Flowers are flying all over the sky, but who has pity when the fragrance disappears?
The hairspring is soft and floats in the spring pavilion, and the falling wool lightly touches the embroidered curtain.
36 days a year, the wind, knife, frost and sword are pressing hard.
when can you be bright and beautiful, once you wander, you can't find it.
flowers are easy to see but hard to find, and people are buried in front of the steps.
leaning on the flower hoe alone to steal tears, you can see blood stains on the branches in the sky.
May the slave bear wings and fly with the flowers to the end of the sky.
at the end of the day, there is no fragrant hill! !
if you don't have a beautiful bag, a pure land will hide the wind.
it's better to be clean and clean than to be trapped in a ditch.
I died and was buried today. I don't know when Nong will die.
The person who buried the flowers today laughs. Who did he know when he buried them?
at the end of the day, there is no fragrant hill! !
Let's see that the residual flowers in spring are gradually falling, which is when the beauty dies of old age.
no sad songs for me, I don't know whether flowers fall or people die.
Willows and elm pods come from wheatgrass, no matter whether peaches float or Li Fei;
peaches and plums will be released again next year. Who do you know in the boudoir next year?
in March, the fragrant nest was first built, and the swallow in the beam was so heartless!
Although flowers can be pecked next year, no one has gone to the empty nest.
36 days a year, the wind, the sword and the frost force each other
When you can be bright and fresh, you will know when you are wandering.
It's easy to see flowers bloom, but hard to find them, and people are buried in front of the steps.
I stole the flower hoe and shed tears, but I saw blood stains on the branches.
The cuckoo is speechless. It's dusk, and the hoe returns to cover the heavy door.
The blue light shines on the wall, and people fall asleep at first, but thewindow is not warmed.
it's twice as bad to blame? Half cherishing spring and half annoying spring:
pity for spring suddenly turns to annoyance and goes away, until it is speechless and goes unnoticed.
I heard a sad song outside the court yesterday. Do you know if it is a flower soul or a bird soul?
It's hard to keep a bird's soul, and birds are ashamed of flowers without words:
I wish I could have wings this day and fly to the end of the sky with flowers.
endless! Where is the incense hill?
If you don't have a beautiful trick, a pure land will hide the wind;
the quality is clean when it comes, and it is clean when it goes.
I died and was buried today. I don't know when I will die.
the person who buried the flowers today laughs, but who did he know when he buried them?
Let's see that the residual flowers in spring are gradually falling, which is when the beauty dies of old age.
no sad songs for me, I don't know when flowers fall and people die!
Appreciation:
The Song of Burying Flowers is the representative of all the lamentations that Lin Daiyu suffered from her life experience, and it is also an important work by which the author Cao Xueqin shaped this artistic image and showed her personality characteristics. It, like "The Daughter of the Lotus", is the text that the author tried to copy. This song, which imitates the style of the early Tang Dynasty, is incisively and vividly lyrical and artistically successful. This poem is not just sad and sorrowful, but it still has a sense of suppressing injustice. "Willows grow from wheatgrass, no matter whether peaches float or Li Fei", there is resentment against the cold world and the warmth of human feelings; "36 days a year, the wind, the sword and the frost are pressing each other hard" is not an indictment of the ruthless reality that has persecuted her for a long time? "May slaves have wings and fly to the end of the day with flowers. At the end of the day, where is the fragrant hill? If you don't have a trick, a cup of pure land will cover up the wind. It is better to be clean and clean than to be trapped in a ditch. " It is the aloof and arrogant character that is unwilling to be humiliated and defiled and unwilling to bow and yield when the fantasy of freedom and happiness is unattainable. These are its ideological values.
Another value of this poem is that it provides us with important clues to explore the tragedy of Baodai in Cao Xueqin's works. Jia Xu originally had a comment on writing: "I have read" Burying Flowers "until three or four, and its sadness and regret make people forget their life experience, so I can't approve it again." There is a guest day:' Mr. Wang is not a treasure owner, how can he write? "That is, every word is double-circled, and the words are immortal, but it is difficult to express the meaning of each other. Once you see Brother Yu, you will be approved again. Oh, hey! Those who want to stop are also coming from "The Story of the Stone", so they stop writing and wait for it. It is worth noting that the comment on writing points out that it is impossible to add comments to this poem without reading the "Jade Brother Hou Wen"; It is precisely the "post-essay" related to this poem that the critics "stop writing and wait". There is no doubt that the so-called "post-essay" refers to the writing of Daiyu's death in the second half of the lost manuscript. If this poem only generally symbolizes the misfortune of a beautiful woman with fallen flowers, there is no need to wait for the next article; Only when what is written in the poem is not general, but mostly related to the plot of Daiyu's death later, it is necessary to emphasize that after reading the later words, we should go back and deepen our understanding of this poem again. It can be seen that "Burying Flowers" is actually a poem written by Lin Daiyu. This point is proved by the quatrains in tihongloumeng, which was written by the author's contemporaries and probably his friends. Poetry; A sad funeral poem seems to come true. Andrew die for loving a wisp of, heavy fan renew red silk? "It seems to be true", which can only be said by people who know the plot of Daiyu's death written by the author. In the past, we thought that Mingyi might not be able to read the whole novel like Zhi Yan. Now it seems that he is very likely to read the second half of the manuscript, or at least listen to the people in the circle where the author associates to talk about the main plot of the second half in detail. If we say that the later things mentioned in the Ming Yi quatrains are like "gathering like spring dreams and scattering like smoke" and "there is no aura under the stone", we can still know by speculation; Then, it is impossible to write poems such as "Wang Sun is thin and bony" about Bao Wang's poverty, and "Shi Jilun who was ashamed of his misfortune" about his conviction. The same is true of the last two sentences in the poem quoted above: Mingyi said that he really hoped that die for loving, who came back from the dead, could save Daiyu, make two lovers, Bao and Dai, become well-connected, and reconnect the red silk rope held by the old man who had been cut off under the moon. Just think, as long as the "sinking cup" can rise, the "red silk" can continue, which is different from the reason why later book sequels imagined the tragedy of Bao and Dai because of the involuntary marriage! If everything is as written in the sequel compiled by Cheng Weiyuan and Gao E, Baoyu already belongs to him. What's the use of "sinking" Daiyu? Is "renewing red silk" for her to be Aunt Bao Er?
