creation of new poetic style-Sao style and new poetic style.
For the works of Chu Ci, there are not only some ready-made five-character or seven-character poems, but also a large number of three-character poems besides the two-character poems. The appearance of three-character rhythmic poems is an opportunity for four-character poems to be transformed into five-character or seven-character poems.
Therefore, it can be said that "Songs of the South" is the earliest poetic work that broke the four-sentence pattern. In its various uneven sentence patterns, it contains the embryonic form of five-character and seven-character poems, which gives endless inspiration to future generations. In addition, The Songs of the South created a new poetic style.
This form of poetry is more free and changeable in sentence structure and structure than the Book of Songs, so it can more effectively shape artistic images and express complex and intense feelings.
As far as sentence patterns are concerned, Chuci is dominated by miscellaneous characters, which breaks through the traditional four-sentence pattern. As far as language description is concerned, Chu Ci is good at rendering and describing, rich in words, and attaches importance to the aesthetic feeling of external forms, which creates conditions for the emergence of Fu literature in Han Dynasty.
"Songs of the South" also highlights the romantic spirit, which is mainly manifested in passionate feelings, the pursuit of ideals, the prominence of the lyric hero image, fantasy imagination and so on. And created a magnificent picture through fantasy and myth.
Five, Dragon Boat Festival
According to the history book Biography of Qu Yuan and Jia Sheng, Qu Yuan (about 339 BC-about 278 BC) and Danyang (now Zigui, Yichang, Hubei) were ministers in the Spring and Autumn Period. Qu Yuan's real name is Ping, but his surname is Mi, not Qu.
According to legend, Qu Yuan advocated using talents and empowering people to make them rich, and urged them to unite against Qin, which was strongly opposed by others. Qu Yuan was deposed, expelled from the capital, and exiled to the Yuan and Xiang river basins.
During his exile, he wrote poems such as Li Sao, Tian Wen, Jiu Ge and so on, which were concerned about the country and the people. In 278 BC, Qin Jun invaded Kyoto, Chu. Qu Yuan was heartbroken to see his motherland being invaded, but he was reluctant to give up his motherland. On May 5th, after he wrote his last poem "Huai Sha", he plunged into the Miluo River and wrote a magnificent patriotic movement with his own life.
After Qu Yuan threw himself into the river, the local people immediately rowed to rescue him. In order to mourn, people rowed on the river, and later it gradually developed into a dragon boat race.
People were afraid that fish in the river would eat his body, so they went home and threw rice balls into the river to prevent fish and shrimp from ruining Qu Yuan's body. Later, eating zongzi became a custom.
Extended data:
The influence of Chu ci on later generations
Like the Yellow River Basin, the Yangtze River Basin has long nurtured an ancient culture. After the rise of Chu people, they became the representatives of this regional culture. At the latest in the Yin and Shang Dynasties, Chu people had a relationship with the northern regime; In the early years of the Western Zhou Dynasty, it was said that Kuaixiong was already a "scholar king", and later Xiong Yi was crowned king in Chu (Historical Records of Chu Family).
This should be understood as Zhou Dynasty's recognition of Chu people's actual control over Jianghan area. In the Spring and Autumn Period, Chu developed rapidly and annexed many countries in the middle reaches of the Yangtze River, becoming a force that could compete with the whole Central Plains.
Chu Zhuangwang, one of the five tyrants in the Spring and Autumn Period, had the ambition to seize the Central Plains from the north. During the Warring States Period, Chu further annexed wuyue, and its influence reached Hanzhong in the west and the sea in the east. Among the vassal States, the territory is the largest and the population is the largest.
There used to be a saying that "the emperor of Qin is horizontal and the king of Chu is vertical", which means that Qin and Chu are most likely to unify the whole country. Finally, the State of Chu was destroyed by Qin. But Chu's anti-Qin uprising became the main force to overthrow the Qin Dynasty.
