Looking at the moon, thinking of a distant one.
[Tang] Zhang Jiuling
The moon, at this time is at sea, over the end of the world.
People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.
You can't have beautiful moonlight, just want to meet you in your dreams.
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Poetry uses "the sea" and "the end of the world" from the beginning, giving people infinite spatial associations. In addition, a bright moon rises in Ran Ran, rendering a quiet and ethereal atmosphere, creating a vast and quiet realm, full of rich lyrical atmosphere.
Zhuan Xu inherited the meaning of the first couplet and condensed "love" and "lovesickness" from all kinds of homesickness. For this kind of lovesickness, the author's next word "resentment" can be described as affectionate. Complaining about lovesickness is because of its depth, extreme lovesickness and helplessness.
The neckline changes its angle, trying to get rid of the pain of lovesickness. However, the passion of acacia has come and gone, continuous and tortuous. I once "put out the candles" and blew out the lights and candles. I want to go to bed early, right? But the moonlight in the room is soft, quiet, loving and reminiscent.
The tail couplet comes from the neck couplet, which deepens the whole poem. "Talent" and "dream" are the key. Moonlight is so pure, bright and beautiful, just like missing a lover. No wonder it is "only under the eyebrows, but in the heart." Send a gift to a distant lover to show her mind and let her understand my mind, and she will be relieved. But I can't. This "unbearable" is another kind of complaint.