Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks.
Commentary: Bamboo does not relax in grasping the green hills, and its roots are firmly rooted in the cracks in the rocks.
Origin: Bamboo Stone in Zheng Xie, Qing Dynasty Original: Insist on green hills and never relax, the root is broken rocks.
After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight.
Bamboo clings to the green hills, and its roots are firmly rooted in the cracks in the rocks.
After countless hardships and blows, you are still strong, no matter whether the southeast wind blows in the hot summer or the northwest wind blows in the cold winter.
Note: Bamboo stone: Bamboo rooted in crevices. The poet is a famous painter, and his bamboo paintings are particularly famous. This is a poem he wrote on a bamboo stone painting.
Persistence: metaphor is firmly rooted, just like insisting on a green hill and not letting go.
Rooting: Rooting, rooting.
Original: original.
Broken rock: cracked mountain rock, that is, cracks in the rock.
Grinding: torture, frustration, tempering.
Strike: strike.
Resilience: strong and powerful.
Ren: whatever, whatever, whatever.
Joel: You.
Appreciate:
This poem is a poem about bamboo. The poet praised not the softness of bamboo, but its fortitude. The first two sentences praise the inner spirit of bamboo rooted in broken rocks. The word "bite" at the beginning is extremely powerful and vivid, which fully expresses Zhu Jin's resolute character. Then the word "bite" is supplemented by "don't relax", and Zhu Jin's personality characteristics are fully displayed. The "broken rock" in the second sentence highlights the tenacity of bamboo vitality. The last two sentences went on to write that the harsh objective environment honed and tested bamboo. Regardless of the wind and rain, regardless of the frost and snow, the green bamboo still stands proudly. "Thousand Blows" and "East, West, North and South Wind" are extremely harsh. This poem is a metaphor for people. By praising the strong bamboo in the rock, the author implicitly expresses his noble thoughts and sentiments of never drifting with the tide. The language of the poem is simple and profound.
The word "bite" personifies bamboo. Biting is an active action that requires strength. It not only depicts the scene of bamboo climbing to the green hills, but also shows the spirit of bamboo not afraid of difficulties, fighting against nature and tenacious survival. Following the previous sentence, the second sentence "Rooted in broken rocks" tells us that the foundation of bamboo standing proudly on the green hills lies in its deep roots in broken rocks. Bamboo in Zheng Banqiao's poems and paintings is often inseparable from "stone". Sometimes, the stone constitutes the opposite of bamboo, such as "draw a bamboo branch and insert a stone. The stone is one foot higher than the bamboo branch. Although one foot makes it higher, I will lift my strength for many years"; Sometimes the stone becomes the background of bamboo, for example, "The autumn wind passed Xiaoxiang last night, and I was crazy when I touched the stone through the forest;" Only bamboo branches are not afraid, but they can fight a thousand games. "In this poem, the bamboo and stone are integrated into one mass, and there is no such thing as a stiff mountain green. These two poems also illustrate a simple and profound philosophy: deep foundation and strong power.
With the foreshadowing of the first two sentences, it naturally leads to the following two sentences: "I am still strong after many trials, and I am willing to face the wind in the east, west, north and south." The bamboo in this poem has one characteristic. Not solitary bamboo, not static bamboo, but rock bamboo, wind bamboo. In Zheng Banqiao's poems and paintings, bamboo is often a symbol of noble conduct and tenacious will, while wind is often a representative of evil forces, such as "the autumn wind passed Xiaoxiang last night" as mentioned above, or "a gust of wind rolled back and bamboo branches rose into the sky. Sweeping clouds and fog is really my business, and sweeping the floor is not enough. " In this poem, bamboo is also subject to "east, west, north and south winds" all year round. However, because it is deeply rooted in the rock, it is still firm and tenacious. What kind of wind can do nothing. The poet used the words "thousand" and "ten thousand" to write the indomitable, calm and confident expression of bamboo, which can be said that the artistic conception of the whole poem suddenly emerged. At this time, what stands in front of us is no longer a few ordinary bamboos. What we feel is an indomitable vitality and perseverance, and all this is contained in the rustling bamboo.
