JUNG WOO
Tao is a flower in late spring, and Tao is snow that smells different. There are oblique branches outside the bamboo, wild. Cold bamboo huts, rich and jade pavilions. The two places are planted differently and are generally open.
This is Yongmei's extraordinary masterpiece. About the movie Yongmei, Xi Mei. The first two sentences praise the beauty of plum blossoms. It is different from other flowers. Although spring has not arrived, it blooms alone in the cold. It is as white as snow, but ice and snow have no intoxicating fragrance. The last two sentences pity the loneliness of plum blossom. Although it is proud and fragrant, it is lonely and no one appreciates it.
Next movie, praise. No matter whether plums are planted in "Caotang" or "Yutang Qiongxie", it will not change its original intention: "The two places are planted differently, but they generally bloom." This word not only describes the appearance of plum blossom, but also reveals the character of plum blossom, implying that the author refuses to give up his integrity and go with the flow, even if he has no talent. When writing, although there is no word "mei" throughout, it makes people feel that all pens are writing plum; Although both the pen and the pen are writing plums, they remind people of the author everywhere. With ingenious conception and rich metaphors, it can be called Yongmei's masterpiece.
2. Jie Lianhuan
Jiangkui
The jade whip is heavy and oblique, but it is thoughtful and lingering. For Da Qiao, you can stir the spring breeze, Xiao Qiao moves the kite wonderfully, and the geese cry autumn waters. Liu is afraid, so why bother to freshen up. Dao Lang was holding a feather fan, and half of it was recorded that day. It's raining cold at night at the west window, sighing that you are not happy enough. What should you give up easily? Asked, empty refers to the rose, such a mountain is heavier. The water column has weak light and an arc screen near the bottom. Read only, the moon comes at night, and I sleep in Iraq.
The old story of Hefei Baishi will be remembered all my life. There are many willows in Hefei, and it is not in the plum blossom season with women, so writing plum blossoms in Baishi's poems is related to this sad memory. Baishi did not marry a Hefei woman and regretted it for life. Xiao Dezao married his niece to Baishi, but when he went to get married, he was still thinking about Hefei women. Why does this woman have such great magic? It seems difficult to fully explain it only from the temperament and affection of Baishi, which is somewhat mysterious.
This word was written in the second year of Shao Xi (1 19 1), when Baishi was 37 years old. /kloc-0 went to Hefei twice in the spring and summer of 1998, but at this time, the woman seemed to have gone to the building, and there was no trace of Hefei since then. Therefore, the word is farewell to Hefei.
"Jade whip is inclined", "whip" or "saddle" means "riding on an inclined bridge" (Wei Zhuang). Wei riding on the bridge, Jiang leaning on the bridge, all have expectations. Wei saw that "red tea adds fragrance to the building", and Jiang saw people go to the building. Revisiting the old place, can the scene come without worrying? "Daqiao Xiaoqiao" or "Sister Journey" refers to Mr Right. Carving "Joe" into a "bridge" is closely related to Wei's words and the meaning of "Wild Goose Singing Autumn Water" behind, saying that the surrounding environment is infected by women's music. When Baishi first met a woman in Hefei, she seemed to be playing the piano and singing by a bridge. There may be more than one bridge near Jianghuai Water Town. The bridge is connected. I suggest a meeting. It seems unreasonable that the right person is two people, especially Baishi. It may be Zhou Lang's. He took a break while shooting a feather fan. The musician Bai may mean "Zhou Lang, an ancient song", but "a crane hangs like smoke and a feather fan" (self-titled picture) Bai likes this fairy family. Women in Hefei have a good understanding of music, and their calligraphy is also very literate (Old Love is just a crimson word, Partridge Sky), and of course it is beautiful (People read more, who can look like a long pavilion tree, and a slow complaint about a long pavilion). Talent, art and color are all conditions for "bosom friends". The following two poems of Liu rhyme, recalling the first encounter, vivid and eye-catching, showing deep affection.
The climax of Jiang ci is often in the place where the head is changed. The word "take a break" refers to a woman's language when she makes a commitment with her body, saying that when the curtain meets for the first time, she will have an unusual favor. The first reading of plain and infatuated words is actually the climax. The last film recalled the meeting.
