The sunny Yuan Ye after the rain is particularly empty, with no fog and dust in the distance. The gatehouse of the outer city is close to the ferry pier, and the green trees on the edge of the village connect the estuary of the stream. The silvery white river sparkled, making the outside of the field particularly bright, and green peaks suddenly appeared behind the ridge. It is the busy farming season, and there are no leisurely people. All the farmers are busy in the fields.
Note 1. Xin Qing: Chu Qing. Wild hope: look at the fields. 2. Extreme: Exhausting eyesight and looking into the distance. Atmospheric scale: fog and dust; Atmosphere, fog and cloud gas; Dirt, filth, filth 3. National gate: the gate of the outer city. Guo: Outer city. 4. White water outside the field: The running water outside the field is shining in the sun. 5. Busy farming month: busy farming season. 6. Leave home: the whole family goes out. Nanmu: Working in a foreign country. Thing: verb, engage in. Nanmu: There is a saying in the Book of Songs that Nanmu is suitable at this time, or ploughing or ploughing, which refers to ploughing and sowing in the fields in the south. Later, nanmu became synonymous with farmland.
Comment on "New View of Sunny" This is an idyllic poem describing the countryside in early summer. After a storm comes a calm, the poet sees the scenery that vilen sees. "Xinjin Hongyuan Ye Kuang, supercilious majestic. The first two sentences of the poem sum up the feelings of the new Qing Wang Ye: after being washed away by rain, there is no dust in the air, which is particularly clear and fresh; At first glance, Yuan Ye is particularly spacious. The poet grasped the characteristics of the environment at once, and used the words "Yuan Ye is vast" and "there is no atmosphere" appropriately, which truly showed this situation, and at the same time introduced the reader into this specific situation.
"Guo door near the ferry, village tree even Xikou. The silvery white river is shining in the fields, especially bright, and the green mountains stand behind the ridge. These four sentences describe the beautiful scenery around you from a distance, and you can see the gatehouse near the river ferry in the distance; Nearby, you can see the green trees on the edge of the village next to Xiaoxikou. Outside the stadium, the silvery white river is sparkling, because it rises after the rain and shines on sunny days, which is brighter than usual; Behind the ridge, many green peaks suddenly appeared, and the peaks overlapped, which was more layered than usual. This set of landscape shots closely captures the characteristics of the sunny new scenery after the rain. At first glance, from far to near, from near to far, with distinct layers, bright colors and beautiful artistic conception, it forms a natural and wonderful picture.
However, such a painting can only be described as a still life sketch. Although beautiful, it lacks vitality. As a master of landscape poetry and landscape painting, Wang Wei naturally won't forget to make the finishing point. So in the last two sentences, he added dynamic characters to this static picture: "There are no idle people on the farm, and the home is in the south." Although it is fiction, it adds infinite vitality to Yuan Ye, which can make people want to see the active situation in the fields in early summer and feel the atmosphere of busy farming and labor. With such a stroke, the whole picture comes alive.
The style of this poem is beautiful and fresh, and it is worthy of being a master of landscape poetry and painting.
This poem once appeared in the Chinese examination questions of the unified entrance examination for colleges and universities nationwide in 2007, as the material for appreciating ancient poems.
Interpretation of the sentence in Xinqing Wang Ye: "Xinqing Yuan Ye is vast and has no atmosphere."
After a storm comes a calm, the poet stands on a high place, and when he looks from a distance, he sees that Yuan Ye is particularly empty and open, with fresh air and no dust at all.
The first two sentences simply describe the poet's feelings about the "new sunny wild hope": after being washed by rain, the air looks particularly fresh, clean and spotless; Looking around, the fields after the rain are not only open but also bright, which makes people look far away, as if they can feast their eyes.
The poet used only ten words to firmly grasp the characteristics of the sunny new scenery after the rain. Readers are also suddenly introduced into this specific situation to watch with the poet.
"The national gate is near the ferry, and the village tree is connected with Xikou."
In the distance, the gate at the entrance of the village stands beside the river ferry, and the trees in the village are closely connected and extend to the stream. Most ancient cities in China have artificial moats, with high walls next to them. However, there are also some cities that rely on rivers and take natural rivers as moats according to local conditions, forming a situation of "crossing the country gate and crossing the river". This village near the water in the poem is like this.
A mountain village near a stream. The gatehouse of the village is near the ferry, surrounded by green trees, and extends to the stream. The white of the stream, the gray of the gate and the green of the village trees complement each other in the sun. This is a charming scenery. In normal times, it is impossible to see so clearly. It's not just these that change with rain.
"The white water outside the venue is bright, and the mountain is behind the peak."
Outside the wheat field, the silver river is sparkling, and the blue peaks stand proudly behind the rolling mountains. A summer rain changed the sky, the village, the mountains and the water. Because the water rises after the rain, the river outside the field is particularly bright in the sunny sun; Behind the nearby ridge, the distant peaks, which are usually blurred, also appear clearly, in contrast to each other and richer than usual.