In fact, the bamboo in the poem is also the embodiment of the noble personality of the author Zheng Banqiao. In life, the poet is such a kind of rock bamboo that has close ties with the lower class, hates evil and is not afraid of powerful people. Zheng Banqiao's poems on paintings, like his paintings, have a strong three-dimensional sense and can be appreciated as paintings. This poem is like this. Both bamboo and stone are vivid in the poet's pen. There is no real wind, which is also described as passing by. However, the poet's pursuit is not only in the external shape, but also in every thin and hard rock and bamboo, which injects his own ideals and melts into his own personality, thus making this bamboo stone reveal a profound meaning outside animals and an internal charm.
This is a poem expressing ambition with things, and it is also a poem about things. This poem focuses on the tenacity and persistence of bamboo, the tenacity of rock bamboo, the integrity of iron, indomitable integrity and indomitable character. The language of the poem is simple, lively and persistent.
Introduction: Zheng Xie (xiè), whose real name is Kerou, whose real name is Ang Lee and whose real name is Banqiao, is called Mr Banqiao. Xinghua, Jiangsu
Zheng Banqiao's life can be divided into five stages: "learning to be an official", selling paintings in Yangzhou, "being a scholar for learning", traveling as an official, being an official in Shandong, and selling paintings in Yangzhou. Kangxi was a scholar, Yongzheng was a juren, and the first year of Qianlong was a scholar.
Zheng Banqiao was born in 1693,165438+1October 22nd, and died in1765,65438+1October 22nd, at the age of 73. He should be the top scholar in Kangxi Imperial Examination, a juren in the tenth year of Yongzheng, and a scholar in the second year of Qianlong (1736). Officials in Fanxian County and Weixian County in Shandong Province have a political voice, "Please ask for help for the 20-year-old hungry people, take care of the big officials, and then beg for illness." Before and after he became an official, he lived in Yangzhou and made a living by painting and calligraphy. Poetry, words, good books and good paintings. Poetry despises idioms. He is good at drawing flowers, wood and stones, especially orchids and bamboo. The beauty of orchid leaves is reflected in Jiao Mo's brushwork. The cursive script stands upright and has a long fortune. More but not messy, less but not sparse, it is absolutely beautiful to use. Books are also unique, with mixed official texts and sample books, calling themselves "six and a half books". Sometimes it is done through painting. The brushwork of the seal is simple and ancient. As a free and uninhibited person, he chose the county magistrate by Jinshi, made poetry and wine for daily affairs, and transferred to Wei County. At the age of 20, he pleaded for the people because of hunger, went home after the strike and lived in Yangzhou, which made him famous. Indulge in the mountains and rivers and have a drunken hometown tour with poets and savages. When writing about the thin stone of the jungle and the monk wall in the lounge, the viewer will sigh. He wrote The Complete Works of Banqiao, a calligraphy engraving. The paintings he sold were polished and circulated for a while. As one of the "Eight Eccentrics of Yangzhou", his poems, books and paintings are praised as "three wonders" and he is good at painting Zhu Lan. Zheng Xie painted bamboo the most in his life, followed by orchids and stones, but he also painted pines and chrysanthemums. He is a representative literati painter in Qing Dynasty, and his masterpiece is Lanzhu Map.
About the author: Zheng Banqiao (1693— 1765) was an official, painter and writer in the Qing Dynasty. The word Kerou, Han nationality, is from Xinghua, Jiangsu. He lived in Yangzhou all his life and made a living by selling paintings. One of the eight eccentrics in Yangzhou. His poems, books and paintings are outstanding and independent, and he is known as the "three wonders" in the world. He is good at painting orchids, bamboos, stones, pines, chrysanthemums and other plants, among which bamboo painting has been more than 50 years and his achievements are the most outstanding. Author of Complete Works of Banqiao. Kangxi scholar, Yongzheng juren, the first year of Qianlong Jinshi. Later, he became an official in Fanxian County, Shandong Province and a magistrate in wei county, Shandong Province. In order to ask the hungry people to be big officials and beg for illness.