Interpretation of the background of Guo Moruo's two poems

Guo Moruo (1892-1978), formerly known as Guo Kaizhen, was born in Leshan, Sichuan, a modern romantic poet, playwright, historian and ancient philologist in China. In his early years, he studied medicine at Okayama University and Kyushu Imperial University in Japan. At Imperial University, poets began to engage in literary creation. 1920, the poet published a series of important works in "Current Affairs, Learning Lights", 192 1, and published a collection of poems "Goddess". This collection of poems is a milestone in the history of China's modern poetry, which initiated the romantic style of China's new poetry. In the same year, poets, Yu Dafu and others organized the creation society and founded the quarterly magazine Creation. 1923, poet, graduated from Imperial University. 1926, the poet became the president of Guangdong University. In July of the same year, the poet went north with the National Revolutionary Army. 1August, 927, participated in the Nanchang Uprising and joined the China * * * Production Party. During the uprising, the poet created a large number of historical dramas, publicized the revolution and satirized Chiang Kai-shek's ugly face, and was wanted by Chiang Kai-shek. 1February, 928, started the Japanese exile life of 10. During this period, the poet devoted himself to studying the ancient culture of China, and established his position as a historian and an ancient philologist. From 65438 to 0937, he secretly returned to China, actively participated in the anti-Japanese national salvation movement, and created a large number of historical dramas with the flavor of the times, such as Hu Fu and Qu Yuan. After liberation, the poet has been in charge of cultural work, successively serving as president of China Academy of Sciences, vice chairman of the National People's Congress Standing Committee (NPCSC) and vice chairman of China People's Political Consultative Conference. Over!