The establishment of the Han Dynasty, in a sense, can be regarded as the victory of the Chu people. The unification of Qin and Han Dynasties finally completed the integration of the North and South cultures, thus forming a great "Han nationality".
In the process of its development, the Chu nationality has been communicating with the culture of the Central Plains. During the Spring and Autumn Period and the Warring States Period, the main cultural classics in the north, such as poems, books, rituals and music, also became the objects of study for Chu nobles.
There are many examples of Chu people reciting or quoting the Book of Songs in Zuo Zhuan. On the other hand, Chu culture has always maintained its own strong characteristics, which is obviously different from the Central Plains culture, so Chu people have long been regarded as barbaric aliens by the Central Plains countries.
The Chu people themselves, when unwilling to recognize the authority of the Zhou royal family, often claim to be: "I am Man Zi."
To sum up, it should be said that during the Spring and Autumn Period and the Warring States Period, Chu culture and Central Plains culture actually had their own characteristics and strengths. If it is only in the field of art, the achievement of Chu culture is high. Literature is an aspect of art in a broad sense.
The Chu Ci we are going to discuss is not only a wonderful flower in the soil of Chu culture, but also represents the brilliant achievements of Chu culture. The general characteristics of Chu culture, especially Chu art, such as strong individual consciousness, strong and turbulent emotions, fantastic and gorgeous expression techniques, etc. It is also presented in Chu Ci.
Besides the factors of Chu culture itself, other factors also played a certain role in the formation of Chu Ci. As mentioned above, after the Spring and Autumn Period, the nobles of Chu were quite familiar with the Book of Songs and became part of their cultural literacy.
Qu Yuan's Ode to Nine Chapters of Orange adopts four-character quatrains with an "Xi" at the end of the sentence, which can be regarded as the infiltration of the style of The Book of Songs into the style of Chu Ci. During the Warring States period, strategists lobbied very actively.
They "want to play with their lips and kiss, so they compete for beautiful words to impress the Lord." "The aftermath has dispersed, and it has gradually reached Wenyuan, which is beyond the simplicity of poetry." -Lu Xun's Outline of the History of China Literature correctly points out the influence of the gorgeous rhetoric of strategists in the Warring States Period on the formation of Chu Ci.
Chu Ci is the product of Chu culture, specifically, it can not be separated from the creation of the great poet Qu Yuan.
Baidu Encyclopedia-Qu Yuan
Baidu Encyclopedia-Chu Ci
Baidu Encyclopedia-Dragon Boat Festival
Edited on 20 19-06-08
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Briefly describe Qu Yuan's influence on later generations?
Qu Yuan's Lisao is the first and longest lyric poem in the history of China literature, with more than 370 sentences and 12400 words. The first half is the poet's life feeling, and the second half describes a series of dreamland such as wandering in the sky in a mythical way. The whole poem runs through the romantic spirit of resisting reality with ideals, and integrates myth, imagination, history and nature, and entrusts the poet's feelings with herbs and beautiful women one after another. The imagination is rich and strange, and the scene is confusing, which constitutes a magnificent picture and expresses the poet's exploration of the future road. "The road is long, Xiu Yuan is Xi, and I will go up and down." If The Book of Songs created a realistic atmosphere and entered the vast Yuan Ye of China literature with a steady internal pace, then The Songs of Chu, represented by Qu Yuan, created a romantic literary tradition and a personalized writing method, and wandered in the mountains of China literature with an ethereal figure.
