I am a lover of poetry for more than twenty years, but I like reading poetry without asking too much understanding. I feel that I have returned to the era of Hu Shi and Qian New Culture Movement. "Learning alone without friends is ignorance." I think everyone's opinions are vivid and useful. It's just that justice is best based on textual research
I try to look at old-style poetry and new-style poetry from the perspective of comparative literature. "Although knowledge is shallow, try your best to be deep." This is just to attract jade to laugh at Fang Jia.
Li Shangyin is the originator of obscure poems, and his untitled poems have fascinated countless future generations, and he has no solution for his whole life. Shu Ting is a leading figure in contemporary obscure poetry, and her new poetry skills and level should be first-class. Li Shangyin's Jinse and Shu Ting's July of that year may have many interpretations. For the convenience of comparison, I will summarize both poems as one theme-"ideal" (from the perspective of love, of course). Let's compare ancient poems with new poems.
If it is also with the desire and pursuit of ideals, Li's poems are more excavated from the depths of personal feelings, a torture of life process, and a confusion caused by the dispute between Niu and Li and the lack of talent. Comfort reflects on the contradiction between ideal, reality and ideal, and the variation of ideal. If the former is freehand brushwork Chinese painting, then the latter is impressionist oil painting.
From a technical point of view, Li Shangyin used various artistic expressions such as metaphors, allusions and symbols to express the ethereal meaning. Create a colorful artistic conception, sad and blurred. Shu Ting uses modern montage techniques to arrange and combine shots with different distances, different angles, different times and different thinking spaces, which are distinct in layers, but unforgettable.
Judging from the basic skills of writing and the difficulty of writing, it is certainly not the same as saying that regular poetry pays attention to the confrontation of levels and levels and that new poetry is free to play. However, vernacular Chinese developed from ancient Chinese, and new poems based on vernacular Chinese can't be compared with ancient poems. However, literature and art are developing. Influenced by foreign literature, philosophy and art, China's contemporary new poetry also develops and innovates on the basis of predecessors.
More than 20 years ago, I saw Shu Ting's July of that year in a poem newspaper. In a trance, I felt that she was like a bird that went deep into my soul, and my heart came out, and my silent blood gushed out-I blurted it out without thinking at that time, because in July of that year, I was faced with my first love that flew away, and my heart was covered with heavy snow all the year round.
Now, you can say to yourself that you have forgotten, but the feeling of being lost because of love when you were a child seems to have been immersed in poetry, and you will never get rid of it after reading it again.
Commemorate the 1980s of idealism and the young age when poetry flourished!
Not easy to find.