Appreciate "Quasi-Lan Ruosheng Chunyang" or other Luji poems! ! ! !

Chang 'an has a narrow evil line, Ilo has a wrong way, and Lu Yu Zhu Lun is wrong. Cover the beautiful scenery lightly and step on the dust. Simple, relying on the history of benefiting the people. The heart is strong in autumn, and the clothes are beautiful in spring. Yu Ben is a tired tourist, while Yan Hao is an old friend. Fang Cheng's news is overwhelming, and he wants to ring in the morning. Keep a pure heart and the road is easy. Rules and regulations leave no trace, and you can't catch people with good steps. You needn't follow it at four o'clock. I will go on, and I will go back to Tianjin. [ 1]

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This poem clearly marks the transformation of lander thinking and is an important material for studying lander. In 296 AD (the sixth year of Yuankang), Lu Ji participated in the "Twenty-four Friends" listed by the powerful Krabi at that time. Krabi is the nephew of Empress Jia. With the help of Empress Jia's arrogance, he was unfaithful. The organization of his 24 friends has a political purpose. Because the empress dowager Jia is arbitrary and Jia Mi is superior, it will generally arouse the resentment of the ruling and opposition parties, so the twenty-four friends are naturally condemned by upright people. For example, Yan Yuan said, "When the world is in danger, a scholar has no integrity. Krabi's children are more arrogant, while those shallow and cowardly children are more inclined to study, so they are rated as twenty-four friends of Lu Gong. ..... Pan Yue, Zheng Miao, etc. It is not surprising that people are ashamed of it and smell it. Today's imperial edict has denounced his crimes, all of which have been issued, and the people have a clear conscience. The independent minister said that not only Yue and Zheng, but also twenty-four friends are together to resist the wind. " Later, the Book of Jin was a biography of Lu Ji, and it was also regarded as its weakness. It was said that it was "good at swimming in the right door and being good with Jia's close friends, and it was ridiculed as a disadvantage." In fact, the situation of twenty-four friends cannot be generalized. They each have their own special circumstances, and they do not necessarily have the same political interests. Lu Ji finally died in "Twenty-four Friends" and Wang's play, which is enough to explain the problem. Lu Ji was born in a noble family of Wu. His ancestor Lu Xun and his father Lu Kang were both backup generals of the State of Wu, and his life and death were related to the life and death of a country. Lu Ji grew up in such a family and was educated by orthodox Confucianism since childhood. According to the legend in the Book of Jin, he "obeyed Confucianism until he was indecent". However, in the last Wu-Jin War in 280 AD, everything he relied on (country and family) was destroyed. Since then, the important task of making contributions and reviving the family's prestige has become the central content of all his activities. Knowing his ideological background, we can understand why he joined the twenty-four friends despised by scholars. With such a heavy burden, Luji was asked to go north to Luoyang in 289 (the last year of Taikang), but it did not quickly enter the upper class, which shows its great achievements. At the beginning of his trip to Los Angeles, he felt the discrimination of Jin people against Wu people. Emperor Wu of Jin once publicly said: "Shu people are obedient and unintentional; Wu people are ignorant and often become demons and bandits. "The point of view of Emperor Wu is enough to constitute an obstacle for Wu people to be an official. When I first arrived in Hui Di, there were few officials in Wu. According to Lu Ji, "As for Jing and Yang, there are hundreds of thousands of households each. Today, there is no Lang in Yangzhou, but no one in Jingzhou Jiangnan is employed in Beijing. "Lu Ji also is such. I lived in Luoyang for a few years, just to toast the prince, wash the horse and the king's doctor's advice. He is far from the ambition to contribute and revitalize his family. At this time, he is thirty-six years old, and he can't help but feel anxious about the "Unfinished Heaven" (Tiger Journey). It is in this context that Lu Ji received an invitation from Jamie and became one of his "twenty-four friends", and his idea of "respecting Confucius" began to change. This poem is his voice of change. The first eight sentences of the poem are a flashy picture of making friends, which shows the situation that Luoyang scholars were eager to make friends and gain fame and fortune that day. At the beginning, Ilo has a different way, which is both true writing and implicit writing. Describing flashy friends as bustling and writing in words means that the road of life is also crowded. There are both simple people and simple people here. They drive gorgeous cars and wear beautiful clothes. The hood reflects the sun, and the beautiful clothes are fresh and bright, which inspires the competition. This taxi style is quite confusing for Lu Ji. The word "tired" in "Tired Travel in Yu Ben" refers to both physical exhaustion and inner disappointment and exhaustion after repeatedly hitting a wall. I want to be born in a famous family and have talents in the world. Why can't I be proud and ambitious? The author did not answer this question, but used the advice of his old relatives to explain his mistake in choosing the road. The following is Yan Hao's persuasion, the premise of which is "You should sing in the morning", and the metaphor of a chicken singing in the morning is that people are timely and official. How to be an official in time-that is, "it is not enough to keep one thing, and the road is easy." Adhere to orthodox Confucian education, that is, the following "rules" and "steps". Times have changed, and people who follow the rules will certainly not surpass others. If you call in the morning, you must race on the wrong road and find a shortcut. I ching said, "the whole world came to the same place, but in different ways." You don't have to go one way, just like the four seasons, in order. In fact, different roads can also go to the same place, and different roads are just as well. Look at those simple and handsome people who cross the street in Ilo. "All children should go back to Tianjin" is the call of Yan Hao's old relatives. It is worth noting that although it is due to Yan Hao's suggestion, it is actually a change in Lu Ji's personal thought. His devotion to "Twenty-four Friends" is an action after the change of thought. He also knows that the gate of Krabi is a wrong road and is not despised by upright people, but he thinks that the road of justice can not achieve the goal of "peaceful morning and evening", so it is not a pity. Lu Ji linked the thought of "all roads lead to the same goal" with the thought of "all roads lead to the same goal" in the Book of Changes, and found a foothold in Confucian classics for himself. This idea has also appeared many times in other poems, such as "Preface to Heroes": "The foundation of virtue remains unchanged, but the way of making contributions is different", and "Autumn" says: "Although the way is consistent, the road is endless", etc. It can be seen that all this is inspired by his ambition to make contributions and the heavy responsibility of reviving the family's right to speak. "Yuefu Solve Problems" said the poem "Lu Ji said that the road on earth is narrow and the upright people are at a loss." This understanding is wrong. [2]

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Lu Ji (26 1 ~ 303) was a writer in the western Jin dynasty. The world calls it "Lu Pingyuan", and together with his brother Lu Yun, it is called "Erlu". Lu Ji was the most famous writer of Taikang (280-289) and Yuankang (29 1-299) in the Western Jin Dynasty, and was praised as "Taikang's English" by later generations. As far as his creative practice is concerned, his poems are full of words (Zhong Rong's poems), which pay attention to artistic forms and techniques and represent the main tendency of Taikang literature. As far as his literary theory is concerned, his "Wen Fu" is the first systematic creative theory in the history of China's literary theory development, which has had an important impact on later literary creation and theoretical development. Lu Ji's talents are manifold. In addition to literary creation, he has also made many achievements in history and art.