1. Luo Lan, formerly known as Jin Peifen, was born in 1919 in Lutai Town, Ninghe County, Hebei Province (today's Lutai Town, Ninghe County, Jin City). He graduated from the Normal Department of Hebei Provincial Women's Normal College. He went to Taiwan in 1948. From 1959 to 1991, he hosted music and educational programs at Taiwan's "Police Radio" for 32 years. Her husband is a journalist and they have three children (one boy and two girls). In addition to "Luolan Xiaoyu", his published works also include prose, novels, travel notes, poetry, poetry theory, etc. In 2003, he won the "Lifetime Achievement Award" from the World Chinese Writers Association. In 1988, Shenzhen Haitian Publishing House first introduced Taiwanese writer Luo Lan and her works to readers in mainland China, and subsequently published "Luo Lan Xiaoyu" and "Luo Lan Prose" (which won the 4th "Zhongshan Literary Award" in Taiwan and the World Chinese Writers Association's "Lifetime Achievement Award") and some epistolary collections and essay collections received great response, and "Roland fever" quickly formed in mainland China. Among them, "Luolan Xiaoyu" was once a popular "inspirational book" for young people in the 1980s and 1990s. Works such as "Roland's Little Words" and "Roland's Mailbox" were works in which she taught or exchanged her experiences with young people as a host on a radio station. Because it is full of care and full of thoughts and generalizations about the philosophy of life, it is not only widely loved by Taiwanese teenagers, but also has set off a craze among mainland teenagers after years of precipitation.
2. Roland's prose is not only delicate and unrestrained, rich in associations, exquisite and novel in wording, fresh and elegant in style, but also sincere and full of emotions. He elucidates the philosophy of life in quiet and lyrical writing, with natural and smooth writing and witty remarks. There is no trace of stiff preaching. Because he was born in a traditional Chinese scholarly family. Her works are deeply influenced by traditional Chinese culture and contain profound Chinese cultural heritage. They are implicit and meaningful; they are full of Chinese philosophy, wise and accessible; they reflect the writer's deep thinking about modern society, which is profound and sober. Roland advocated indifference throughout his life and did not pursue fame or gain. From her article "Ode to Autumn" we can clearly read her love for the free and easy autumn and her outlook on life.