The next film uses a series of cool images to evoke hallucinations and imagination to describe the tragedy. "West window night is cold and rainy, sighing that I am not happy enough. Why give up? " This is the frustration of staying up late when people are empty. "Ask after meeting, empty refers to roses", recalling the last meeting, the woman seems to have known that there is no goodbye-will it be suitable for the rich? Far away? Or other changes that are not conducive to Bai Baishi? But she was very restrained and didn't want to tell the truth to stimulate Baishi. Baishi asked when we would meet again. She was so sad that she couldn't answer. "Empty finger rose" was an empty unconscious action. "Farewell to a Woman" In the plum blossom season, when the rose is not in Su Sheng, "empty refers to the rose" and "empty refers to the rose-dead branches", which indicates that love will wither so much. "This is a big mountain, and it's heavier." At present, roses are thriving, but there is nowhere to find anyone who refers to empty roses. "What a big mountain" is a strange word. Is it a long way? Women go to the occupied areas in the north? In short, the difficulty of goodbye is closely related to "such a mountain". "The light of the water post is weak. I'll look at it again. The curved screen is near the bottom." Shuitie is sleepless, tossing and turning, thinking in a trance, and has an illusion: Seeing you near the curved screen, Iraqis are really beautiful. A word "you" shows that trance is common. Baishi is thin, and if it looks like clothes, it will almost fall apart because of the unforgettable acacia. "I only read, come to the moon at night, and sleep in Iraq." Iraqis seem to be depressed and live alone. Out of estimation and imagination. The whole memory clearly belongs to one person.
The whole poem is full of vivid thinking, sincere and delicate feelings, very pure, and the style is sad and stubborn. Inspiration is very active.
3. My lips are a little flushed
Jiangkui
Ding didn't spend the winter with Wu Songzuo (Suzhou River).
Yan Yan has no intention, and the west bank of Taihu Lake goes with the clouds. Several peaks are bitter, and it is rainy in Shang Lue. Next to the fourth bridge, I plan to live with you every day. Why today? Looking back on the railing, the residual willows danced irregularly.
This poem was written by Yan Nanfei when he arrived in Suzhou via Song Wu in the 14th year of Xichun (1 187), and it combines scene and self-expression. "Yanyan" is a wild goose in the north. Like a poet, "the west bank of Taihu Lake goes with the clouds." The second rhyme of the last film is a famous sentence sung for centuries, which embodies the unique style of Baishi. Its beautiful and bitter peaks gather to discuss the dusk rain, and things are anthropomorphic, and people are anthropomorphic, and they are quite complacent. They are rich images of poets who are self-achievers. Nature and the poet are integrated, and the dynamic and broad natural landscape reflects the poet's character and spirit. In the following film, Lu Guimeng (Tian Suizi), a poet who lived in R&F in Suzhou, was like a white stone in his wandering thoughts and claws all his life. Jiang, I admire him very much. Now that he is on the land, can he not think about it? Among the peaks of "Yellow Rain", Shandong and Jiangdang each occupy one.
Sex, Tao, emptiness and emptiness are not illusory nothingness. Laozi and Zhuangzi's aesthetics believe that the essence of artistic beauty is the noumenon of Tao, not the cognitive entity that the five senses can perceive. Ontology should be said to be obtained on the basis of entity. Although "invisible", "affectionate and trustworthy" is everywhere. This understanding of the essence of beauty inevitably requires creation and appreciation, so it emphasizes "the meaning beyond the taste", "the image beyond the image", "the sound of laughter" and "the elephant is invisible", and emptiness and loneliness are the highest realm. Jiang Baishi's innovation of "the essence of nature" is taking the road of aesthetics of Laozi and Zhuangzi, and the enrichment in the emptying of this fine print is an example.
4. Tasha trip
From Dong Mian and Ding Weiyuan, to Jinling, and then to dream on the river.
Jiangkui
Yan Yan is light, Yingying is exquisite, and she clearly sees Hua Xu. The night is long and bitter, and early spring is dyed by acacia. Don't write in the future, don't sew at the same time, travel away from the soul. The bright moon in Huainan and Qian Shan are cold and nobody cares.
Xiao Yan pointed out that this poem was written on the first day of the fourteenth year of Xiaozong Xichun, on a boat near Jinling. Although the word is short, it is full of twists and turns, implicit and meaningful. The first part wrote a dream, without telling a story first, but tried to portray the image of Iraqis (Yingying and Yanyan were originally women's names, which means Iraqis here). She described her posture, manners and speech lightly and delicately, which really made people feel like seeing her and hearing her voice. Then it is pointed out that the above two sentences are about writing a dream person, and the author met her (Hua) in her dream. "It's a long night" and the dream complement each other, and the tone of their mutual confession is vivid: she is complaining about how a fickle lover can imagine her pain in the long night, and he feels that lovesickness affection comes faster than spring. This is a mixed scene.
