Su Shi is the most representative figure in the culture of Song Dynasty. Professor Gao took us through the ups and downs of Mr. Dongpo's life, appreciated Mr. Dongpo's poems and listened to interesting stories, which made us feel Mr. Dongpo's extraordinary heroic feelings behind the words. "The heart is like a tree of ashes, and the body is like a boat that is not tied. Ask about your achievements in life, Huangzhou, Huizhou and Danzhou. " Huangzhou, Huizhou and Danzhou were the places where Su Dongpo was demoted three times, and also the lowest point in his life, but he thought that all his achievements were here. "Wutai Poetry Case", Su Dongpo's relegation life officially kicked off, and a slope in the east of Huangzhou achieved the name of "Dongpo". Su Dongpo lost his official position during his relegation. He devoted more energy to his life, growing vegetables, studying delicious food, cooking Dongpo pork and writing Ode to Pork. In the absence of friends, he talked with local farmers and tasted the shortbread made by others, so he named it "Why Crispy". Someone made wine, and he took a sip without wine, so he named it "wrong". In Huangzhou, he wrote Niannujiao Red Cliff Nostalgia, Qianchibi Fu, Houchibi Fu and Dingfengbo, and was demoted to Huizhou. Although life is remote and barren, Mr. Dongpo still doesn't care. Huang Tingjian wrote in his poem: "Zi Zhan wanted to kill Lingnan when he was ready. Have a good meal in Huizhou and taste a delicate and profound poem. In addition to eating, Su Dongpo writes poems with Tao Yuanming every day and builds a new house in Huizhou, writing: "The bald head is full of frost, and the pavilion is sick with rattan beds. "It is said that Mr. Wang sleeps beautifully in spring, and the Taoist knocks for five minutes." Because of this poem, he was demoted to Danzhou again. What is this place? "There is no meat, no medicine, no room, no friends, no charcoal in winter and no cold spring in summer." It is enough to see how bad and backward the living environment was at that time. It is in this environment that Dongpo's pen never stops. He adopts a detached attitude of "eating taro and drinking water and writing books for fun". In Danzhou, he was very friendly to the local Li people and completely regarded himself as a Hainanese. "I am from Hainan and live in Xishu Prefecture." Professor Gao's appreciation of poetry is profound and handy, as if there is a powerful and borderless poetry network system in his heart, which can be extracted anytime and anywhere without obstacles. Professor Gao's wonderful appreciation of poetry, humorous language and vivid stories also give us a multi-dimensional understanding of Su Dongpo's life, and give us more understanding and real feelings about his attitude towards life, such as being open-minded, free from vulgarity, taking pleasure in suffering and being happy with everything.
? In the second half of the lecture, Professor Gao Feng showed us the cultural differences between Tang and Song Dynasties with a refreshing vision and an open mind. He compared the plump Yang Yuhuan in Bai Juyi's A Long Song with the thin Mei Fei in The Tale of Mei Fei, and used humorous stories to make us feel people's different aesthetics in different times and backgrounds, which led to the cultural differences between Tang and Song Dynasties. The culture of the Tang Dynasty is rich, warm, brilliant and full of emotion. Song Dynasty prose is thin and elegant, restrained and rational. The professor also appreciated and compared the painting techniques, composition, calligraphy, brushwork and artistic style in the Tang and Song Dynasties, as well as people's life preferences, which made us feel that the Tang people were free and open, like dancing swords and enjoying peonies, and their open mind was the result of the high integration of Hu, Han and other nationalities and various cultures in the north and south. Song people lived a serious and restrained life, loved to play the flute and enjoy plum blossoms, and seemed carefree. Finally, Professor Gao led us to feel the rhythmic beauty of poetry, and showed us the chanting of five poems, which made the teachers here deeply feel the rhythmic beauty of poetry.
? Professor Gao interprets Dongpo's poems from a new angle. We know Mr. Dongpo's life and explore the humanity contained in his poems. At the same time, I also realized the ideological implication and cultural information attached to the literary works themselves. In the usual teaching, we should pay attention to the humanity, ideological implication and cultural background information of the works. In addition to accumulating knowledge for a long time, we need to experience it with our heart, put ourselves in the position of regression, and seek common development with the ancients, so as to enter the world of the ancients and feel the artistic conception and humanistic beauty of literary classics.
? Professor Gao's profound knowledge, profound cultural background, love for traditional culture and tireless exploration of academics make us admire. If you want to illuminate students, you must first have light on yourself. If you want to ignite students, you must first have a fire in your heart. As a primary school Chinese teacher, I should constantly improve my professional quality and cultural quality, read more books, accumulate more, think more, draw the essence from reading comprehension, enrich my thoughts, and strive to grow into my teaching wisdom.
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