1, the spirit of man and nature is highly compatible, and the scenery and feelings are poetically combined. The whole poem is a harmonious whole, calm and beautiful. ?
2. These two poems are poems praising the feelings of seclusion. By writing about the scenery and mood I saw on my way to seclusion, I actually wrote about my feelings of returning to the mountains.
Difference:
1, "Song of Night Lumens" is simpler than "Binding Home to Songshan Mountain".
2. The poem "Bound Home and Songshan Mountain" is picturesque, implicit and meaningful, full of color and brilliance.
Returning to Songshan Mountain is a poem by Wang Wei, a poet in the Tang Dynasty. The original poem is as follows:
The clear river flows slowly through the bushes like my chariot.
I became a traveling companion and went home with the birds at dusk.
An abandoned city wall is above an old ferry, and the autumn sunset drowns the peaks.
In a distant place, next to Songshan Mountain, I will close my door and get peace.
Interpretation of vernacular Chinese: The clear Sichuan water is surrounded by a piece of vegetation, driving a horse slowly and leisurely. The running water seems to be full of affection for me, and the birds in the evening return with me. The desolate city is close to the ancient ferry, and the afterglow of the sunset is full of golden autumn mountains. At the foot of the distant and lofty Songshan Mountain, I closed the door and refused to spend my old age in the secular world.
The Song of Returning to the Deer Gate at Night is a seven-character ancient poem written by Meng Haoran, a poet in the Tang Dynasty. The original poem is as follows:
In the evening, the bell of the temple echoed in the valley, and a noisy voice sounded at Yulu Ferry.
People walked along the shore to Jiangcun village, and I also returned to Lumen by boat.
The moonlight at the deer gate made the mountain tree appear, and I suddenly came to the seclusion of exile.
Lonely mountain road and quiet forest road, only hermits come and go gracefully here.
Interpretation of Vernacular Chinese: At dusk, the bell of the Temple of the Mountain reverberated in the valley, and there was a noisy sound from Yu Liang Ferry. People walked along the sandy shore to Jiangcun, and I also returned to Lumen by boat. The moonlight at Lumen Pass made the mountain trees appear, and I suddenly came to Pang Gong's seclusion place. Cold mountain roads and quiet forest roads, only secluded people come and go here gracefully.
Extended data
Creation background of Night Luming Literature: Meng Haoran's home is located in the south suburb of Xiangyang, near Xianshan Mountain and the west bank of Hanjiang River, and is called "Nanyuan Garden" or "Jiannanyuan Garden". In the title, Lumen Mountain is on the east bank of the Han River, and Mianshui South Bank faces Xianshan across the river. It's not far. You can get there by boat.
Meng Haoran has been living in seclusion in Xianshan South Park. At the age of forty, he went to Chang 'an for an official. He went to Wu and returned to his hometown a few years later. He is determined to follow in the footsteps of Pang Degong, a fellow countryman, especially to build a house in Lumen Mountain and live there occasionally. In fact, this is a profession that promotes the essence of seclusion. This poem is entitled "Night Return to Lumen Mountain". When the author lived in seclusion at the age of 40, it was from the second year of Jinglong (708) to the first year of birth (7 12).
This is a poem about scenery. This poem expresses the poet's seclusion feelings by describing what he saw, heard and felt when he returned to Lumen Mountain at night. According to the time and space sequence, the whole poem writes two scenes, the riverside scene and the mountain scene, which are moving first and then static, and the static scene of the deer gate, which shows the poet's quiet mood, and also implies loneliness and helplessness in his leisurely and refined seclusion.
Write a sentence or two about the hustle and bustle of Zhou Yuliang Ferry, which sets off the poet's calm and free mind. Three or four sentences write that people go home and poets go to Lumen. Writing about the world and poets have different ways to go home. Five or six sentences describe the scene of the bright moonlight and climbing the Lumen Mountain at night, showing the interest and artistic conception. The last two sentences are about Pang Gong's seclusion. Outside the rock wall, the pine path is lonely. It's just that the poet is accompanied by mountains and forests, isolated from the world, and the hermit image of the poet is indifferent and detached.
This poem has smooth brushwork, calm tone, simple language, natural structure, clean pen and ink, sparse embellishment and sincere feelings.
Creation background: During the Kaiyuan period (713-741in the first year of Emperor Xuanzong of Tang Dynasty), Xuanzong lived in Luoyang, the eastern capital, so Wang Wei also had a secluded place in Songshan near Luoyang after returning from Jeju (now Jining City, Shandong Province). This poem was written by Wang Wei when he returned to Songshan from Chang 'an (now Xi 'an, Shaanxi).
This poem expresses the author's quiet and indifferent leisure by describing the scenery he saw on his way to retire from Songshan Mountain. The first line writes about his departure in seclusion; In fact, Zhuan Xu's description of water and birds is a symbol of his feelings, and his feelings of returning to the mountains, such as the secluded heart of flowing water, like a bird returning at dusk.
The couplets on the neck are about the ancient crossing in the deserted city and the autumn mountain in the sunset, which are full of feelings in the scenery and reflect the twists and turns of the poet's feelings; The tail couplet describes the height of the mountain and points out the author's hiding place and purpose. The whole poem is simple and fresh, natural and natural, especially the two couplets in the middle, which are empathetic, in the scenery, with sparse images and strong feelings.
The whole poem is progressive layer by layer. With the poet's pen, we can not only appreciate the changes of the scenery on the way back to the mountain, but also vaguely touch the subtle changes of the author's feelings: from serenity to sadness, and then to tranquility and loneliness. It shows that the author has both a leisurely and anxious side and a resentful and helpless resignation and retirement side. The poet writes casually, without carving, but vividly and implicitly, meaningful, without axe marks, but delicate and implicit.