5 like 22 browse 20 19-05- 14
Qu Yuan's Influence on Later Literature
Qu Yuan is the first great patriotic poet in the history of China and the founder of China's romantic literature. He is known as "the ancestor of China's poetry" and "the ancestor of Ci Fu". He is the founder and representative author of Chu Ci, which started the tradition of "vanilla beauty". The appearance of Qu Yuan marks that China's poetry has entered a new era from collective singing to individual originality. His main works are Li Sao, Nine Songs, Nine Chapters and Tian Wen. The Songs of the South written by him is the source of China's romantic literature, and it is also called "Sao" with the Book of Songs, which has a far-reaching influence on later poetry. Qu Yuan's works had a greater influence after the Chu people established Guanzhong, the capital of the Han Dynasty. With the continuous study and development of Songs of the South, the literature in the north has gradually become Chu. The new five-character poems and seven-character poems are all related to Chu Sao. Fu writers in Han Dynasty were all influenced by Chu Ci. After the Han Dynasty, works of "Shao Sao" appeared in all previous dynasties. The author often uses Qu Yuan's poems to express his own obstacles, and even uses Qu Yuan's experience as a metaphor, which is the direct development of Qu Yuan's literature. In addition, there are poems, songs, lyrics, songs, dramas, Qin lyrics, Daqu, scripts and so on. Take the life story of Qu Yuan as the theme, such as The Portrait of Qu Yuan, Nine Songs, Nine Tweens, etc. It is also difficult to count. Therefore, Lu Xun called Qu Yuan's works "outstanding" and "its influence on later articles is even above 300 (The Book of Songs)" (Lu Xun's Outline of China Literature History). Guo Moruo, a famous poet, once wrote Ode to Thunder and Electricity for him to commemorate his deeds. As a great poet, the appearance of Qu Yuan not only marks that China's poetry has entered a new era from collective singing to individual originality, but also his new poetic style-Chu Ci, which broke through the expression form of The Book of Songs, greatly enriched the expressive force of poetry and opened up a new world for China's ancient poetry creation. Therefore, later generations called Chu Ci and The Book of Songs together as The Book of Songs. "Feng" and "Sao" are the sources of the two fine traditions of realism and romanticism in the history of China's poetry. At the same time, Chu Ci, represented by Qu Yuan, also influenced the formation of Han Fu.
19 likes 2,896 browsing 20 18-05-23.
Qu Yuan's Influence on Later Literature
Qu Yuan is the first great patriotic poet in the history of China and the founder of China's romantic literature. He is known as "the ancestor of China's poetry" and "the ancestor of Ci Fu". He is the founder and representative author of Chu Ci, which started the tradition of "vanilla beauty". The appearance of Qu Yuan marks that China's poetry has entered a new era from collective singing to individual originality. His main works are Li Sao, Nine Songs, Nine Chapters and Tian Wen. The Songs of the South written by him is the source of China's romantic literature, and it is also called "Sao" with the Book of Songs, which has a far-reaching influence on later poetry. Qu Yuan's works had a greater influence after the Chu people established Guanzhong, the capital of the Han Dynasty. With the continuous study and development of Songs of the South, the literature in the north has gradually become Chu. The new five-character poems and seven-character poems are all related to Chu Sao. Fu writers in Han Dynasty were all influenced by Chu Ci. After the Han Dynasty, works of "Shao Sao" appeared in all previous dynasties. The author often uses Qu Yuan's poems to express his own obstacles, and even uses Qu Yuan's experience as a metaphor, which is the direct development of Qu Yuan's literature. In addition, there are poems, songs, lyrics, songs, dramas, Qin lyrics, Daqu, scripts and so on. Take the life story of Qu Yuan as the theme, such as The Portrait of Qu Yuan, Nine Songs, Nine Tweens, etc. It is also difficult to count. Therefore, Lu Xun called Qu Yuan's works "outstanding" and "its influence on later articles is even above 300 (The Book of Songs)" (Lu Xun's Outline of China Literature History). Guo Moruo, a famous poet, once wrote Ode to Thunder and Electricity for him to commemorate his deeds. As a great poet, the appearance of Qu Yuan not only marks that China's poetry has entered a new era from collective singing to individual originality, but also his new poetic style-Chu Ci, which broke through the expression form of The Book of Songs, greatly enriched the expressive force of poetry and opened up a new world for China's ancient poetry creation. Therefore, later generations called Chu Ci and The Book of Songs together as The Book of Songs. "Feng" and "Sao" are the sources of the two fine traditions of realism and romanticism in the history of China's poetry. At the same time, Chu Ci, represented by Qu Yuan, also influenced the formation of Han Fu.
