Reference: Website
Dreaming of two poems by Li Bai and Du Fu, where will you go whimpered and where will you go repeated them. You didn't bring me any signs of exile in the poisonous humidity of the southern river. Until you appeared in my dream last night, because I have been thinking about you. However, how can you raise your wings and use them from the middle net of your net? ? I doubt it's really you, venturing a long way. You came to me through the green forest, and you disappeared in front of a dark castle. I woke up, and the low moon flashed on the rafters, as if it were your face, still floating in the air. There is water to pass through. They are wild. If you fall, there will be dragons and monsters in the river! Clouds are floating in the sky, but old friends have gone for a long time. I see you in my dreams every night, and you know what you mean to me. Then, you suddenly stood up to leave, telling me the dangers of adventure: in rivers and lakes-storms, shipwrecks, fears carried on boats. When he went out, he scratched his head with white hair and regretted that he had failed his life. Our capital is full of nosy people, but you are lonely, helpless and poor! Who said that Skynet is long, but it is not leaking? Although you are old, even if you have a good name handed down from generation to generation, it is difficult to make up for your sad loss. In the first year of Gan Yuan (758), Li Bai exiled Yelang (northwest of Zheng 'an, Guizhou), went to Wushan the following spring, was pardoned and returned to Jiangling. Du Fu is far away in the north. He only heard about Li Bai's exile, but he didn't know that he was pardoned. He worried about his fists and dreamed for a long time. These two dream poems are narrated before, during and after the dream. According to Qiu in Qing Dynasty, both of them are stratified by four, six and six lines, so-called "one head and two feet". (See Du Shaoling's Detailed Explanation, Volume 7. This passage is also based on revenge. ) The first part describes the psychology of dreaming about Li Bai for the first time, showing concern for the good or ill luck of an old friend. The next part is about the image of Li Bai seen in my dream, expressing sympathy for the tragic experience of my old friend. "When death is the reason for parting, people will cry, but life leaves again and again." Poetry should write dreams, say goodbye first; There is no farewell, say death first, use death to set off farewell, and write the pain caused by Li Bai's exile and long-lost news in the poet's heart. At first, it was like a sudden evil wind, blowing a sad atmosphere that filled the whole poem. "Until you came to me in a dream last night, because I have been thinking about you." Don't dream of an old friend, but talk about an old friend's dream; The old friend fell asleep because he felt the poet's long-term yearning. Writing the scene of Li Bai's phantom suddenly appearing in the dream also shows the poet's joy and relief in falling in love with his old friend at first sight. But this happiness was only a moment, and then I felt wrong: "However, how can you raise your wings and use them from the middle net of your net?" ? "Since I'm tired of being in the land of Jiangnan, how can I fly out of the net and come all the way to find me? Reminiscent of all kinds of ominous rumors about Li Bai's whereabouts in the world, the poet can't help thinking to himself: Is he really dead? Is he alive or dead in front of him? A long way to go! At first glance, I was happy, but I was skeptical, and then I was deeply worried and afraid. The poet's description of his dream psychology is very delicate and realistic. " You came to me through the green forest, and you disappeared in front of a dark castle. "The poet is still thinking about the dream: the soul of an old friend came from Jiangnan on a starry night and returned from Qin Zhou on a starry night. When he came, he had to fly over the lush thousands of miles of maple forest in the south, and when he came back, he had to pass through the dark and gloomy traffic jam in Qinlong. How far away, how difficult, and he is a lonely one. "I woke up, and the low moon flashed on the rafters, as if it were your face, still floating in the air." In the bright moonlight in the room, the poet suddenly felt that Li Bai's haggard face was still there, and only after careful analysis did he know that it was a hazy illusion. The old man's soul has gone all the way, the night is deep and the road is far away. Between the rivers and lakes, the wind and waves are sinister. The poet wishes and exhorts: "There is water to cross, madness to toss, and if you fall, there are dragons and river monsters." This horrible scene is only a symbol of Li Bai's sinister situation; This anxious prayer reflects the poet's anxiety about the fate of his old friend. Here are two allusions about Qu Yuan. "You came to me through the green of a forest" comes from "The Songs of Chu Evocation": "There are maple trees on the water in Zhanjiang, looking thousands of miles away, hurting the spring, and the soul returns to the south of the Yangtze River!" The old theory was written by Song Yu to summon Qu Yuan's soul. The word "dragon" can be found in Wu Liangjun's "Continued Harmony Song": In the early years of the Eastern Han Dynasty, someone