The common expressive techniques of poetry in Han Dynasty

The contrast is divided into positive contrast and negative contrast. Positive contrast is often called contrast, which obscures the moon. As the foil of the subject, serif highlights the subject and makes what needs to be expressed clearly stand out. It can be a person-to-person comparison. For example, in Qin Luofu, the amazing beauty of Qin Luofu is compared by the reaction of "walker" and "teenager".

It can also be used to compare things, or to compare people and scenery. For example, the moon in the river was written three times in Pipa, which set off the beautiful timbre of the pipa, the superb skills of the pipa girl and the desolate, lonely and sad mood of the characters respectively.

2, the combination of static and dynamic. In ancient Chinese poetry, in order to create artistic conception, poets pay special attention to dynamic description, and the combination of dynamic and static is a common way to describe scenery. In the use of this technique, it is unique, with "every word is the best" and "the realm is the best".

For example, the selection of "push" and "knock" like "the bird stays in the tree by the pool, and the monk knocks at the door under the moon", and the adjective "green" in Jiang Nanan with a green spring breeze as a causative verb are all examples of dynamic description, and many articles have been made on the use of verbs.

3. Description of details. China's classical poems are generally short and pithy, and there are not many details as narrative works. However, even a short chapter, even a lyrical sketch, can not ignore the description of details. This requires special attention. Real and vivid details in literary works can also achieve the effect of "seeing the micro-knowledge".

Symbol is an artistic technique, which expresses certain concepts, thoughts and feelings through concrete images that are easy to associate. Symbol and ontology have some similar characteristics, which can be linked through readers' imagination and association.

5, the combination of virtual and real (association and imagination). Wang Changling's "Look at the Taste": "Drunk in the orange and pomelo fragrance, the river wind draws rain into the boat and cools it. Yi Junyao is in Xiaoxiang Moon, and I am very sad to hear that I grew up in my dream. " One or two sentences truly describe the present situation, and three or four sentences falsely describe the situation of a young friend staying in Xiaoxiang overnight through association and imagination, which shows the author's melancholy and attachment.