Appreciation of classical regular script calligraphy works of ancient poetry
Appreciation pictures of classical regular script calligraphy works of ancient poetry 1
Classical regular script calligraphy works appreciate ancient poetry pictures 2
Classical regular script calligraphy works appreciate ancient poetry pictures 3
Classical regular script calligraphy works appreciate ancient poetry pictures 4
The inherent potential of calligraphy
So-called? Internal potential? That is, the invisible turn. Its disk is trapped in emptiness, and there is no trace to be found. This method is often used to write letters. The internal situation is broken. Is the stippling communication office available? Degree? Method, the so-called? Degree? Who's that? When a painting is finished, that is, two paintings fly through the air, don't stop gesturing. The so-called shape is before painting, and God flows after painting? . What is that? Take advantage of the pen and use it in the air? There's a good way to sneak in. This method comes from regular script, which means to break, and the potential is from the inside out, a little bit of strokes, and the tendons and veins are connected; Painting without stippling, pulse flowing, regular script making it invisible, cursive script making it visible, real book making it turn, cursive script making it wired. Wen Zhiming said? The real book is fluent, and if it is released, it will be cursive; There must be a way to move the grass. It's all in block letters. What you can write should be consistent. ? Because in the communication place of stippling, a pen moves excessively in the extremely low air on the paper, and it looks as if the pen has never left the paper. So, one stroke at a time, one stroke at a time, is naturally a concentration, just like Feng Fang's Book Tactics said:? Keep writing, stick to the paper, turn it gently and press it again, like running water, which will last forever for business. ?
If it can be transported in the middle, the momentum will flow from the inside, then the painting will be coherent, and the pen will be calmly released from the big place, and the pen will be calmly collected from the big place. Although the tension wire is not exposed, it is discontinuous but breathable, and it is not suitable for straight edges regardless of size or length. This is an advanced ventilation method. Jin people write running script with incoherent form and coherent spirit. If it is broken, we can try Wang Xizhi's Lanting to get its purpose.
Desire comes from the heart, and it is difficult to be good at using a pen. The point is where he sends and receives pens. He can inherit the pen when he sends it, and open it when he receives it, or reverse it or hide it, or close it or shrink it. Naturally, he was exhausted. Chen Yi once said in The Essence of Hanlin:? The power of the word, the center is also hidden, and the fault is measured together. Tibetans are also squatting and robbing. Degree, empty, fit and write. To understand the word "hiding degree", there is no dead pen, but living in muscle. ?
Invisible turn, also called in calligraphy terminology? Tendon? Method, tendons are hidden in meat, tendons are connected, and qi and blood are naturally interlinked, as He Jiang's original calligraphy says: Those promising love and blood flow, like gossamer, keep circling, with paintings, no stippling, faint coherence, overlap and involvement, and there is no dull and sloppy disease in the meantime. ?
In short, it is more important that the spirit is not exposed, and Jin people are cursive, and there are few figures that are confusing. Please look at Jin's "Yuan Bo Post", which has smooth brushwork and beautiful reflection. Every word is full of gestures and ups and downs. Although the text is incoherent, the whole layout has a sense of unity.