met a man who claimed to be Qu Yuan in Changsha and heard him say, "I tasted sacrifices, but I suffered from dragons." Linking Li Bai and Qu Yuan through allusions not only highlights the tragic color of Li Bai's fate, but also expresses Du Fu's praise and reverence for Li Bai. In the first part, the poet dreamed of Li Bai for the first time. A few nights later, similar dreams appeared one after another, so the poet sang in the next part. "The cloud that floats across the sky all day may be like a wanderer and never come back." It is common for poets to see floating clouds and miss wanderers. Li Bai also wrote a poem "I will think of you in the clouds, so think of me in the sunset" ("Farewell to my friends"). Clouds float all day long, and old friends in the end of the world can't see each other for a long time; Fortunately, Li Bai is affectionate, and his soul often comes to visit, so that the poet can pour out his heart. "I've been dreaming of you for three nights, gentle, intimate and real, as if I were awake." And the previous article "Until you came to me in your dream last night, because I have been thinking about you" took care of each other, reflecting the friendship between the two. In fact, whether I saw your opinion or I remember it, it was the poet himself who pushed himself and others to express his love for his old friend. The following six sentences describe Li Bai's dreamland by selecting the moment before the soul falls asleep: whenever we break up, Li Bai always complains in a hurry: "It's not easy to come here. I am really afraid that I will sink! " Seeing him walk out the door, scratching his white-haired figure on his head, is obviously disappointed with his unfulfilled ambition. Then, I suddenly stood up and you told me the danger of taking risks. By the river and by the lake-the storm, shipwreck and fear carried by a small boat are monologues; "Besides, at my door, you rubbed your white head as if something was bothering you" reveals psychology through behavior and appearance. There are only three crosses, which depict the image of Li Bai from four sides. Its shape can be seen, its sound can be heard, its feelings can be felt, and it is miserable, as at present. The sentence "Jianghu" has the same meaning as the last article "There is water to cross, there is water to be wild, there is water to toss, and if you fall, there are dragons and monsters", which puns on the danger of Li Bai's soul coming and going and his real bad situation; The phrase "going out" expresses the poet's feeling of "cherishing his innocence". The scene of Li Bai in my dream touched the poet too strongly and deeply. Every time I wake up, the more I think about it, the more resentful it is, and the more unfair it is. Finally, I sigh: "Our capital is full of nosy people, but you are lonely, helpless and poor!" Who said that Skynet is not bad, you are old, and it brings you bad luck! " Gao Guanhua beggars' sect dignitaries flooded Chang 'an, but such a great figure was desperate for his dedication and was exiled by the prison system in his later years, even losing his freedom. What is there to say about "Skynet is long, but not leaking"? What's the use of a husband after what he experienced before his death? Although his reputation will last forever, he is lonely and ignorant! "A thousand years' reputation, ten thousand years' reputation, what's the good? When you die and go." In this heavy sigh, there is a lofty evaluation and deep sympathy for Li Bai, and it also contains the poet's own infinite worries. Therefore, A Qing Pu Qilong said: "The second chapter is pure and generous. For me? For that? Cry at once! " (Reading Du Xinjie) Li Bai's two dreams, the first part begins with "farewell to death" and the second part ends with "behind", forming a complete structure; These two articles are related, and there are echoes everywhere, such as "You didn't send me a signal during exile" and "You may never come back, just like a wanderer, because I always think of you, as gentle, intimate and true as waking up. However, outside the middle mesh of your net, who says that Skynet will never fail, there is water to pass through, they are violent and churning, if you fall, there are dragons and monsters in the river, rivers and lakes are full of storms, and ships are afraid of falling. However, the content and artistic conception of the two poems are quite different: as far as "dreams" are concerned, the former dreams first, and the latter dreams more; The first part is about doubting hallucinations and true psychology, and the next part is about clear and true images. As far as Li Bai is concerned, the first part is about his present situation, and the second part is about his sympathy for life. The first part is dedicated to Li Bai, and the second part contains the poet's own feelings. In a word, the two poems about dreams, which are related but not exactly the same, are sincere words. These two poems were written by Du Fu after Li Bai exiled Yelang. Du Li is deeply in love, and the two are "drunk in autumn * * * and walk hand in hand with the moon". Therefore, when Du Fu learned of Li Bai's misfortune, he pinned his sympathy and nostalgia for Li Bai in the form of a dream, and at the same time expressed infinite indignation at Li Bai's innocence being implicated.
