Wang Zhuohua, when analyzing the reasons why he didn't attach importance to contemporary poetry, said: "With the vernacular movement, new poetry has been separated from the tradition of China literature since its birth, not only from the nationality, but also from the tradition of poetry. Therefore, new poetry has been inherently deficient since its birth, which is also contrary to the characteristics of poetry itself. "
Wang Zhuohua's poems have at least two characteristics. "One is musicality, that is, the beauty of rhythm and rhythm in the form of poetry. Second, true temperament, that is, the authenticity and individuality of thoughts, is divorced from these two characteristics of poetry and can only be reduced to a broken line and a disease-free groan. "
Therefore, Wang Zhuohua pointed out: "Today's poets should not only learn from the West, but also return to inheriting the classical tradition and absorbing the traditional spirit."
During the interview, the reporter learned that Professor Xu has just finished a paper entitled "Combining with Music-An Important Way for the Development of New Poetry". The article thinks: "Combining with music is an important way to develop new poetry, and modern lyrics are also an important part of new poetry. The lyrics of all previous dynasties are poems, and the combination with music is the driving force for the continuous development of China's poetry. " Professor Xu thinks through research: "As far as the history of China's poetry development is concerned, the combination of poetry and song is a win-win situation, while the division is a double injury. For example, with a large number of outstanding poets and playwrights joining the creative team, the creative content has been broadened and the writing level of lyrics has been improved, thus making lyrics and Sanqu become the symbolic poetry genre in the Song and Yuan Dynasties. Because there are not many poets involved in the creation of Ming and Qing folk songs, although there are many excellent works, the overall theme is narrow and the writing level is not high, so it is impossible to obtain the lofty status of Song Ci and Yuan Qu. "
Professor Pan from the Chinese Department of Taiwan Province Provincial Normal University gave a speech entitled "The Significance of Poetry Recitation and Examples of Creative Teaching" at the academic forum. "If musicality is regarded as a feature of poetry, then reciting poetry is to put musicality into practice. Whether it is creation or teaching, whether it is poetry theory or poetry quality, musicality is a magic weapon to go hand in hand. "
Liu Shunwen, a scholar of China Literature Department of Taiwan Province University of Political Science, also pointed out: "Poetry is difficult to define now, because classical poetry has a set of effective evaluation criteria as a frame of reference, while new poetry has basically no rules to follow. Now is not the time to talk about the quality of poetry, because it is still difficult for us to determine whether some words are poems. "
Han Han, a post-80s writer, once "bombarded" contemporary poetry circles in his blog, which caused strong dissatisfaction among many poets.
A Hong Kong scholar explained: "The poet reacted strongly because Han Han tore off the poet's fig leaf and exposed the poet who had been marginalized for a long time to the sun."
Another China scholar from Hongkong simply said: "The development of new poetry has reached an unprecedented embarrassing situation, and I think it is necessary for it to return to the road of imitating tradition."
Fan Zhongyan, a famous network scholar, once explained that since the May 4th Movement, vernacular poetry has reached a dead end, not because of vernacular itself, but because of the poet's creation and expression.