Goddess peak represents the classic love story of China. From beginning to end, she was immersed in the beauty of tears, but the poet did not sing a hymn for her, which made her superior.
The "waving handkerchief" represents the secular concept, while the sudden withdrawal of the hand shows the poet's awakening and nervous pain. Even better, it becomes a problem. Are you looking for like-minded people? When the poet "covers her eyes tightly", I don't know what kind of waves are stirring in her heart, only that this tear is for the Millennium loneliness of the goddess.
When the secular praise dispersed, the sad poet still stood at the stern, and his thoughts floated with "the skirt, like a surging cloud." In the misty water opposite her, goddess peak is made of tears, and such a picture will be immortal in the painter's hands. "Jiang Tao, raise your voice and lower your voice" seems to be a response to the poet. These words are plain, but the clever arrangement turns the stone into gold. This arrangement is by no means for the sake of architectural beauty. The unique rhythm it brings seems to blend in with the surging tide. This sentence also takes this step-by-step arrangement to the extreme and should be an inspiration to the author.
Beautiful dreams leave beautiful sadness. When beautiful love stories are handed down from generation to generation, who can appreciate people's sadness and the taste of turning their hearts into stones? Yes, "can the heart really turn into stone?" This simple question brushed away the illusory flowers of the goddess and revealed her lonely and desolate heart. Of course, the heart can't be turned into stone. It was only her body that turned to stone.
The betrayal of the poet is a betrayal of the traditional concept of love, the subordinate position of women and the moral concept at the expense of human happiness. Although the goddess who has been on display for thousands of years has suffered from human fireworks, she is only an air-dried sacrifice in the end, and the happiness of the world is doomed not to belong to her. Zhuang Ziyun: "I would like to draw a tail." Under the bondage of traditional morality, countless women are willing or unwilling to go to the altar and build chastity archways one after another. When people admire this so-called classic love, they will never think of the soul groaning under the card.
This poem is a masterpiece from conception to art. The poet's elegant brushstrokes string simple scenes into eternal sighs, clever rhythms, clever questions, and pictures combining motion and static are all written by everyone.
Of course, the biggest highlight of this poem is conception. It is not just a poem in My Heart Forever, but a new hope. The biggest weakness of China traditional culture is the lack of humanistic care. "Give your life for righteousness, give your life for benevolence" is an inevitable criterion. The individual is just a tool, and everything can be sacrificed before morality. I really don't know that this kind of moral oppression is heavier than severe punishment, because it is on people's hearts. In fact, what Wang Fuzhi sticks to is no longer love, but just a kind of morality, a kind of cangue rope from beginning to end. The poet, on the other hand, tore off the disguise on the cangue rope and boldly pursued worldly happiness.
I only firmly believe that making people really happy is the highest creed. Anyone, any system, any belief, no matter how sacred, should be abandoned immediately as long as it conflicts with this creed, but there are so many people who take these stupid prejudices so seriously and would rather hurt the best and kindest people for them.
Wang fushi
This is a lyric poem based on ancient folklore. According to legend, in ancient times, there was a woman who went to the mountains every day to look forward to her husband's return because her husband had been away from home for a long time. But years later, when her husband didn't come back, the woman turned to stone at the top of the mountain. The image of the stone is like a woman looking forward, so people call this stone Wang Mi Stone and this mountain Wang Mi Mountain. This story originated near Wuchang, Hubei Province today. Because of its wide spread, there are many places where Wang Mi Mountain, Wang Mi Stone and Wangfutai look forward to it. In China's classical poems, there are many works with this romantic folklore as the theme. Wang Jian's "Poems of Wang Fu" is affectionate and unique among many poems.
The first four sentences and twelve words draw a vivid and touching picture of Wang Fu. There is a big river here, and Wang Mi Mountain stands on the bank. On the top of the mountain stands a huge stone that looks like a woman's head. Mountain, standing speechless; The water has been running away. It goes without saying that mountains, water and rocks are moving and static, shining and vivid. It is worth noting that in this description, there is rich ideological content and the poet's deep affection. "Wang Fu He Chang" describes the environment and atmosphere of Wangfu Stone. The word "Youyou" describes the river flowing through the ages, which not only illustrates the background of the story, but also renders a rich lyrical atmosphere. At the same time, it sets off the image of Wang Mi-shi and vividly depicts the stone standing by the river: it seems to be a spiritual stone carving standing by the river, expecting, she has life, and she misses and waits. This technique of setting off the moving scene with still life not only makes the picture vivid and three-dimensional, but also implies endless yearning for a woman. After reading this, we will naturally think of the famous sentence in Bai Juyi's "Sauvignon Blanc": "I think dragons hate dragons, and I hate them endlessly." Isn't this endless emotion just like an endless river? The "wandering" here is not only a description of the scenery, but also a description of people, vividly depicting the homesickness. These two sentences are inseparable, vivid and artistic, killing three birds with one stone.
"Turn to stone and never look back", the poet described the image of Wang Fuzhi in an anthropomorphic way. Personalized and turned into stone; Stone is also psychic, enjoying it, harmonious characters, and harmonious feelings and scenery. This not only vividly depicts Wang Fuzhi's vivid image, but also vividly depicts his long-term yearning for his wife and his loyalty to love. These two sentences closely follow the above, which is a vivid artistic summary of ancient and beautiful folklore. There are not many pens, but they have received touching artistic effects.
Next, "Shan Yu Day after Day" refers to Wang Fu's rock-solid, weather-beaten, month after month, day and night, but still standing on the riverbank, unchanged. What is written here is the image and character of the stone, and what is said is still the loyalty of the thinking woman. She has gone through hardships, suffered from lovesickness, is still in love with death, and is still looking forward to and waiting for pedestrians in the distance. Isn't this simple and beautiful moral integrity and this unfailing love sympathetic and respectable?
A thousand kinds of lovesickness, ten thousand kinds of parting, how much she wants to pour out to her husband who is far away from home! "Pedestrians should talk when they return", the poet put down his pen at the end of the sentence and made a romantic speculation: when the husband who traveled far away returns, this stone standing by the river will definitely pour out his heart of acacia! However, where is the husband? When will the pedestrians return? "My heart has been cut, and you know it" (Guo Zhen's Song of the Four Seasons at Midnight, Haruka). Did her husband ever know that his wife was lovesick? Can the stone speak on the day when pedestrians return? All this is left to the reader to think about, but the poet comes to an abrupt end. The conclusion is really full of carefree meaning, giving people beautiful enlightenment and enjoyment.
This poem is unpretentious and rich in content. The poet only describes a scene with a pregnant fragment and his instant feelings, which is written flatly and lightly, seemingly effortless, but full of affection, chewy, thought-provoking and affectionate, and can arouse people's voices.