1 likes 458 browsing 20 19-08-27
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The influence of Qu Yuan's spirit on later literati
The background of Qu Yuan's brilliant spirit was repeatedly framed, and his ambition was not rewarded. Qu Yuan experienced three periods in his life: Chu Weiwang, Chu Huaiwang and King Xiang of Qing Dynasty, and his main activities were in the period of Chu Huaiwang. This period is the eve of China's imminent reunification. "Qin Huang is horizontal, Chu Wang is vertical." Qu was born in a famous family, good at dealing with chaos and rhetoric, and was highly valued in his early years. He is a left disciple and a doctor in San Lv. In order to realize the great cause of Chu's reunification, Qu Yuan actively assisted in the political reform at home, and insisted on uniting Qi to resist Qin in foreign countries, which had a great influence. However, due to the sharp contradiction between Qu Yuan and the decadent aristocratic group of Chu State, and the jealousy of Doctor Shangguan and others, Qu Yuan was later framed by the clique and alienated by Chu Huaiwang. In the fifteenth year of Wang Huai (the first 304 years), Zhang Yi went from Qin to Chu, bribing Shanxi merchants, Zilan, Zheng Xiu and others to act as spies, and at the same time deceiving Wang Huai by offering merchants in 600 miles, which led to the breaking of diplomatic relations between Qi and Chu. After being deceived, he became angry from embarrassment and sent troops to Qin twice, both of which were defeated. Therefore, Qu Yuan was ordered to send an envoy to Qi State to rebuild the friendship between Qi and Chu. Once again, Zhang Yi failed to disintegrate the Qi-Chu alliance from Qin to Chu. In twenty-four years, Qin Chu formed an alliance with Huang Ci, and Chu was completely embraced by the State of Qin. Qu Yuan was also expelled from the capital and moved to the Northern Han Dynasty. Thirty years after Wang Huai, Qu Yuan returned to Du Ying. In the same year, Qin made an appointment with the military attache, was detained by Qin, and finally died in Qin. After Wang Xiang ascended the throne, he continued to implement the policy of surrender. Qu Yuan was once again expelled from Ying Capital and exiled to the south of the Yangtze River, and was displaced between Yuan and Xiang. In the twenty-first year of King Xiang of Qing Dynasty (278 BC), General Qin attacked the capital of Ying, and Qu Yuan was so indignant that he threw himself into the Miluo River and died for his political ideal. His life story concerns the country and the people, and he loves his country and his people. Qu Yuan's works include Li Sao, Tian Wen, Nine Songs (1 1), Nine Chapters (9) and Evocation, with a total of 23 works. Among them, Li Sao is Qu Yuan's masterpiece and the longest romantic political lyric poem in the history of ancient China literature. Tian Wen is a rare and peculiar poem in ancient and modern times. It asked 172 questions to heaven continuously, involving astronomy, geography, literature, philosophy and many other fields, which showed the poet's bold suspicion of traditional ideas and scientific spirit of pursuing truth. "Nine Songs" is a set of music songs based on folk songs to worship the gods. There are a lot of gods in the poem, most of which are love songs. Qu Yuan's works record his persistence in the ideal of "beautiful politics" and his struggle against the decadent aristocratic groups in Chu. His ideal of "beautiful politics" is reflected in his works, that is, "cultivating talents and empowering them, but doing things without being equal" (Li Sao). The so-called "promoting talents and empowering" is to select truly talented people to govern the country, oppose the secular world, and limit the monopoly of the old aristocracy on power. He also took the historical stories of Fu Shuo, the slave, Lv Wang, the butcher and Ning Qi, the vendor, as examples to illustrate the rationality of selecting talents regardless of their status. Qu Yuan's ideal of "beautiful politics" reflects his sharp opposition to the decadent aristocratic groups in Chu, and expresses his progressive demand of getting rid of bad politics. Its ultimate goal is to save the motherland from peril and make Chu embark on the road of prosperity. Related to this, Qu Yuan's works also profoundly exposed the darkness of Chu politics, the decay of Chu aristocratic groups and the fatuity of kings, and showed his fighting spirit of adhering to the ideal of "beautiful