The next movie is after waking up. Write what you see and who you think of first, and then borrow a romantic story of a beautiful girl leaving her soul. I imagine that Iraqis are also like a beautiful girl, whose soul travels thousands of miles, meets her dreams, and goes home in despair to open up a new realm. This way of writing has achieved what Baishi himself said: "There is aftertaste in the sentence, meaning in the text, and good deeds are rewarded."
5. Partridge Festival
It's autumn. What can you see in Tiaoxi?
Jiangkui
Beijing-Luoyang romantic generation, why did it fall into the Western Jin Dynasty? Cage shoes are shallower than crow's head socks, knowing that they are Ling Bo's ethereal body. Red smile, green growth, who will accompany this poor spring? Yuanyang used to stay alone and turned into a wisp of cloud in the west building.
This word was written in 1 189 at the age of 34. In autumn, Xing Wu Tiaoxi Ferry, coquettish woman Luo Jing falls like catkins. Lightning, but also in the ferry Baishi heart a shock, think this woman is very beautiful. The other party seems to have noticed, and Baishi's line of sight hangs down and sees crow's head socks exposed from the toe of her cage shoes-Japanese socks with ya-shaped front ends. Empathy, this sock left a deep impression on Baishi, and it was also mentioned in Qing Gong Chun seven or eight years later. Poor baby's infatuation. Bai Shi's Partridge Day misses a Hefei woman more. She seems to have some contacts with Hefei women, but she has never exchanged a word with Luo Jing woman Tiaoxi Ferry, just "seeing".
The whole poem makes this Luo Jing woman extraordinary, and the wind of the Western Jin Dynasty has simply become the goddess of waterinfo written by Cao Zijian, and Ling Bo, the crow's head sock, is ethereal. The next film is more imaginative. The woman smiled and frowned at first sight. It can be seen that the situation of living in Jiangnan is not good. "Who is poor spring?" Who is the protector of Iraq? Lonely Iraq, shouldn't it "turn into a wisp of cloud in the west building" and drift away? When the snow meets the claws, Baishi feels so much sincerity in life that those unlucky people may not understand it. I only know myself with sincerity, and only when I create words will I pour out this kind of sadness hidden in my subconscious.
This word may contain a little wild thoughts, but it also belongs to a little respect, understanding and cherish for the floating clouds and wild cranes. It's different from being frivolous in the market.
6. Tang Duoling
An Yuanji, Ji Huang's, pleaded with the Longzhou Taoist priest in order to present this song "Tang Duoling" with Liu Fuzhi, Liu, Shan, Zhou Jiazhong, Chen and Meng Rong on August 5th.
Liu Guo
Reed leaves are full of Tingzhou, and the cold sand zone is shallow. Twenty years have passed, South Tower. Liu Xia's mooring is not stable yet, but it will be the Mid-Autumn Festival in a few days. The yellow crane broke the rock head, so the old friend was there? Old rivers and mountains are new troubles. I want to buy osmanthus with wine, but I don't like it.
This is a famous work, and later generations praised it as "the work of a poem." Where are the workers? This autumn of writing is touching and sad to re-enter the south building of Wuchang, an old resort 20 years ago. Under the comfort of the surface landscape and lingering wine fragrance, I can feel the author's heavy loss, sour and pungent. Smooth and skilled prose description and harmonious and neat rhythm all seem to be smiles that have to be hung on the face in this debauchery scene-some are not natural smiles.
This faint, deep sadness, like reed leaves in Tingzhou, like shallow cold sand, is countless and cannot be dismissed. In the face of Dajiangdong going to Huanggu Duan Ji, there is no pride! Lang said on the table, "Generally speaking, things are really expensive, but if it is true, I can't face you. What about the ancients?" When reading this Tang Duoling, we should add: "If it is true, I can't face it." Who believes this is the work of Liu Guo, an uninhibited poet who was bored loudly when he first read it? Wang Guowei's "Words on Earth" said, "Those who can describe scenery and true feelings are called the realm." Tang Duoling is a novel with unique personality and originality by Liu Gaizhi. The "merit" of this poem lies in creating this new realm.
7. The latest love flower
Bevan Nambo
Yang
Hate makes the spring rain. Add a spring river, but it flows east. Weak willows can't even stay in the boat. Never listen to the sound of your sadness. Jun went to Nanxufang Grassland. Looking for spring, or that way. Looking back after a night alone. There is no repetition in the mountains.
