Two poems, Spring Memories of Li Bai and End of the Sky to Li Bai, both express the feelings of missing Li Bai. What are their respective focuses on expressing emotions?

Du Fu and Meng Haoran were two famous poets in the prosperous Tang Dynasty. Because of similar unfortunate life experiences, they have very similar poetic styles. They are the ode to the prosperous Tang Dynasty full of lofty sentiments, the expression of political ideals and ambitions, the expression of frustration in official career and social criticism, the reappearance of leisurely life, and the expression of sincere nostalgia, friendship and affection. It is an expression of the feelings of hard-to-pay ambition revealed in the secluded and leisurely life, a confession of strong feelings of restraint, a sorrow intertwined with the contradiction between entering an official position and retiring, and a statement of different choices led by Confucianism and Taoism. However, there are similarities and differences, which are as follows: Du Fu is famous and Meng Haoran is poor; Du Fu's true feelings and Meng Haoran's narrow sense; Du Fu's profound exposure to reality and Meng Haoran's detachment and quietness; Du Fu's true feelings of worrying about the country and the people are revealed, and Meng Haoran feels that his life experience is not rewarded; Du Fu has a feeling of national collectivism, which leads to the contradiction between being an official and retiring, while Meng Haoran's individualism, which is born in poverty and worried about the material foundation, leads to the contradiction between being an official and retiring. Du Fu gave priority to Confucianism, while Meng Haoran gave priority to Taoism. 1. Unfortunate life experience 1. First of all, Du Fu and Meng Haoran came from different backgrounds. Du Fu was born in an official position, while Meng Haoran was born in poverty. Du Fu's distant ancestor was a famous scholar, and his grandfather was a poet in the early Tang Dynasty. Du Fu has a sense of responsibility to continue the "prosperity of his home country" since he was a child. Meng Haoran lived a life of seclusion and vagrancy. His goal is not to continue "family prosperity", but to revitalize the family. 2. Du Fu's era was 765,438+02-770, which crossed the "An Shi Rebellion". His life is very hard. He not only came back from behind many times, but also fled everywhere. In his life, his understanding of social reality is extremely profound and full of criticism, but his criticism has turned from "hate" to "love". Meng Haoran has never experienced the catastrophe of "An Shi Rebellion". His life is not as ups and downs and thrilling as Du Fu's, but he has the same unfortunate life experience as Du Fu. They are all fighting for their ideals, but they always end up in a situation where their talents are not satisfied. This is not their own reason, but the dark social reality behind the prosperous times. Facing the dark officialdom, they chose to escape and retire. However, due to the different subjective and objective situations, the inner contradiction between being an official and retiring shocked them, making them want to be detached but unable to forget. This poem is full of melancholy. Bursts of sadness accelerated their aging and illness. Meng Haoran's death: "When the disease broke out, we met with joy, the waves were full of fun, the food was fresh, and we died." (1) Du Fu's death: He died of illness on the boat, and the farewell poem is "Sleeping on the pillow of the wind boat for 36 rhymes to give to relatives and friends in Hunan". 2. Ode to the Tang Dynasty full of lofty sentiments 1. Du Fu and Meng Haoran both had lofty sentiments in their early years. Du Fu's "Song of Drinking Eight Immortals" is full of admiration for talented people, especially "Li Bai's hundred poems, when he went to sleep in a restaurant in Chang 'an, the son of heaven told him not to get on the boat and called himself Brewmaster. "Bold drinkers, talented wit, show the prosperous Tang Dynasty. Meng Haoran's "Climbing Anyang Building" describes the leisure of talented people in Jiangcheng in spring, the open scenery of Guo Cheng Oasis, and the beautiful and touching mythological color, which are integrated into one, showing the voice of the prosperous Tang Dynasty. 2. But in Meng Haoran's poems, besides describing the heroic feelings in the prosperous Tang Dynasty, there is also a chivalrous spirit that Du Fu's poems do not have. Meng Haoran's "Twelve Stores in Luoyang Road" has the words "Pearl plays the scholar, gold holds the ranger. "The wine is white at dusk and the horse enters the world of mortals." It shows the elegant demeanour of young Ren Xia and creates a vivid image of Luoyang Ranger. Three. Political ideal and broad mind. Du Fu and Meng Haoran were born in the prosperous Tang Dynasty, full of broad-minded ambition and desire to be an official, and full of lofty political ideals. Although they have returned to the ground again and again, their beliefs have always kept them from giving up their goals in life, and their ideals are full of lofty sentiments in their poems. Du Fu's "Looking at Yue" is a poem that best embodies his lofty ideals and lofty aspirations. "Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky." Pushing the whole poem to a climax is full of self-confidence and conceit. 2. Similar to Du Fu's Wang Yue is Meng Haoran's Dongting Lake to the Prime Minister Zhang. The first four sentences say that Dongting Lake is wide and empty. The scene is magnificent. The words "steaming" and "shaking" are full of strong exaggeration, which has injected great ambition and mind into the scene. The last four sentences express the intention of seeking and attracting, which is naturally implicit and pertinent. 4. Frustration in official career and social criticism 1. Du Fu and Meng Haoran both had empty ambitions but eventually returned empty-handed, and never realized their political ideals. The difficult road to being an official and all kinds of helplessness made them begin to be dissatisfied with those in power, began to doubt their official career, and then boldly exposed and criticized. 