politics", insisting on moral integrity, and "dying without regret"; At the same time, it shows his determination to care about the country and the people, love the country and the people, and devote himself to the motherland. Although Qu Yuan was exiled or even exiled, he always thought about the rise and fall of the motherland and the sufferings of the people, hoping that the King of Chu would repent and strive to become the master of ZTE. He knew that being loyal to honesty and frankness would lead to disaster, but he always "endured but could not give up"; Knowing that he faces many dangers, he can go to other countries to find a way out in the era of "using Chu materials", but he refuses to leave Chu. It shows his infinite loyalty to the motherland and his personality and will to win glory with the sun and the moon. In the history of China, Qu Yuan was the most admired and loved poet by the people. 1953, Qu Yuan was also listed as one of the "four cultural celebrities" in the world, which was solemnly commemorated by the World Peace Council and people all over the world. Qu Yuan's works had a profound influence on China's poetry. Qu Yuan's Li Sao is the first and longest lyric poem in the history of China literature, with more than 370 sentences and more than 2,400 words. The first half is the poet's life feeling, and the second half describes a series of dreamland such as wandering in the sky in a mythical way. The whole poem runs through the romantic spirit of resisting reality with ideals, blending myth, imagination, history and nature, and pinning the poet's feelings with the contrast of one beauty after another. The imagination is rich and strange, and the scene is confusing, which constitutes a magnificent picture and expresses the poet's exploration of the future road. "The road is long, Xiu Yuan, Xiu Yuan is Xi, and I will go up and down." If The Book of Songs created a realistic atmosphere and entered the vast Yuan Ye of China literature with steady steps, then The Songs of Chu, represented by Qu Yuan, created a romantic literary tradition and a personalized writing method, and wandered in the mountains of China literature with an ethereal figure. Chuci is a new poetic style after The Book of Songs. It broke the style of four-character poems, absorbed the form of folk songs, and created a new flexible style, which had a far-reaching impact on later generations. Judging from Qu Yuan's position in the society at that time, he was a politician, not a "poet" in the general sense. But as far as his great creative achievements are concerned, he is also the first great poet in the history of China literature. There are also many beautiful and moving works in The Book of Songs, but they are basically mass and collective creations, and rarely show individuality. On the other hand, Qu Yuan's creation is branded with his ideals, experiences and pains, as well as his lifelong enthusiasm. This marks a new era of China's classical literature creation. Qu Yuan is a poet with lofty personality. He cares about the country and the people, and is still respected as a staunch patriot. As an ideal martyr, later generations have greatly inspired him; The way he stood in the world was also cited as an example by later upright literati. Qu Yuan's works express strong and tragic feelings with unrestrained writing style. Qu Yuan praised his personality and was frank and frank. Sing the love of the gods, passionate and incisive; Celebrating the sacrifice of martyrs is passionate, generous and tragic. In a word, compared with the restrained and gentle emotional expression in The Book of Songs as a whole, Qu Yuan's creation shows emotional liberation to a certain extent, thus generating new vitality and strong appeal. Qu Yuan can't be satisfied with plain writing techniques, but borrows a lot of mythological materials from Chu and uses absurd fantasies to greatly expand the realm of poetry and show magnificent features. This opened up a new path for the creation of China's classical poetry. Poets with strong personality and emotion in later generations, such as Li Bai and Li He. Inspired by it. In the form of poetry, Qu Yuan broke the short and pithy system of The Book of Songs, and created a "Sao-style poem" with long or short sentence patterns, grand length and rich and complicated connotations, which is also of great significance. The appearance of Qu Yuan not only marks that China's poetry has entered a new era from collective singing to individual