Sleeping in the rain is an intimate scene between brothers and close friends who meet after a long separation or are about to leave. For example, Bai Juyi's poem "Zhao Zhang Ye Si Su" wrote: "Can you come and live together? Listen to the rain and sleep in bed. " Su Shi's poem "Farewell in the East Mansion Rain" says: "The bed is empty, and the rain is bleak tonight." It is the artistic conception reappearance of this scene. "From hate to spring rain. Add a spring river and flow eastward. " Here, the emotion of "rainy night to bed" has been added with new content, which not only describes the artistic conception in front of rainy night lights, but also links rainy night with the rise of the riverside, from which it is associated with boating in the Ming Dynasty. Thinking of this, I complain that this spring rain encourages hatred, and my best friend will leave by boat with the river flowing east. Don't wait for the farewell on the Ming River. The rain tonight makes people feel sad. The above is the parting mood on the eve of parting written through the first three sentences. "Weak willow boat. I will never listen to your sadness. " These two sentences are written in advance in memory of saying goodbye to the river: the soft willow branches on the river bank add a feeling of farewell; Even if you say goodbye, you can't keep your friends, just like this weak willow can't tie the boat. Then, I changed a pen and wrote a farewell for my friends. "I don't listen to the sound for you." This sentence has been written thousands of times, which is thrilling and shows sincere friendship to the fullest. "I am worried about you" means that I am worried about you. This is the mood of a friend who has turned over a floor to write about leaving his job. On the way to the water, listening to the gentle sound of paddles ("paddles" are squeaks when you paddle) and drifting away, you will feel the pain of parting even more, and you must be heartbroken. The first film of Ci was written on the bed the night before, and I felt very hurt. The second time I wrote it on the river, I wanted to leave; It is more subtle to write the sadness of imaginary friends all the way. Such layers of narration are more sincere and touching. That sincere friendship, like a gurgling stream, naturally flows out from the deep heart.
Word turn to the next, "jun to south xu fangcaodu. I want to find spring, or that way. " It's time for me to say goodbye and recall the past of Nan Xu. South Xu is South Xuzhou. In the Eastern Jin Dynasty, overseas Chinese from Nandu set up South Xuzhou in Jingkou, which was later called South Xu in Jingkou (now Zhenjiang, Jiangsu). Fangcaodu was probably the place where Jingkou smelt at that time. Zhao's poem: "Fangcaodu, the door is covered with a hundred flowers hall." All kinds of images in the poem can cause this association. In particular, the word "looking for spring" in the sentence "I want to look for spring, I am still on the road" implies the meaning of prostitutes, so "Fangcaodu" is naturally a place where prostitutes live in groups. The poet and Fan Nanbo walked hand in hand in Nanxu, leaving their bohemian youth footprints. In the word "Manjianghong", the author also wrote a similar memory of "the smell of dust and fog is fragrant, and the West Lake is strange in the south". The author's wild behavior in his youth, in turn, can reflect his unrestrained spirit, so we can't understand the meaning of this word too slowly. Here, I just borrowed the "Fangcaodu" to visit prostitutes and take care of Nanxu's past. "After you come back alone at night. There is no weight in the mountains. " After holding hands on the river to say goodbye, my best friend got on the boat and left. When the ship turned the mountains that blocked the line of sight, he turned around frequently and could not bear to leave. The place where he looks back is also the place where he will recall the injury of leaving alone today. However, the heavy and ruthless mountains will still block the line of sight. "Mountain chaos will only hinder the human eye." From now on, I will never see my friends again. The next paragraph, which tells the old story of farewell, is cleverly expressed. Amazingly, the author broke the time boundary between the past, the present and the future, and showed thousands of thoughts in the same space, so densely showing the complex psychology when leaving.
8. Bodhisattva level people
Jinling Yangxin Pavilion is dedicated to Prime Minister Ye.
Xin Qiji
Qingshan wants to talk down-to-earth, with thousands of troops. The misty rain is low, I hope not to come. People always worry when they talk on their heads. Clap your hands and laugh at the gull, and you are worried.
