1. Four-character words about calligraphy that are gentle and elegant
The flowing clouds and flowing water are strong, powerful, elegant and free. The bottom of the pen is dragon and snake, the pen is exquisite and the ink is wonderful, the pen is moving like a dragon and snake, and the silkworm head is swallowtail. , hide the head and protect the tail, calm and happy, calm and happy, beginner graffiti, ups and downs, Dingzhenkaicao, Dingzhenyongcao, flying dragon and dancing phoenix, abundant muscles and strength, phoenix boluan drifting, phoenix dancing and dragon flying, phoenix Zhuluanhui , Fat in ancient times and barren in the present, Crane's knees and wasp's waist, Hu fat and bell thin, Painting sand seal mud, painting earthworm graffiti, Domestic chicken and pheasant, Domestic chicken and pheasant, daggers drawn, powerful as a startling dragon, powerful as a swimming dragon, strong bones and muscles , Thirsty Ji rushes to the spring, Thirsty Ji is angry, Thirsty deer rushes to the spring, Li penetrates the back of the paper, Linchixueshu, Willow bones and tendons, dragons fly and phoenixes dance, dragons and phoenixes dance, dragons and snakes fly, dragons and snakes fly, dragons stretch and flex, dragon jumps The tiger is crouching, the dragon is mighty and the tiger is vibrating, the dragon is mighty and the tiger is shaking, the dragon is flying and the leopard is changing, the dragon is flying and the phoenix is ??dancing, the dragon is flying and the phoenix is ??leaping, the phoenix is ??dancing, the phoenix is ??floating, the phoenix is ??fluttering, the phoenix is ??flying, the phoenix is ??flying, the phoenix is ??flying. Fengzhu, falling paper smoke clouds, iron wrapped in cotton, wonderful in the heart and hand, ink debt accumulated in the mountains, angry cats picking stones, thirsty cats rushing to the spring, angry cats thirsty, fluttering like immortals, floating like clouds, a group of animals playing in the sea, Such as cone painting sand, three-point penetrating wood, good calligraphy without choosing paper and pen, Tang Lin Jin post, iron painting silver hook, saliva jade hook silver, Wang Yang Dawan, Wang Yang Hongsi, Wang Yang Wangsi, literary talent Binghuan, writing wind and thunder, fairy dew pearl, writing scripture change Goose, the heart is correct and the pen is correct, the book is not good, the sword is not good, the Yan family is hungry, Yan Gu Liu Jin, Yan Jin Liu Gu, Yan Jing Liu Gu, one word sees the heart, silver hook tail, silver hook iron painting, silver The saliva of hook jade, the wandering cloud startling the dragon, the habits of the right army, the beauty of Yu, Chu and Ou are all exquisite and subtle. 2. A collection of four-character calligraphy idioms
The pen moves like a dragon and snake, Yan Jin willow bone, the iron painting silver hook, the power penetrates the back of the paper, and the pen moves freely bǐ zǒu lóng shé Definition: Describes the calligraphy that is very beautiful and skillful Yan Jinliu GU yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes the strength and softness of calligraphy that penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes the strength and power of calligraphy, and the strokes almost penetrate to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases.
3. What are the four-character idioms in calligraphy?
The clouds startle the dragon, the three-pointer into the wood, the facial muscles and willow bones are as strong as a startled dragon, the luan flutters and the phoenix is ??parked, the dragon and the snake fly, the power penetrates the back of the paper , iron painting and silver hook, flowing clouds and flowing water, the pen moves like a dragon, a snake, a dragon and a flying phoenix
1. The pen moves like a dragon and snake [bǐ zǒu lóng shé]
Basic explanation: describes calligraphy as vivid and powerful.
2. Silkworm head swallowtail [ cán tóu yàn wěi ]
Basic explanation: describes calligraphy that starts with a dignified stroke and finishes with a light stroke.
3. Fēng jīn duō lì [ fēng jīn duō lì ]
Basic explanation: Feng: plump, substantial; Jin: tendons or ligaments on bones; Duo: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
4. Jiaoruo Jīng lóng [jiǎo ruò jīng lóng]
Basic explanation: Jiao: vigorous. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.
5. Lipen paper back [ lì tòu zhǐ bèi ]
Basic explanation: penetrating: passing through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper. It also describes poems with profound ideas and concise words.
6. Three-thirds of the wood [ rù mù sān fēn ]
Basic explanation: It is said that Wang Xizhi was writing on a wooden board, and when he was carving, he found that the writing penetrated three-thirds of the wood. The calligraphy is described as extremely powerful. The problem of multi-metaphor analysis is very profound.
7. Iron painting silver hook [ tiě huà yín gōu ]
Basic explanation: painting: strokes; hook: hook. Describe calligraphy as strong and soft.
4. Four-character idioms in calligraphy
Dense and plump, rich and graceful, soft yet strong, wrapped in iron, majestic, powerful, thick and strong, majestic, majestic, thunderous, dragon Powerful, strong and vigorous, forceful and vigorous, hard and soft, clumsy and skillful, round and smooth, well-equipped, self-contained, well-organized, flexible, beautiful and sparse, compact and steep, sideways and graceful, elegant and elegant, tall and straight Strong, strong and powerful, vigorous and powerful, tight structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a frightening dragon, pen force is strong, pen power is dangerous, steep momentum, strong and upright, power penetrates the back of the paper, penetrating into the wood, combination of hard and soft, airy Smooth, concise, skillful, flowing, free, hearty, pleasing to the eye, elegant and charming, charming and vigorous, strong and powerful, iron painting silver hook, meaningful and handsome, beautiful structure, smart and delicate, delicate and rich, peak falling Stone, unrestrained and unrestrained, thousands of miles of clouds, simple and powerful, natural, simple and elegant, smart and unrestrained, simple and peaceful, peaceful and smooth, graceful and magnanimous, natural and stretched, natural, smart and flowing.