originality, but also his new poetic style, Chu Ci, broke through the expression form of The Book of Songs, greatly enriched the expressive force of poetry and opened up a new world for China's ancient poetry creation. Therefore, later generations called Chu Ci and The Book of Songs together as The Book of Songs. "Feng" and "Sao" are the sources of the two fine traditions of realism and romanticism in the history of China's poetry. At the same time, Chu Ci, represented by Qu Yuan, also influenced the formation of Han Fu. Zigui-the hometown of poets Zigui is the hometown of Qu Yuan, a great poet in the old Warring States period. It is located at the foot of Woniu Mountain on the north bank of the Yangtze River, surrounded by city walls, shaped like a slanting gourd, and has a strong classical architectural style. Therefore, it is called "Hulu City". Because the city walls are all made of stones, they are also called "stone cities". County was established in Han Dynasty and Guizhou in Tang Dynasty. In the first year of the Republic of China, it was changed to prefectures and counties, and in the third year of the Republic of China, it was changed to Zigui County, which has been in use ever since. Legend has it that the name of Zigui County comes from Qu Yuan. Qu Yuan has a sister. Before Qu Yuan was exiled, she came back to comfort her brother. Her feelings are very touching. Later generations changed the name of the county to "Cassia" to show respect for this virtuous sister, and it also evolved into the present "Zigui".
9 like 1 007 browse 20 17-03-29
Analyze the artistic features of Qu Yuan's Li Sao and its influence on later generations?
Li Sao has a very high artistic achievement, which will be discussed from the following aspects. 1. Lisao develops the art of lyric poetry, and takes shaping the poet's self-image as the main artistic goal of poetry. In other words, the image of the lyric hero in the poem is the author's self-image. Most of the works in The Book of Songs are lyric poems, which laid the foundation of China's lyric poems and cultivated the lyrical artistic tradition of China's classical poems. The Book of Songs, especially the folk songs in The Book of Songs, are mostly created collectively. They often express their feelings on the spot, and they create simple characters in specific situations. Li Sao is different. It shapes the poet's self-image in a huge space, so it can comprehensively and completely reflect the poet's own personality, hobbies, ideals, pursuits and struggles. As we know, there are few historical materials about Qu Yuan. The image of the poet we know today, even his life, is mainly based on the study of his works, first of all, Li Sao. In the specific method: 1, the poet is good at using the surrounding environment to contrast the image of the lyric hero and make it more vivid and prominent. For example, the poem says: only husband and wife steal happiness, and the road is quiet. I'm afraid of the loss of the court! Suddenly ran to Xi, and the heel of the former king. If you don't check Yu's feelings, you will be angry when you trust me. Gu Yu knew it was painful, but he couldn't give up. It means that nine days is right, and the husband is only spiritual! At dusk, because I was in the middle of the road, I changed direction. At first, I talked to Yu Chengyan, and I regretted having him. It is not difficult for me to leave my husband, and it is difficult to quantify my practice. In fact, this section describes three images: the poet, party member and Quan (or practice, referring to the King of Chu). The poet not only wrote "Yu" (I, the poet himself) to run for the future of the country, but was not afraid of trouble because of integrity, and also positively shaped the patriotic image of the lyric hero, and put this image in an environment where party member stole music, the king of Chu trusted and was capricious, so that another example was that everyone was greedy for profits and eager for success. In Qiang, I forgive myself for judging others, and I envy each other. That's not what I'm worried about. Old Ran Ran came, and he was afraid that his name would not be established. Drinking Mulan in the morning reveals water, and eating autumn chrysanthemum in the evening reveals British autumn. ..... the orchid root is knotted and penetrated into the core. Change the bacteria to nurture and cherish, and ask for the fault of Hu Sheng. I'm not asking the secular to obey my Buddhism. Drinking flowers