The Deep Implication and the Creative Background of the Poem of Complaining about Heaven and Complaining about Others

Complain about Liu

Every year, after the defenders defend Huang Jinhe, hand knives waving whips keep ringing day and night.

In the late spring when it snows heavily, the Great Wall, a journey across the Yellow River and around Montenegro.

Precautions:

1, Jinhe: Inner Mongolia Autonomous Region.

2, three spring: spring.

3. Qingyi: Tomb of Wang Zhaojun in Han Dynasty, in Inner Mongolia Autonomous Region.

4. Montenegro: In Inner Mongolia Autonomous Region.

Translation:

Last year, I was stationed in the Golden River. This year, I will guard Yumen Pass. Every day, only my whip and broadsword accompany me.

Snow is still in Zhaojun's tomb. I crossed the Yellow River in Wan Li and bypassed Montenegro.

Liu has a light name, that is, the word "golden mean". Hedong people in Tang Dynasty. During the Dali period, he became a scholar and made friends with Lu Lun and Li Duan.

The main idea of the poem is: stay in Jinhe every year, and keep Yumenguan today. I only have a whip and a big knife as my companion every day. In the spring of March, Snow White returned to Zhaojun's Tomb, and (with my heart) the Yellow River in Wan Li bypassed the distant Black Mountain.

This is a frontier poem widely read. Jinhe, Qingtong and Heishan mentioned in the poem are all in Inner Mongolia Autonomous Region, and they belonged to Hufu, the capital of Khan, in the Tang Dynasty. From this, it can be inferred that this poem is about a recruiting grievance that belongs to Khan Hufu. There are four sentences in the whole poem, one sentence and one scene, which seem to have nothing to do on the surface, but in fact they are unified in the image of "recruiting people", all of which are closely centered around a word "resentment"

The first two sentences are very memorable, saying: year after year, things rush around and travel to and from the border town; Day after day, I galloped the sword array and fought endlessly. These two sentences are opposite. Putting Jin, Guan Yu, Ma Ce and Dao Huan together, together with Fu and He, gives people a monotonous and endless feeling of bitterness and resentment.

The first two sentences, from "year old" to "DPRK", seem to have exhausted everything. However, for those who are full of grievances, this is only one side. He felt bitterness not only from endless time, but also from the scene he saw, so he wrote three or four more sentences.

Three sentences were written in late spring, but they were bitter and cold outside the Great Wall. "No spring scenery", all I saw was snow falling to the grave. Cold so, how can you not be sad? The last sentence is about the situation of frontier mountains and rivers: the surging Yellow River bypasses the heavy Montenegro and rushes forward again. These two lines of scenery seem to have nothing to do with the title of the poem. In fact, they are all common scenes and places where people are often recruited. Therefore, from the two pictures of "Snow on the Qinghai-Tibet" and "Yellow River and Black Mountain", we can not only see the bitterness and desolation of recruiting people, but also feel the hardships of recruiting people to fight and trudge. Although there is no direct resentment in the poem, it contains enough resentment to make people sad.

There is not a word "resentment" throughout, but there are grievances everywhere. Grasping the cause of resentment, the poet started from two aspects of time and space, allowing the military career of Sui Dynasty and the natural scenery of the Yellow River and Montenegro to show themselves, and received the artistic effect of "everything is romantic without saying anything", which is wonderful. The whole poem is ingenious in antithesis, ingenious in refining words and unique in reading.