"Li Xin's Journey to the Army in Ancient Times"
Climb the mountain to watch the beacon fire during the day, and drink horses by the river at dusk.
Pedestrians are fighting against the wind and the sand is dark, and the princess Pipa is full of resentments.
There are no city walls in the wild clouds, and rain and snow are falling all over the desert.
Hu Yan flew away every night crying, and Hu Er shed tears.
When you hear that the jade gate is still covered, you should throw your life away.
Every year the bones of the war are buried outside, but it is rare to see the sweet apple entering the Han family.
The starting melody is majestic and open, with a magical movement. In the middle, the first and second couplets describe the great scenery and are majestic, followed by a sigh with great emotion. The backbone is old and vigorous, strong and powerful. Different from Cui Hao's poems, the poem lacks bright colors. The overwhelming wild clouds, falling rain and snow, mourning wild geese and other bleak images contain the unyielding atmosphere of wild life and the end, revealing a very desolate feeling. of sadness.
Features:
1. The beauty of strength and health:
"Wang Changling, Cui Hao, Li Qi and the poets who created the beauty of strength and health in the Qing Dynasty (Wang Han, Wang Changling , Li Qi, Cui Hao, Zu Yong, etc.)"
Appearing in the poetry world of the prosperous Tang Dynasty at the same time as Wang Wei, Meng Haoran and other landscape poets, there was a group of heroic talents with northern masculine temperament. They are more keen on fame and wealth in the world, and they often regard themselves as princes, princes, and ministers. They are very confident and arrogant, and have an arrogant spirit that is unprecedented in their lives. Although there was a huge contrast between their circumstances after becoming officials and the life ideals they pursued, and they felt quite frustrated, they still maintained their heroic spirit. Their poetry creations have a unique style of boldness, beauty and awe-inspiring character, creating a fresh, vigorous and healthy beauty.
2. The overall prosperity of Tang poetry
The prosperity of Tang poetry in the prosperous days of Tianyuan and Tianbao. During this period, landscape and pastoral poets Wang Wei and Meng Haoran appeared, who expressed the tranquil, bright and beautiful beauty of landscape and pastoral areas in a fascinating way. The frontier fortress poets Gao Shi and Cen Shen appeared, and they wrote about the life in the frontier fortress in a magnificent and generous way. There are also a large number of famous figures such as Wang Changling, Li Qi, Cui Hao and Wang Zhihuan. Of course, the most important thing is the great poet Li Bai. With his peerless talent and bold and elegant temperament, he writes poems that are flowing and unpredictable, and his emotions are rolling and beautiful, like clear water and hibiscus.
Later generations have many comments on this period of Tang poetry. In summary, it is that the bones are strong, the mood is exquisite, no work can be seen, no trace can be found, but the meaning is profound and the charm is endless.
3. After the fifteenth year of Kaiyuan, the rhythm and style began to be prepared
Around the fifteenth year of Kaiyuan, whether it is the emotional style, artistic conception, or rhythmic form, it has been Sufficient conditions were prepared for the prosperity of Tang poetry. For example: Yin Fan's "Collection of Heroes in Heyue": "Fifteen years after Kaiyuan, the sound, rhythm and character began to be prepared."
In terms of the field of expression, gradually the palace pavilions moved towards Guanshan and Saimo, and the authors also expanded from palace officials to ordinary people. The poem describes the open realm and heroic momentum of the frontier fortress. High place: Climbing the mountain to watch the beacon fire. Location: By the Yinmajiao River. Overview: There is no city for thousands of miles, and the rain and snow cover the desert. It is similar to Wang Wei's "The solitary smoke is straight in the desert, and the sun is setting in the long river".
From the perspective of emotion and style, the freshness and vigor of Northern Dynasty literature merged with the freshness and brightness of Southern Dynasty literature, leading to a state of both character and cheerfulness. The poem uses a variety of techniques to describe the pain and anger of the soldiers. "Princess Pipa plays a lot of resentments", "Hu Yan flies away every night crying, Hu Er's tears fall down". They are all side descriptions, which avoid repetition and monotony. At the same time, the emergence of the word "princess" makes it possible to use feminine and graceful beauty to complement and complement it when showing masculine and majestic beauty, reflecting the diversified characteristics of aesthetic principles. At the same time, the poet describes events full of emotions in an extremely calm tone. Words such as "smell" and "should be" literally appear neither salty nor bland, neither cold nor hot. However, the calmer it is, the more it can reflect The poet is full of passion. Especially the word "empty view" in the last sentence avoids a lot of lyricism and discussion, but it is better than any lyricism and discussion.
In terms of poetry form, based on the Yongming style, the Tang Dynasty people did two things. One was to dualize the four tones, which temporarily solved the problem of sticky rhythm. When it comes to the composition of rhyme poems, it breaks away from the shackles of the Yongming style poets' various theories of illness and guilt, and creates a new style of poetry that has both program constraints and broad space for creation - rhyme poetry. For example, in the cadence of poetry, poets especially like to use continuous words, such as double-tone words: Diao Dou, Pipa, and overlapping words: Fenfen, Yeye, Shuangshuang, Niannian, etc., which create a good pronunciation. Effect. The syllable pauses in each sentence are also extremely neat, and the stressed syllables often fall at the highest point of emotional fluctuations.