Reference: csie.ntu.edu/~b93033/doc/%B9%DA%A7%F5%A5%D5%A4G%AD%BA.doc
Du Fu and Li Bai were both outstanding poets in the Tang Dynasty. He is younger than Li Bai 1 1 year. One year, Du Fu met his idol Li Bai in Luoyang. At this time, Li Bai was over 40 years old and was famous in the poetry circle. The two were like-minded, hit it off at first sight and soon became good friends. Du Fu appreciated Li Bai's talent very much and took this opportunity to ask Li Bai for advice. They chat about poetry, learn from each other, get along well, date and tour together. On the way, they met another poet, Gao Shi, and the three of them walked together. Gao Shiyi left in advance, and Du Fu and Li Bai continued to swim. During the day, they roamed the famous mountains and rivers together and enjoyed the places of interest. In the evening, we drink and recite poems together, talk about our worries, and when we are drunk, we will cover each other with quilts. Their feelings are very sincere, like brothers. Du Fu once wrote poems to recall his friendship with Li Bai during this period. "Yu Yi is a guest of the East, and he sympathizes with your brother. Drunk in autumn and walk hand in hand with the sun. " Later, Du Fu was going to Chang 'an and finally broke up with Li Bai. After this farewell, Du Fu and Li Bai never had a chance to meet again. Du Fu misses his friendship with Li Bai very much. He wrote nearly 20 poems and missed his good friends. China Lane/peop015/storytree/0000586 Li Bai and Du Fu were the most famous and influential poets in ancient China. However, since the Tang Dynasty, people like to compare them, and some scholars even compare them with .................................................................................................... in the 1950s. In The Poet Li Bai, Lin Geng thought that "Li Bai was Du Fu's favorite poet", and its factors included politics and poetry. During the six months when Li Bai and Du Fu met and traveled together, Li Bai had a greater influence on Du Fu. They are really like-minded friends. Their vigilance against politics and sensitivity to reality are the true portrayal of the times. Their tacit understanding is to carry forward the tradition of realism. In the art of poetry, it was also Li Bai who influenced Du Fu: "Before Du Fu met Li Bai, almost all the ten existing poems were five laws, which shows that Du Fu's early works were mainly five laws." After knowing Li Bai, Du Fu was influenced by Li Bai's "Seven Classics", and later "was completely liberated from the Seven Classics, thus creating his own unique Five Classics". In 1960s, people paid more attention to friendship, and several articles about friendship appeared, such as Gemini in the History of Poetry by Guo Moruo and Several Questions about Friendship by Geng. Guo Wen pointed out, "Li Bai and Du Fu are close friends as brothers. Their position in the history of China literature, like a Gemini in the sky, will shine side by side forever. In 1970s, Guo Moruo further elaborated his views on Du Li's friendship in Li Bai and Du Fu. He said: "Du Fu is very sympathetic to Li Bai, no problem. Although Li Bai is eleven years older, he has the same deep feelings for Du Fu. " "Predecessors love to measure the thickness of feelings by the number of existing poems, saying that Du Hou is thicker than Li, and Li is thinner than Du. That's a superficial view. "As for Li Bai's poem" For Du Fu ",the author thinks that it is neither ridicule nor forgery by later generations." That poem is kind and touching, which shows Li Bai's deep concern for Du Fu. "After the 1980s, some scholars were talking about Du Li's friendship, such as Li Kuan's friendship with Du Fu and Li Bai, Ye Jiaying's friendship with Li Bai and Du Fu and the loneliness of genius, and Wang Huibin's exploration of Du Li's first encounter. Ye Jiaying's interpretation of Du Fu's poem "To Li Bai" proves that Du Li's theory of treating others lightly is by no means credible, and shows that there is a connection between Du Li and his wife. Wang Huibin inspected Du Li Tianbao's whereabouts three years ago and thought that the place where they first met was Liangyuan instead of Luo Yang. To put it simply, it was the third year of Tianbao in Xuanzong of Tang Dynasty, in 744 AD.
Li Bai and Du Fu first met in Luoyang.
They fell in love at first sight.
As close as brothers. at that time
They went to Liang and Song to talk about poetry with Gao Shi. The following year, Du Fu arrived in Lu County, and Li Bai also came from Rencheng to meet him. They went to sleep together, begging the gods to visit Tao and sing to each other, and their friendship became closer. Later, Li Bai went to Jiangdong and Du Fu returned to Chang 'an. From then on, there was no chance to meet again. They are very good friends, zhidao.baidu/question/14426402? . fr = qrl3