The poem "The person who buries flowers today laughs. Who does he know when he buries flowers?"? ..... "At the end of several sentences, such as repeated several times in the book, specially emphasized, and even learned to recite poems by writing parrots. It can be seen that the day when the beauty dies of old age is really when the spring flowers fall, and it is not a function word comparison. At the same time, it is said here that "he knows who it was when he was buried", and it is said in front that "who has pity when the fragrance disappears" and "it is hard to find once wandering", etc., so it is no doubt that Daiyu died in a very miserable and lonely situation like Qingwen. At that time, not everyone was busy with the wedding ceremony for Baoyu, so they had no time to take care of it. On the contrary, Baoyu and Xifeng were both living outside because of avoiding disasters. That was the day when "the family died, and each family had to find its own door". In the poem, "The willows and pods are from the wild grass, regardless of the peach floating with Li Fei" or this meaning. "In March, the fragrant nest has been built, and the swallow between the beams is too ruthless. Although the flowers can be pecked next year, it is difficult to grasp the meaning of the phrase "no one can go to the empty nest of Liang", which is between solvable and unsolvable. Now, if you look at it in a prophetic way, it is more clear. Probably in the spring, Baodai's marriage was basically settled, that is, the so-called "fragrant nest has been built". However, in the autumn, something happened, just like the swallow in the beam flew away mercilessly, and Baoyu was forced to run away from home. Therefore, she lamented that "the soul of flowers and birds is always hard to stay" and imagined that she could "give birth to wings" and go with her. She cried day and night, and finally "tears are exhausted." In this way, "I don't know when flowers fall and people die", and if "flowers fall" is compared with Daiyu and "people die" (exile), it is completely appropriate. Whenever Baoyu suffers from the so-called "ugly disaster", there are always others who will be unlucky. First came Jin Chuaner, then Qingwen, and finally sealed Daiyu. Therefore, there is a pun in the poem that "the quality is clean and clean, and it is better than being trapped in a ditch", which can be used to dissect and show integrity. When Baoyu returned to Jiafu in the autumn of the following year, the Yihong Courtyard was "red, thin and green" (fat review), and the Xiaoxiang Pavilion was a bleak scene of "leaves rustling, cold and lonely" (fat review). Daiyu's boudoir was the same as Baoyu's crimson porch, only to see "spider silk covered with carved beams" (fat review refers to Baodai's residence) "Although the flowers can be pecked next year, it is impossible for people to go to Liang's empty nest!" Isn't that what it means? These are just some details that can be confirmed from the clues mentioned in the fat review, and all of them may not be so appropriate. However, this poem and Baodai's tragic plot must take care of this, which is probably not subjective; In fact, the poems that "seem to come true" are not limited to this. Daiyu's "Farewell in Autumn Window" and "Peach Blossom Walk" also have this nature. The former seems to be unfortunate enough to say that she left Baoyu later, while the latter seems to be a pre-portrayal of her ending of "dying of tears" (fat review).
Some people say that "Burying Flowers" is "born out" from two poems by Tang Yin (A Dream of Red Mansions). Poetry is of course borrowed from others, but the relationship between "source" and "flow" of literary and artistic creation should not be confused. When it comes to the use of predecessors' works in some words, sentences and artistic styles, it is really unnecessary to look for them in the collections of Ming people. Isn't it enough to borrow and use the well-known poems such as "The color of flowers changes this year, and who will bloom again next year" and "The flowers are similar year after year, and the people are different year after year" in Liu Xiyi's "Daibei Pulsatilla" in the early Tang Dynasty? That is, if the plot of flowers is buried, it may not necessarily follow Tang Yin's story that peony flowers are "filled with tips and buried in the east bank of the medicine column". Isn't it enough to inspire his idea that there is a poem of "burying peach blossoms in a lonely grave for a hundred years" in Cao Yin, the author's grandfather? But these are all "streams", which are only used. They neither represent the main spirit of poetry, nor can they replace the author's creation from real life. What's more, as mentioned above, the author's ingenious writing in this poem does not lie in the lingering words that hurt spring and cherish flowers on the surface.
Of course, the negative and demoralizing emotions in "Burying Flowers" are also extremely strong and can't be ignored. It has had a bad influence on readers who lack analytical thinking ability. Although this kind of emotion is completely in line with the ideological character formed by Lin Daiyu's environmental position in art, after all, because the author consciously expresses his sense of life experience through the mouth of the person he loves to some extent, it reveals the weakness of his own thought. We sympathize with Lin Daiyu, but at the same time, we also see that this sentimental aristocratic lady is very fragile in thoughts and feelings.