Musical beauty: The whole poem has two stanzas, and the upper and lower stanzas are symmetrical in rhythm. The first, second, and fifth sentences of each stanza are composed of three musical steps. For example: "Occasionally projected in the center of your wave," "The shells of light that shine on each other during this intersection," the third and fourth sentences of each stanza are composed of two steps, such as: "You don't have to be surprised," "It's good that you remember/it's best that you forget." The arrangement and processing of the steps are obviously rigorous but also free and easy. Longer steps alternate with shorter steps, making it read slowly, calmly, euphemistically and catchyly. . Architectural beauty The overall symbolism of this poem is consistent with the tension structure between the "poem title" and "text" we analyzed earlier. There are even more tension structures within the poetic text. "You/I" are a pair of "binary oppositions", or "occasionally projected in the center of the wave," or "meeting on the sea," are all passers-by passing by in the journey of life; "You don't have to be surprised. / There is no need to be happy” and “It’s good that you remember / It’s best that you forget,” both show sufficient “tension” with a “dual opposition” emotional attitude and a semantic “oxymoron”. Especially the poem "You have yours, I have mine, direction", I think it is not an exaggeration to recommend it as a classic poem praised by "New Criticism" as the most suitable for "tension" analysis. "You" and "I" meet by chance in the vast sea of ????people because they each have their own directions, and they shine together, but they pass each other and go their own directions. Two completely different and contradictory intentions - "you have yours" and "I have mine" are precisely unified and contained in the same sentence, and are summed up in the same word - "direction". The beauty of painting lies in the title "accidental", which can be transformed into many concrete images, such as "clouds - water", "you - me", "night sea", "mutual light" and other images and images. The relationship between them can be understood or structured differently due to the differences in readers' personal emotional experiences and the intensity of their experiences.
This is precisely "the name is small, and the category is large" ("Yixi Ci")