Dense and full, rich and graceful, soft yet strong, wrapped in iron, majestic, powerful, thick and strong, majestic, majestic, thunderous, mighty dragon and tiger, powerful and vigorous , vigorous and vigorous, strong, soft and clumsy, round and smooth, well-equipped with muscles and bones, self-contained, well-organized, retractable and relaxed, beautiful and sparse, compact and precipitous, sideways and graceful, free and easy, straight and strong, strong and powerful, vigorous Powerful, compact structure, flying dragons and phoenixes, elegant style, the pen moves like a dragon and snake, as powerful as a startling dragon, the pen is strong, the pen is dangerous, the momentum is steep, the pen is strong and upright, the power penetrates the back of the paper, the wood is penetrating, the combination of hard and soft, the expression is smooth, the pen is simple, The brushwork is skillful, flowing, free, hearty, pleasing to the eye, elegant and charming, charming, vigorous, powerful, iron painting with silver hook, meaningful and handsome, beautiful structure, smart and delicate, delicate and rich, falling stone from the peak, unrestrained and unrestrained, thousands of miles. Array of clouds, sincere and powerful, natural, simple and elegant, smart and unrestrained, simple and peaceful, peaceful and smooth, graceful and magnanimous, naturally stretched, natural, smart and flowing, lifelike, flowing and smooth, round and round, round Turn smoothly, be inspired by foreign teachers, learn from others' strengths, have profound skills, be majestic, smooth, strong and simple, changeable in style, change your mind repeatedly, lively in charm, powerful and unrestrained, straightforward, simple, unique, smooth and unrestrained, natural and interesting , embodying tranquility in the center, release in the tightness, masterpieces passed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and graceful, dignified and simple, dignified and elegant, fresh and straightforward, steep and clear. 5. A collection of 4-character calligraphy idioms
Falling from the peak, changing grace, embodying meaning in the middle, powerful and vigorous, well-proportioned, elegant and charming, thundering, strong, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a startling dragon, majestic , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and sparse, combining hard and soft, and created by foreign teachers. 6. A collection of four-character calligraphy idioms
The dragon and snake at the bottom of the pen still means the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so the spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just get it. "
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasty and Song Dynasty quoted Yang Xin of the Southern Dynasty and Song Dynasty as "Able to Write Names of People from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy in the world."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of it, which is to travel leisurely and unhurriedly, and to be calm and happy.
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Fengjin Duolifeng: plump, rich; tendons: tendons or ligaments on bones; Duo: redundant. Calligraphy has muscles and bones, and the writing power is strong. It is a metaphor for the font structure to be solid and plump, and the writing power is strong and sufficient.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had strong muscles and strength, and was able to travel in the clouds and rain Sudden trend. ”
Feng Bo Luan floats and floats: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for the separation of couples or the frustration of writers.
Source: "勋嵝" by Han Yu of the Tang Dynasty The poem "Mountain": "Ke Douquan's body is covered with sage leaves upside down, and the luan flutters, the phoenix floats, and the tiger and chi are grasped. "
"Fengwulongfei" describes the calligraphy strokes as powerful and flexible.
Source: Chapter 10 of "The Heroes of Sons and Daughters": "Only this calligraphy can be written like Phoenix Wulongfei" Fei is so impressive. "
Phoenix and Luan return to Zhu: flying high. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: Lu Ji's "Fuyun Fu" of Jin Dynasty: "The Luan flies to the Phoenix and the Hong is shocked. Cranes fly, whale salamanders trace the waves, sharks and crocodiles rush across the road. "
The ancient fat and the present barren metaphors different styles of calligraphy.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called ancient fat, and Zijing calls it today. barren. Both ancient and modern times are different, fat and thin are quite opposite. ”
Crane’s knees and wasp’s waist ① This refers to two of the eight diseases of poetry’s rhythm. It generally refers to the problems in poetry’s rhythm. ② Two types of disease of calligraphy.
< p> Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is "bee's waist", the second word must not be pronounced with the fifth character...the fourth is "crane's knees", the fifth word must not be the same as the fifth word Fifteen words in the same voice. ”Hu Fat, Zhong Thin Hu: Hu Zhao during the Three Kingdoms; Zhong: Zhong Yao during the Three Kingdoms. Hu Zhao’s fonts are fat, while Zhong Yao’s fonts are thin. Each describes calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao both learned from his method. The style of Hu's calligraphy was fat, and that of Zhong's calligraphy was thin. Each has its own beauty. "
Painting with sand and sealing mud. Calligraphers use a metaphor to describe the method of using a brush.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "Using a pen should be like a cone to draw sand, like sand sealing mud. "
Painted earthworm graffiti describes poor calligraphy or writing. It is often used as a word of modesty.
Source: Ming Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive, and his actions are useless. In his studies, he only writes empty words to meet the needs of the times, and draws graffiti, and he has no time to spare.
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