China poets describe love as "only under the eyebrows", but in my heart, I always don't express that kind of love, while western poets chant "You are my sun, and I am eager to love fire". It is hard for China people to accept this outspoken attitude, and the essence of the difference lies in their different aesthetic orientations.
In addition, China's poems mainly praise the Lord, while British and American modern poems mainly expose the Lord. China's poems express ambition with objects or express emotion with scenery, and the poet's feelings are always buried in his poems. Only through "feeling" can he feel beauty. The most prominent example is Ma Ying Jiu's Zhiyuan's Clear Sky, Wan Li Sand, Qiu Si. He hardly uses words to express his feelings, but simply arranges "dead vines", "old trees" and "faint crows" together, and several scenes depict a desolate and lonely scene.
The seven kinds of still life appropriately render the lonely and desolate atmosphere. "Sunset" is the whole picture painted in a yellow color, and the last one is "sadness at the end of the world". It seems that there is no direct connection between before and after, but the feeling is consistent and the mentality is coherent. Readers read it directly, as if it were a picture painted by a poet, which caused a strong sound.
Ten kinds of still life, however, although there is no subjective feeling, express a feeling of loneliness more strongly than language, which is the charm of China's classical poems. It is emphasized that, in contrast, modern poetry writing in Britain and America is abnormal in the psychology of people in capitalist society, and the poet's meaning is expressed more frankly. Frankly speaking, without manual work, the space for aftertaste is relatively narrow, but it is more in line with the psychological characteristics and thinking characteristics of westerners.
In contrast, modern poetry writing in Britain and America is abnormal in the psychology of human beings in capitalist society, and expresses the poet's meaning more frankly. Frankly speaking, without labor, the space for aftertaste is narrow, but it is more in line with the characteristics of psychology and western thinking.