What is Xu Zhimo's poetic style?

Xu Zhimo, a representative poet of the Crescent School, has rich idealistic imagination.

Xu Zhimo (1897 ~ 193 1) is a modern poet and essayist. Famous Zhang Yi, pen names Nanhu, Yun Zhonghe, etc. Haining, Zhejiang. He is the author of poetry anthology Zhi Mo Poetry Anthology, Kethleen Night, Tiger, Wandering, prose anthology Leaves, Paris Scales, Autopsy, Autumn, novel and prose anthology Roulette, drama Bian Kungang (co-edited with Lu Xiaoman) and Ai's Diary, etc.

Xu Shi's poems are fresh, harmonious in rhythm, novel in metaphor, rich in imagination, beautiful in artistic conception, elegant in thought and full of changes. He pursues neatness and splendor in artistic form and has a distinct artistic personality. He is a representative poet of the Crescent School.

His prose is unique and has achieved no less achievements than poetry. Among them, Self-Anatomy, Want to Fly, Cambridge as I Know It and Chatting in Yushan Residence are all masterpieces handed down from generation to generation.

Generally speaking, the capacity of reflecting life is not large, the exploration of content is not deep enough, and the thoughts and feelings are not all so positive and healthy. However, judging from its performance skills, "almost all of them are systematic inputs and experiments" (Chen Xiying: Ten Works Since the New Literature Movement). There are various forms of poetry, including long poems, short sentences, free poems and prose poems, and more of them are experiments with western poetic styles. This period is the experimental period of Xu Zhimo's poetic style and the tempering period of his poetic skills. Through exploration and experiment, he showed the poet's talent and unique poetic style.

Xu Zhimo pays great attention to artistic conception when writing poems. Most of his poems in the Collection of Poems of Zhimo have formed their own artistic realm, such as Happiness of Snowflakes. The author combines the subjective feeling of pursuing ideal with the objective natural scenery, thus turning the real scenery into virtual scenery and creating a beautiful artistic realm.

In addition, his poems are vivid and emotional, which is due to his rich imagination. His imagination and metaphor are not only different, but also he can turn seemingly abstract things into vivid, tangible and visible concrete images, such as Poison, White Flag and Baby, three prose poems containing philosophy. He also used his artistic imagination to describe things through this special sensibility.

Zhimo's poems have their own characteristics, successes, shortcomings and failures. Regardless of the content, as far as the form of expression is concerned, some poems are rough and artificial, the rhyme is irregular, and the skills of poetry are not very mature.

Xu Zhimo left Peking University (19 14, August 2008, Xu Zhimo's "A Record of Going to America") with patriotic enthusiasm of "applying what he has learned to serve the country", and in June 2008, 19 14 left Shanghai to study in the United States. In the first year of studying abroad, I entered Hearst Clark University in the United States. He entered the history department and took sociology, economics, history and other courses in order to be a "Hamilton" in China in the future. Ten months after I entered school, I graduated with a bachelor's degree and a first-class honor award. However, he is not satisfied with this. That year, he transferred to the Graduate School of Columbia University in new york and entered the Department of Economics. Xu Zhimo has gained extensive knowledge of philosophy and politics. That year, the wave of the May 4th Revolution also spread to China students studying in the United States. Driven by patriotism, Xu Zhimo took part in patriotic activities organized by local students and often read magazines such as New Youth and Trendy. At the same time, his interest in learning gradually shifted from politics to literature, so he got a master's degree in literature.

Xu Zhimo stayed in the United States for two years, but he was tired of the madness, greed and material desire of the bourgeoisie in American capitalist society. He was attracted by the British philosopher Russell, and finally "got rid of the temptation of Columbia University's doctorate and bought a boat to cross the Atlantic. Unexpectedly, the unexpected changes in Russell's personal life prevented him from realizing his long-cherished wish to learn from Russell. As a result, he "stayed at the London School of Economics and Political Science for half a year" and was bored and wanted to change his way. Thanks to Dickinson's introduction and recommendation, Xu Zhimo entered the Royal College of Cambridge University as a special student.

Xu Zhimo also lived in England for two years. His life in England, especially in Cambridge, had an important influence on his life's thought and was a turning point in the development of his thought. In Cambridge, he deeply felt that "the beauty and tranquility of nature, harmony unexpectedly drowned your soul in the tacit understanding of starlight and waves" (Xu Zhimo: Cambridge as I know it). Xu Zhimo is obsessed with Cambridge and nature because he thinks that the real society is ugly, life is painful and only nature is pure and beautiful. The best way to cure this society and people, as well as the embarrassment of current life, is to leave the degraded civilization and return to the simplicity of nature. Only by approaching nature can we restore human childlike innocence and alleviate social symptoms. He received a bourgeois aristocratic education and a "smoking culture" in Cambridge. He worships England very much and likes Oxford and Cambridge very much. He likes to associate with British celebrities. He has extensively dabbled in all kinds of world famous works, and has also been exposed to various schools of thought. During this period, his political ideas and social ideals were cultivated, and his self-consciousness-idealism was born. He wants to be an "uneducated individualist" himself. The environment in Cambridge not only contributed to and formed his social outlook and outlook on life, but also aroused his thirst for knowledge and triggered his creative ideas. He began to translate literary works. He translated several short stories by British writer Mansfield, the novel The Swirl Boy by German Fogo, the stories of Wu Jiarang and Ni Alan in medieval France, the Dead City by Italian writer Danon Wu Xue, and the Gandhi by Voltaire. At the same time, he was full of poetry and wrote many poems. His "The fury of spiritual revolution washes on both sides of your charming river" and "Xu Zhimo: Goodbye to Cambridge"). His idols are no longer Hamilton in America, but Shelley and Byron in England. He changed his face and joined the ranks of poets. )