Reflections on Reading Mang in Classical Chinese

How do you feel after reading a famous book carefully? At this time, you need to make a good record and write down your thoughts after reading. So how to write a post-reading feeling is more infectious? The following are my thoughts on reading classical Chinese. Welcome to reading. I hope you will like it.

After reading classical Chinese, you can protect yourself. There is love in the world of mortals and love in the world. After reading it, we all expect that all men and women will get better and grow old together. Take Qi Mei as an example and stay together for life. However, throughout ancient and modern times, how many love tragedies have been staged, either through time polishing, turning love into affection, or disappearing with time. If so, the rest of the relationship is either dull or boring.

Dream is the earliest marriage poem in the history of China literature. It vividly describes the love and marriage process of the heroine from love to marriage until she is abandoned, and creates a complex image of the heroine's tenderness, infatuation, humiliation and fortitude.

This poem first describes the gentleness and infatuation of the heroine. The scene is, "fly for self-protection, bandits come for silk, and I beg when I come." Later, when "no ego, no evil media" became angry out of self-protection, the heroine advised that "no child will be angry". As we all know. In ancient society, the words of red tape and parents' orders were most valued, but the heroine ignored these etiquette, showing the deep affection. As the wedding day approaches, I climb the wall again every day and look at the figure of my sweetheart. If I don't see it, I will cry. When you see it, you will "talk with a smile." It is this blind feeling that caused her marriage tragedy.

After marriage, it was her shame. For the happiness of her family, she has no regrets. "When I was three years old, I was already a woman. I was old and stayed up all night, with no regrets." No matter how hard he tried, she endured her husband's rage and his abuse silently. All her previous sincere promises went up in smoke. After "keeping his word", Meng began to expose his true nature, not only abusing her in life, but also being half-hearted emotionally. The heroine is still disheartened and always believes that Meng will change her mind.

The heroine wakes up day after day and realizes that she can't change her husband's mind. Instead of letting yourself live in hatred all day, it is better to stop and be yourself again.

The lesson of the heroine's blood and tears in Meng tells us that "a scholar's anxiety can still be said, but a woman's anxiety can't be said." When people are unhappy, love will, and the fireworks in the sky will be beautiful for an instant, and then they may disappear. In feelings, we should always keep a clear head, be self-reliant and be rational.

Feng Weimang is an ancient folk song, which tells a woman's emotional changes and profound experience frankly. It is a vivid portrayal of love scrolls, and it also left valuable information about local conditions and customs at that time for future generations.

This is a short narrative poem mixed with lyricism, which makes a love story true and natural. In this poem, women are affectionate, open-minded and enthusiastic. Even the resentment after marriage is a manifestation of hidden intentions. What a vivid image, understanding, diligence, intelligence, courage, frankness and understanding.

Before marriage, she bravely broke through the shackles of etiquette and resolutely lived with Meng, which was commendable at that time. It stands to reason that married life should be harmonious and beautiful. However, contrary to expectations, in order to protect herself, she was used like an ox or a horse, even beaten and abandoned. The reason is that at that time, women had no position in society and family, but were only vassals of their husbands.

This political and economic inequality determines the inequality between men and women in marriage, which enables Mongolians to play with and abuse women at will with impunity, and have the right to abandon their wives and dissolve their engagement. The word "beginning chaos and ending abandonment" can summarize the evil behavior of self-protection to women. Therefore, although she bravely broke through the feudal shackles, she ended up with the fate of a woman who resigned under the pressure of her parents' orders and matchmakers' words. "The scholar's worry is to say; You can't say you are a woman! " The poet complained bitterly about the injustice of this society, which deepened the ideological significance of this poem. The tragic experience of the heroine in the poem can be said to be the epitome of Qian Qian's female fate which was absolutely oppressed and hurt in the class society, so it can win the admiration of later readers.

Although the poem is mainly lyrical, the narrative story is not complete and detailed, but it truly reflects the heroine's experience and fate, lyrical narrative is integrated, and sometimes accompanied by lamentation. In these respects, this poem has initially possessed some features of China's narrative poems. These characteristics have more or less influenced the narrative poems of the next two thousand years, which can be seen in Peacock Flying Southeast, Song of Eternal Sorrow and Double Sorrow of Modern Yao Xie.

The structure of the poem "Dream" accords with its story, and also with the passionate and ups-and-downs emotion when the author narrates it. Each chapter has six chapters and ten sentences, but different from other chapters in The Book of Songs, it is written naturally according to the development order of characters' fate. Give priority to with fu, also use BiXing. It is better to strengthen narrative and lyricism than to give it narrative and enhance lyricism.