and embellishing herbs and fine wood symbolize and contrast the poet's noble character cultivation and noble moral pursuit. However, at the beginning, the poet revealed the social reality that everyone was pursuing fame and profit and was greedy and jealous of talents. In this social atmosphere, the poet's character and morality become more vulgar, showing the poet's image of "the world is turbid and I am alone, and everyone is drunk and I am alone" ("Fisherman"). Poets are also good at portraying characters in fierce conflicts. In the first part of Li Sao, the poet mainly created two kinds of characters: one is the poet himself, who is noble and upright, with beautiful ideals, tenacious fighting spirit and strong patriotism. The other is the king of Chu and his henchmen, who are ignorant, vulgar, greedy and selfish, forming a party for personal gain and jealous of talents. Qu Yuan described the contradictions and struggles of these two opposing figures in a colorful and vivid way, so that good and evil, beauty and ugliness were clearly shown. What is more commendable is that the poet also expresses the contradictions and conflicts in the characters' personalities through visual language. After Qu Yuan failed in the real struggle, many contradictions appeared in his thoughts. Should he continue to stick to his ideals and morality, or should he retire and remain rational? Should he stay in Chu or seek harmony with Chu? The poet once said: "It is counterproductive to regret not keeping the Tao and delay the opportunity. Back in the car and back on the road, the trip is not far away. " There is a great intention of getting lost. This shows that the poet's thoughts have indeed wavered. In addition, he also put forward some sincere criticisms and suggestions to himself under the guise of the fictional character Nu Wa, asking him not to maintain his "independence" when the whole world is United for selfish purposes. The implication is that it is better to follow the custom. But the poet's thought is contradictory, and his statement to Zhong Hua denies his daughter's opinion. Looking back at history, he realized: "Look forward and backward, look at the people's plan." What's wrong with my husband? What's wrong with him? Finally, in this conflict, the idea of pursuing "righteousness" and "goodness" won, so the poet began to explore the pursuit of "righteousness" and "goodness" as symbols of knocking on the emperor and seeking widowhood. On the question of whether to go abroad, contradictions and conflicts are also sharp and fierce. The poet designed Wu Xian's spiritual atmosphere and words to express his fierce inner struggle. The spiritual atmosphere told him that the reality of Chu was chaotic and dark, and there was no distinction between good and evil. It's better to go to the countryside. Wu Xian said that he would stay in Chu and seek harmony. The poet carefully examined the two opinions and confirmed that there was nothing he could do in the realistic environment of Chu, so he listened to the spiritual atmosphere and began to wander in the West Sea for a period of time. However, when I caught a glimpse of my old country in fugue, I was sad and happy, and finally "curled up and declined", leaving Chuk to succumb to the psychology of going to the old country, and his patriotic thought won the final victory. It is through this series of contradictions and struggles that the poet completed the complete image and character description of the lyric hero, making it one of the most brilliant typical images in ancient China literature. This great creation of Qu Yuan has developed the art of lyric poetry to the peak, which is of epoch-making significance. 2. Li Sao is an outstanding positive romantic work. Qu Yuan is an extremely emotional poet, passionate and full of fantasy, which makes his works have a strong romantic color. Li Sao is a great masterpiece of positive romanticism. With its passionate feelings and fantastic fantasies, it has been constructed into a fantastic and magical work of art, which is "unparalleled in the world" ("Wen Xin Diao Long Bian Sao") and has excited the hearts of millions of readers for thousands of years. Li Sao is an excellent positive romantic work, full of romantic sentiment in artistic expression. In the history of China literature, romanticism originated from ancient myths and legends. Although some works in The Book of Songs are romantic, they are mainly realistic. In the era of qu yuan, eventually