Successful writers in Ming Dynasty experienced social unrest at the end of Yuan Dynasty, and even Liu Ji and Gao Qi, their creative styles also changed.
2. Later led the Taiwan Province Provincial Pavilion, the body of Yongle. "Yang, eulogize, whitewash. On the surface, it is elegant, but in fact it is vague and dull, except for the poems of the seventh factory.
3. After the middle period of Ming Dynasty, the physical confrontation of the literature of the seven sons in front of the Taiwan Province Provincial Museum. They lack articles that are essentially opposite, but blindly imitate and restore ancient ways, and then embark on the road of formalism.
4. They advocated the retrogression of the "first seven poets" and the rise of the Tang Dynasty. They also advocated their old classmates, but their supporters, because of their words, directly expressed poets, the most prominent of whom was created by Gui Youguang.
It was Yuan who launched the storming revival movement, and Li Zhi was the representative of the police. The public security school opposes imitation and advocates: Li Xingen. Their poems, with fresh and elegant language, are "popular today", especially biographies, letters, travel notes and sketches after the truth, which almost dominate. The shortcomings of the subject matter are narrow, and sometimes the mistakes are superficial.
6. In the late Ming Dynasty, some organizations, such as the Guangfu Association and the Association, had political activities, which were held by some of the best writers in the official seal.
Second, an overview of poetry schools in Qing Dynasty.
1, there are three main schools of Qing poetry:
(1) The "style" represented by Shen Deyi advocates "poetic temperament" (gentle and honest) and also needs law (ancient scholar, Wei, modern science flourished in the Tang Dynasty).
(2) The "spirit school" represented by Yuan Mei advocates writing personal misfortunes.
(3) Weng Fanggang's "texture school, texture, including orthodoxy (thought), art (writing) 2, writing a poem as the basis, learning" is full of dead air.
2. The orthodox classical style of Tongcheng in the Qing Dynasty was a huge one throughout the Qing Dynasty. On behalf of Tongcheng, Anhui, Fang Bao, Liu Gu, Damu and Yao Nai. In a word, they preach the classic combination of Confucius and Mencius with the cultural system of "Han Wei Qusu" and "Humanitarian Law". Rhetoric that advocates "Tao Te Ching" and "Jing Shi" as a whole, their works are best in mountain travel notes and notepad sketches, and some literary theories have great influence.
In addition, progressive enlightenment thinkers Gu and Wang Fuzhi wrote many excellent political commentators in the late Ming and early Qing Dynasties. Early Qing Dynasty, Wei, Prose and Theory of Three Represents.
Parallel prose "Zhongxing" was presented by the famous writer Wang He and Han Juan.
Wang: Mourning for the Salt Boat Man (Preface)
Three fonts
In the theory of Ci poetry in the Qing Dynasty, the striking series of words, a large number of words and various styles, especially the workers' choice of words and sentences, and the trial of audio and Nazareth, showed a "resurgence" atmosphere. Four major schools:
1, nalanxingde school. Xiaoling, all the romantic people in the poem.
2. Chen Weisong, the representative of Yang Xian School, is fashionable in efficiency and first-class in space.
3. Zhexi camp. On behalf of Zhu Yizun, Jiang Kui and zhangyan. Fine rhythm, workers' words.
4. Changzhou School of Ci: Zhang Huiyan, a representative of Changzhou School of Ci in Qing Dynasty, advocated igniting talents, but he became a mere formality.