China's Japanese Poetry

Compared with China's poetry, Japanese poetry is (irrationally) manifested by the national characteristics of Japanese poetry.

A. politics.

B. irrational

C. logic.

D. ideology.

Answer analysis: B.

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First, introduction.

Japanese modern poetry refers to the literature and oral free poetry in modern Japan (Meiji and Taisho years), mainly referring to oral free poetry. Japanese classical poetry is mainly short poems, lyrical and non-narrative.

Second, the characteristics of the work.

1, Japanese classical poetry is mainly small, lyrical and non-narrative. The basic forms of classical poetry and haiku are short and have no narrative function at all. So there are no real narrative poems in Japan. The lyrical way of Japanese classical poetry is unique to the Japanese, which is characterized by sensibility, emotionality, weakness and elegance.

2. Poetry without reason, logic and thought, which only expresses feelings, naturally leads to poetry itself being irrational, illogical and thoughtless. There are no philosophical poems and aphorisms in Japanese classical poetry, and poets never take explaining and expressing certain ideas as the task and purpose of writing poems. Japanese poetry only writes a scene or expresses a feeling, which is only equivalent to the "comparison" and "xing" in China's poetry.

3. This rashness leads to a strong tendency of surrealism, recreation and aestheticism in Japanese classical poetry. Japanese poets have been trying to keep the distance between poetry and reality to the maximum extent. Japanese poets don't even directly disclose and reflect themselves in their poems. They regard writing and songs as an artistic accomplishment and an elegant pastime to cultivate emotions.

4. What is related to rashness, surrealism, entertainment and aesthetic tendency is the simplicity of the subject matter. Most of the themes of Japanese poetry are nothing more than the four seasons, love affairs, parting of life and death, love and entertainment, and other themes are extremely neglected. Empresses in the Palace tried to expand the scope of subject matter and integrate daily life into poetry, but the result was vulgarization and non-artistry. It can be seen that the simplicity of the theme is determined by the unique aesthetic characteristics of Japanese songs.