At the beginning, it is anthropomorphic, saying that "Qingshan" wants to talk to "experts" and "there are countless horses", which means that "Qingshan" is in an urgent mood and keeps running towards people like a tribe. The clouds on the top of the mountain are flying, as if the mountains are running. Jiaxuan makes sentences, which is amazing. "The rain in Mao Mao is very low. I hope it won't come." These two sentences say that the clouds are wandering in the mountains, and people are looking forward to the rain but never expect it. Here, I describe the scene of clouds rolling in the mountains and rain coming, but the rain didn't come and he was disappointed. Obviously, I use "green hills" and "misty rain" to express my ideas here. The poet's ambition is unfulfilled, and he hopes to discuss state affairs with like-minded "masters" and hope that the climax of the Anti-Japanese War will come ... All these things have not been realized in the end, and he can't help but feel lost.
The next article follows the previous one and focuses on "worry".
"People always worry when they talk on their heads." People say that hair turns white because of sadness. As you can imagine, although the poet is only thirty-five years old this year, his hair may be a lot whiter because of his concerns about state affairs. "Clap your hands and laugh at Sha Ou, you are all worried." The last two sentences are humorous and interesting, but they have profound meanings. He saw snow-white Sha Ou, with white hair symbolizing "sadness", and thought that Sha Ou was "full of sadness" and even clapped his hands and laughed, which might be suspected of "taking pot calling the kettle black as an example". In fact, at the low tide of the Anti-Japanese War, some people completely despaired of the future of the country and the nation, but Xin Qiji's confidence in the struggle against the enemy never died out. No wonder he laughed at "worried" Sha Ou.
The words are clever and imaginative, and the words "green hills" and "misty rain" are magnificent in color and full of momentum. The author's profound thoughts, ambitions and resentment have been expressed tactfully and implicitly in his landscape writing.
9. Han Gongchun
The beginning of spring
Xin Qiji
Spring is back. Look at the beauty's head. The flag of spring is rising. Unprovoked wind and rain, unwilling to collect all the cold. Swallows in 2008 expect to dream of the West Garden tonight. Hun didn't do it. Chengcheng Huang recommended wine, and even leeks were piled up. However, I laughed proudly from now on, so I smoked plums and dyed willows, and I had no leisure at all. Come back in your spare time to look in the mirror and change your face. Clear sorrow, ask who, Jie Lianhuan. Afraid to see the flowers bloom and fall, the geese will return first.
The spring break, which was called "beginning of spring" in ancient times, was established, and the soil in the middle and lower reaches of the Yellow River gradually thawed. When I was four years old, the local custom: "On the day of beginning of spring, it was the home of the scholar-officials, and the ribbon was cut as a small flag, named Spring Flag. Or hang it at home or under the flowers. " Chen's Zaqu in the Southern Dynasties: "beginning of spring should be new every day, and it should die in the first month". The opening allusion, apt and natural, shows no trace, which is precisely "to make things go wrong". And use "curling" to describe swaying, turning static into dynamic. The breeze is blowing, and it is full of spring. However, when I was sad, I said, "Wind and rain have no reason, but I don't want to collect all the cold." The technique is quite similar to Li Qingzhao's "Ode to Yule": "Yuanxiao, blend with the weather, is there no wind and rain?" It's not just the change of natural weather. Now that spring has begun, the swallows that flew from the south last autumn are flying towards the north wind. Maybe they will dream of staying in the West Garden tonight. "West Garden" originally refers to the place where the emperor hunted. Because it is located in the western suburbs of Beijing, it is called Xiyuan. Filial Piety and Empress Dowager, Volume 8 of the Book of the Later Han Dynasty: "In August of five years, the eighth viceroy of Xiyuan was established". Outside the west gate of Bianjing, the capital of the Northern Song Dynasty, there is Joan Lin Yuan, also known as Xiyuan, which should refer to the latter. Judging from the sentence "Niantun", this word was written by Xin Qiji shortly after he returned to the south. Sending love to Yan is thought-provoking. "Recommended wine with orange", a wax wine brewed with orange. "Pile the leeks on the plate", and put the leeks on the spiced plate. According to Compendium of Materia Medica-Vegetable Department, "Five coriander is mixed with fresh and tender vegetables such as onion, garlic, leek, chrysanthemum and mustard to welcome the new year." . Therefore, Su Shi's poem Li Duanshu, a small play in beginning of spring, says: "Pan Xinde has green leeks and preserved wine is yellow and orange". "I haven't done it yet" (I haven't done it yet, I haven't done it at all), and the situation is very different. On such a beautiful day, my emotional disappointment floats on paper.
