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"The meaning of drunkenness is not in wine" comes from "Looking at the Heron Tower" by Wang Zhihuan, a poet in the Tang Dynasty. If you associate this sentence with numbers, you can try to interpret this sentence from different angles and find three numbers related to it.
1. The rhythm of poetry:
First, we can start with the rhythm of poetry. In this poem, we can see three parts: "drunk", "loose" and "arrogant". These three parts correspond to the three rhymes of poetry respectively. In China's ancient poems, each rhyme usually consists of a initials and a finals.
By comparing the vowels of these three parts, we can find the numbers related to them. For example, if we correspond "drunk", "song" and "eye" to the numbers 1, 2 and 3 respectively, then the rhyme of this poem can be expressed as 123.
2. The artistic conception of poetry:
Secondly, it can be considered from the artistic conception of poetry. In this poem, the poet describes the scene of climbing high and looking far after being drunk.
We can associate this scene with numbers. For example, we can interpret "drunk" as 1, which means that the poet is drunk. "Huasong" is interpreted as 2, indicating the location of the poet; "There is nothing in the eye" is interpreted as 3, which means that the poet sees from afar. So we get three numbers related to this poem: 1, 2, 3.
3. The moral of poetry:
Finally, we can consider the implication of poetry. In this poem, the poet expresses an open-minded and detached attitude towards life by describing the scene of climbing high and looking far after drunkenness.
We can associate this attitude with figures. For example, we can interpret "drunk" as 1, indicating the poet's life experience; "loosening" is interpreted as 2, indicating the ideal realm pursued by the poet; Interpretation of "supercilious" as 3 shows that the poet is detached from worldly fame and fortune. So we get three numbers related to this poem: 1, 2, 3.
Through the analysis of the above three aspects, we can draw three numbers related to the sentence "drunk to loose eyes": 1, 2, 3. These figures represent the rhythm, artistic conception and implication of this poem, and their isomorphism forms the rich connotation of this poem. This also shows that when we interpret classical poetry, we can consider it from different angles and look for relevant figures, so as to better understand and appreciate the charm of poetry.