The influence of Jin Dynasty's ideology and culture on Jin Dynasty's writers

The image of Tao Yuanming, an idyllic poet in the Eastern Jin Dynasty, originated from 192 1 Jin Dynasty literature got rid of the shackles of Confucian classics, moved towards independence, and moved towards free and pluralistic development. This is because: the spirit of Confucianism in Wei and Jin Dynasties declined, and only morality was valued, and the scholar-officials were empty and absurd; Politics is dark and literati are oppressed; Metaphysics, Buddhism and Taoism are popular, and the translated classics are developed. In this context, the works of this period are realistic in content and attach importance to skills. Due to the influence of Han Fu, parallel prose appeared, with a number of four to six words, paying attention to gorgeous rhetoric, carving words, rhythm and ornamentation, and using antithesis and allusions. The main articles are fu and bamboo slips, which reached their peak in the Southern and Northern Dynasties. Parallel prose brought the study of phonology, and the last four tones were recognized by Nan Liang Shen. In terms of novels, such as Zhang Hua's Natural History, Gambao's Searching for the Gods, and Ge Hong's Biography of Immortals. The historical books of this period were mostly folk works, or appeared in various versions, such as the History of the Three Kingdoms by Chen Shou and the History of the Later Han Dynasty by Ye Fan [18]. During the Wei and Jin Dynasties, Ruan Ji was well written, but most of his followers were superficial [19]. Ji Kang is good at four-character poems, and he is also the author of The Theory of Health Preservation. His poetic style is sober. He opposes political darkness and refuses to compromise with Sima's regime. Representative works include Breaking Up with Dan Tao, Giving Scholar to Join the Army, Nineteen Poems, Poems of Complaint, etc. Ruan Ji's shouyangshan Fu and love poems show his aversion to power and political darkness. During the Western Jin Dynasty, the society was prosperous and luxurious, and literature was carved and beautified. Most of the works in this period are beautiful and smooth, and the complexity is moderate. Zuo Si's famous "Sandu Fu", which describes the capitals of the Three Kingdoms, is rich in content and caused a sensation in the capital after its completion. His poems are first-rate in art and style. Because he was not from a noble family, he was excluded, and his poems showed regret. Pan Yue's mourning poems are exquisite in content and realistic in emotion. Lu Ji's Wen Fu is an important literary theory, which describes the master-slave relationship between thought and art. His prose is also widely known, but it pays too much attention to rhetoric and duality. Western Jin poetry was influenced by Cao Wei's "Jian 'an Style", but gradually paid attention to duality and phonology. Famous poets include Zhang Zai, Zhang Xie, Bird, Lu Ji, Lu Yun, Pan Yue, Penny and Zuo Si. After Yongjia disaster, Liu Kun's poems with the characteristics of national subjugation and perseverance were rare in Jin Dynasty. During the Eastern Jin Dynasty, bamboo slips and other articles were famous for their superb style, such as Wang Xizhi's Book with Xie An. Among them, The Preface to Lanting Collection mentions that life is accompanied by sadness and joy, which can quite represent the values of literati at that time. Metaphysical Fu is the most popular, which is mostly related to the content of discussion, such as Sun's "Tiantai Mourning Fu" and Guo Pu's "Jiangshang Fu". Guo Pu annotated Er Ya, Shan Hai Jing and Mu Chuan. His poems about immortals are representative of the literature about immortals in Wei and Jin Dynasties, and have a unique poetic style. The content of the poem describes the sense of drifting away from the world, which is actually a reflection of dissatisfaction with reality. In the late Eastern Jin Dynasty, Tao Yuanming was very distinctive. He is good at describing rural life, and his style is fresh and simple, which enhances the connotation of classical poetry and shows lofty and pure sentiment. His work Peach Blossom Spring symbolizes the pursuit of a harmonious world that can escape from troubled times and is full of philosophy. His poems, essays and ci fu have widely influenced later famous artists, such as Wang Wei, Li Bai, Du Fu, Su Shi, Xin Qiji and Lu You. In addition, the story background of Liang Zhu, one of the four great folklore stories in China, also happened in the Eastern Jin Dynasty.