The next part continues to write "Spring is back". Try it: Dongfeng is interested, and she blows plum blossoms slightly; Willow spit gold silk, soft and graceful; There seems to be no leisure at all. But the word "but smile" has faded out of Chun Qing's paintings, which shows that there is illusion in reality and illusion in emptiness. On this "beginning of spring Day", it is just a beautiful imagination. Then, Dongfeng said that he would take a break from his busy schedule: "One more mirror, another Zhu Yan". When I was depressed, I began to show my true feelings: "If I worry any more, I will meet Jie Lianhuan." . Qi Ce Warring States Policy VI: "Qin Shihuang (a certain) tasted the messenger leaving the queen's jade chain and said,' Qi knows more, but he can't solve this ring'? After the king showed it to the ministers, they didn't know how to solve it. After the king's vertebra was severed, Ambassador Xie Qin said,' I am willing to solve it.' "In this way, sorrow is like a chain, and no one can untie it. The last sentence is broken: I am afraid that flowers will bloom and fall. I am most afraid that the geese who came from Saibei last year have returned to the north before me! Then, this sorrow will also be "sorrow ends in the south, and the hole cannot be broken." "
10, something close at hand
On the evening of July 13, I went to see the moon all over the mountains.
Yang Wanli
Before Ramadan, go to Wanhua Valley. It's not that there is no moon in the house, there is Lin Xiuzhu. It's thirteen nights now, and the moonlight is like jade. This is not a miracle in Qiu Guang. See 15 or 16.
The preface points out that the center of the whole word is "looking at the moon", and points out that the time is "the evening of July 13th" and the place is "Wanhua Chuangu".
"Go to Wanhuachuan Valley before you arrive at Chengzhai in June." Chengzhai is the name of Yang Wanli's study, and Wanhuachuan Valley is the name of a garden not far from Chengzhai. In the first two sentences, it is obvious that the bright moonlight has not yet shone into his study, but it has shone into the "Wanhua Valley". The author uses "not yet" and "first arrival" to set suspense, which makes people daydream. After reading these two sentences, people will naturally ask: Since Chengzhai is not far from Wanhua River Valley, why does the moonlight shine on Wanhua River Valley, but the author's study can't see the moonlight? Followed by two sentences, "it's not that there is no moon in the house, but there is bamboo cultivation in the forest." The suspense has been solved, which also explains why the author left the city village to enjoy the moon in Wanhua Valley. It turned out that there was a dense bamboo forest in front of his study, which blocked the moonlight. The words "brother" and "show" in this sentence seem ordinary, but they are intriguing and fascinating. Imagine, if bamboo is not lush and slender, how can it "separate" the moonlight? A few eleven words not only solved the mystery of "the end of the month to the end of lent", but also showed that the study was deep in the bamboo forest and the environment was elegant. According to the History of Song Dynasty, Yang Wanli visited Zhang Jun in exile in Yongzhou three times, but failed to meet each other. Later, "... we met each other with books, earnestly studied, and Wan Li served for life. This is the so-called' Cheng Zhai'. "In this way, it is conceivable that Yang Wanli's study named" Chengzhai "took a lot of thought and made careful settings and arrangements.
In the last film, through comparative description, it is pointed out by "not yet arrived" and "first arrived". At this time, the walled city is still in the dim shadow, and "Wan Hua Chuan Gu" is already shining in the moonlight. The next four sentences describe the moonlight of "Wanhua Shipman". "It's only thirteen nights now, and the moonlight is like jade." In two sentences, only the word "jade" is used to describe the scenery. These two words vividly describe the clear and transparent blue sky and beautiful moonlight scenery with clever metaphors. The word "Cai" echoes the word "Ji", which reminds people that the author enjoyed such a wonderful moon scene on the thirteenth night, and some of them were overjoyed; It also reminds people that although the moonlight we see now is as bright as jade and intoxicating, "Thirteen Nights" is not the best time to enjoy the moon after all. So, when is the moonlight the most beautiful? As we all know, the moon is the roundest on the 15th and 16th day of the lunar calendar, which is the best day to watch the moonlight. In this way, the two sentences at the end of the word naturally introduced a new realm: "If it is not the wonder of Qiu Guang, see the fifteenth and sixth." The word "Wei's" has overshadowed the glittering and translucent realm described in the previous sentence, and introduced a new world of "the wonder of Qiu Guang", pointing out that the coming 15th and 16th are the best seasons to enjoy the moon. The last two sentences seem dull, but they show extraordinary artistic realm, which shows that the author has a strong vision and pursuit for the future and beauty.