The sentences about the relationship between Qin Opera, Qin land and Qin people in "Qin Opera" include:
⑴ The guests will understand immediately: the geographical structure here is actually related to the melody of Qin Opera A lifelike unity.
The Qin opera is loud and shocking, while the Qinchuan opera is vast, thick and long. The two achieve a "wonderful unity" in terms of roughness and boldness. Qin Opera is the voice of the endless destiny of the loess land and the people. As the Western literary theorist Danner pointed out in "Philosophy of Art", "The products of spiritual civilization, like the products of animals and plants, can only be explained by their respective environments." A place's natural scenery, human geography, countryside Customs and customs lead to culture and art with local characteristics.
⑵ There is one village in five miles and one town in ten miles. The Qin Opera broadcast from the loudspeakers is intertwined and collides with each other. This Qin Opera turns out to be the sound of nature, earth and human beings in Qinchuan! "Lai" originally refers to an ancient three-hole musical instrument, which was later extended to refer to the sound emitted from the holes, and also refers to general sounds. Here, "the sounds of nature" and "the sounds of earth" refer to the natural environment, while "the sounds of people" refer to the way Qin people speak and even the way they call people. It is these conditions that gave birth to Qin Opera.
⑶ Farmers are the hardest working people in the world, especially in this plain. When they were alive, grass fell on the loess kang, and when they died, they were buried under the loess piles. Qin Opera is the great joy of farmers in their great suffering. ...
Qin Opera carries the emotions of the Qin people and is the "highest artistic enjoyment" of the Qin people.
⑷ With Qin Opera, life becomes fun. When you are happy, you sing "Allegro" and you are as happy as if you were exploded by high explosives, your whole body and mind will be smashed into the sky! When I was in pain, I sang "Adagio", and the heart-wrenching singing voice showed how beautiful and sentimental it is. Beauty brings enjoyment to others, and beauty also smoothes away the wrinkles of sadness in my own heart.
It uses exaggeration to vividly express the joy and ecstasy expressed in singing the "Allegro" of Qin Opera. It uses metaphors and transference rhetoric to vividly express the impact of the "Adagio" of Qin Opera on the Qin Dynasty. The soothing effect on people's soul adds to the interest of language.