2. From "Twenty-two Rhymes" to Wei Zuocheng's "Zhang", then to "Paradise Song" and then to "Second Way", Du Fu's critical power is also strengthening, and his rebellious mood is also heating up. "Twenty-two Rhymes for Wei Zuocheng" is the most implicit criticism. Its main purpose is only the urgency of being an official, but from "Why are you dissatisfied and just wandering?" We can see Du Fu's indignation. "Song of Paradise" is about the profound social crisis felt in the process of singing and dancing, while "Second Way" directly satirizes the debauchery and luxury of Yang's brother and sister. "But power can be as hot as a flame, burning people's fingers, so be wary of the Prime Minister and his frown!" By persuading people to avoid it, it reflects the arrogance of the Yang family. 3. Meng Haoran's criticism from pastoral works to Farewell to Friends in Xinfeng Beijing, and then to Yuan Zuocheng, assistant minister in the middle Qin Dynasty, is also strengthening, and his resistance is also heating up. "Pastoral Works" is just an urgent mood to become an official, but it also began to lament that there were no relatives and friends in the last days, exposed the corrupt reality of cronyism in the imperial court at that time, began to doubt the life path of entering Beijing to serve the officials and help the world, and then ended with the attitude of rejecting dark and corrupt officialdom in "Yuan He Cheng Shi Lang Qin Ku Yu". Meng Haoran's attitude is very clear. He chose to retire, but Du Fu won't and won't. He will continue to fight for his country. But we know that neither Du Fu nor Meng Haoran is willing to refuse. The contradiction between their employment and retirement has never been reconciled. Du Fu's criticism is aimed at the Tang Dynasty, exposing the darkness of the feudal system itself, exposing the extravagance of princes and nobles, and suggesting a hidden crisis. Although Meng Haoran directly criticized the corruption of the imperial court at that time, he focused more on the corruption of his cronyism policy and did not completely expose Du Like Fu. It can be said that Du Fu's criticism and exposure is deep-seated, and it is exposed more deeply with his deeper understanding of social reality. Meng Haoran's criticism and exposure of Fu is superficial, but he doesn't understand the social reality. What he advocates is different from reality and quietism. V. Enjoy a Leisure Life Du Fu and Meng Haoran both yearned for and enjoyed a beautiful life in their early years. Whether going out for an outing or drinking with friends, they were full of cheerful emotions. Meng Haoran's "Visit the Temple and the Western Mausoleum" is similar to Du Fu's two poems about Zhang's seclusion. "Pot of wine friendship, piano QuYe idle. Mochow went back to the road and asked the moon companion to bring it back. " And "Du wine partial advice, no desire. Qiancun Mountain Road is dangerous and there is nothing to be drunk. " They all wrote about the cheerful mood of drinking with friends until late at night. 6. Sincere memory, friendship and affection, full of true temperament 1. Du Fu and Meng Haoran are both temperamental people, full of true temperament, and their poems are full of nostalgia, friendship and affection. Du Fu's poems pay attention to friendship and express his thoughts and sympathy for his friends. Memories of Li Bai in Spring expresses the memory of Li Bai and the deep friendship between Du Fu and Li Bai, while To Li Bai at the End of the Sky describes the injustice expressed by Li Bai's exile, the indignation against traitors and social reality, and the friendship and yearning for a friend in need. Du Fu's homesick poems are represented by moonlight night. The poet used the moon to express his feelings, deeply expressed his thoughts for his loved ones, and revealed the disaster brought to the people by the Anshi Rebellion. 2. Meng Haoran's homesickness, friendship and affection poems are even more. There is homesickness and love for his wife, which is also a love poem "Tanabata in a Foreign Land" that Du Fu did not have. There are also friendship poems in memory of friends. Take Zhang Wu as an example. Similar to Du Fu's "To Li Bai at the End of the Sky" and Meng Haoran's "Send Yuan Shiling South to Find Brother", it expresses sympathy and nostalgia for friends' misfortune, and it is touching to read. 3. Meng Haoran has many true love poems, but there are no poems of Du Fu that sympathize with the army and the people. Du Fu's feelings of worrying about the country and the people are vividly expressed in his poems, which is an emotion that Meng Haoran lacks. Seven. Living in seclusion 1 reveals the feeling that ambition is hard to pay. The frustration of official career and the dark corruption in the Tang Dynasty made Du Fu and Meng Haoran doubt their official career, so they chose to escape from reality and choose a secluded lifestyle. Meng Haoran's recluse poems are many, most of which reflect the recluse and leisure, such as "Righteousness in the Northern Sword", which is full of the poet's thoughts and feelings of praising Xiangyang's landscape and enjoying the secluded life in his hometown, as well as the strong rural flavor and pure human beauty in "Passing through the Old Village". Du Fu's reclusive poems began after the completion of Chengdu Caotang in 760. Du Fu gave up his official position in Huazhou, lived in seclusion in Chengdu Caotang, and began a short seclusion life. Represented by "Seven Flowers Alone by the Riverside", "In the lingering play, butterflies dance all the time, and charming warblers just crow". By writing the free and unrestrained butterfly dance and the singing of beautiful warblers, a beautiful picture of life is outlined and a relaxed and happy feeling of seclusion is conveyed. 2. However, both Du Fu and Meng Haoran have never forgotten their political ambitions in their seclusion and leisure life, and they always have a sense of unfulfilled ambition. In Du Fu's Wild Hope, the poet expresses his hatred for his home country by expressing his wild hope and laments that he cannot serve the country. "I have nothing to look forward to now except my old illness. I am of no use to my country, less than a grain of dust." These two sentences remind the poet of serving the country from time to time, and they are touching to read. Meng Haoran's "Nan Ting Xia Xiang Xin" is about enjoying the cool in the Shuige on a summer night and missing friends. In the first four sentences, the poet lives in seclusion, and in the last four sentences, his loneliness is revealed on his bosom friend, especially the kind of "but, alas, who here will understand?" It implies that his ambition is hard to be rewarded. w