These two poems are neat and rhyme beautifully, and the words "Ming" and "Chu" are especially clever. "Ming" is an adjective and is used as a verb here. Under the sunshine after the rain, the stream is bright and dazzling. Chu, which corresponds to Ming, personifies the mountain peak: the blue mountain peak in the distance, like a naughty child, suddenly appears behind the mountain, which is amazing.
At this point in the poem, a wonderful picture has been presented to the readers: the open Yuan Ye, quiet villages, clear streams and towering peaks are one of the new scenes washed away by rain, with beautiful patterns, colors, light and shade and artistic conception. However, such a painting, although beautiful, always looks empty and lifeless. So, in the last two sentences, the poet added dynamic characters to this static picture.
"There are no idle people in the farming month, and the home is in the south."
Early summer is a busy farming season, and it is the time to harvest wheat and sow seedlings. At this time, after the rain clears, farmers naturally have to seize this favorable opportunity to go out and work in the fields. The busy figure of the farmer suddenly added infinite business opportunities to the fields.
This ending, a virtual stroke, makes the whole picture vivid. The pastoral scenery described by the poet is not only beautiful, but also full of life, poetic, quiet and happy. The tone of this poem is clear and healthy, giving readers beautiful artistic enjoyment.
The creative background of "New Youth Wang Ye" After Wang Wei was forty years old, his attitude towards life changed obviously. He lived a special life as an official and a hermit, and devoted himself to creating a large number of famous works living in pastoral landscapes. Poems on this theme are often famous for five words, especially five laws, which represent the most important characteristics and achievements of Wang Wei's poems. He wrote about the leisure and tranquility of the countryside, such as the farmhouse on the Wei River, the pastoral in spring, the new sunny outlook, my letter to Pei Di from my cabin in Wangchuan, and the pastoral music. With simple and fresh pen and ink, he described the beautiful daily scenery in rural areas, the increasingly ordinary life of farmers and his tireless indifferent state of mind, and entrusted his life ideal of transcending the secular and returning to nature.
Appreciation of New Sunny Wild View These two poems describe the countryside in early summer. After the rain cleared, the poet looked at the scenery and farming activities he saw in Yuan Ye, expressing his thoughts and feelings of loving nature, countryside and life. The poetic language is beautiful, the artistic conception is clear and healthy, and the artistic conception is fresh, clear and open, just like a beautiful and charming watercolor landscape painting. It shows Wang Wei's great artistic talent in landscape painting. Generally speaking, it is not difficult to describe natural scenery, but it is difficult to describe the scenery in a specific time, space, season and climate with extremely refined words. This must have keen observation and imagination, be good at grasping the main features of the scenery, and highlight your most vivid impressions and feelings. This poem is Wang Wei's successful artistic practice. The whole poem describes the scenery, closely following the characteristics of new eyes after rain in rural areas in early summer.
The words "Yuan Ye is vast" and "there is no atmosphere and dirt" in the first couplet show that the air is particularly fresh and clean without any dust after being washed by rain, and Yuan Ye is particularly empty and open. Because of the accurate grasp and vivid reappearance of the environmental characteristics, readers were immediately introduced to sunny Yuan Ye after the rain, looking out into the distance with poets and breathing fresh and humid air together.
Poets in Zhuan Xu look around the countryside: in the distance, the gate house of the outer city is near the ferry by the river; Nearby, you can see the green trees on the edge of the village next to Xiaoxikou. It is a natural transition from always writing about new sunshine and open Yuan Ye to writing about the scenery around the countryside. It is precisely because of the clean air that the transparency and profundity of "seeing" are enhanced that it is possible to see the country gate, tile head, village tree and Xikou so clearly. So the scenery written in this couplet is still a new sunny scene after the rain. Necklaces are the most wonderful: outside the fields, streams and rivers are shining with silver light; Behind the mountain, the green peaks stand abruptly. The words "white" and "bright" in the previous sentence accurately show that the water rises after the rain, the light shines on sunny days, and the rivers and streams are brighter than usual; The words "Bi" and "Chu" in the later period also vividly describe the distant mountains washed by rain, which is particularly green. After the rain, the air is fresh, and the mountains on the back of the mountain can be superimposed. These two pictures. They are closely related to the fresh sunshine after rain, so they are vivid, concrete and realistic. They are dynamic, beautiful and full of vitality in the overall static state, which is by no means a general description of the scenery.
Although the antithetical couplet "There are no idle people in the farming month, and the southern acres do housework" is just a waste of money, it has added infinite business opportunities for Yuan Ye, making people feel the warm and cheerful atmosphere of busy farming and breathe the rich life atmosphere in the countryside. This stroke not only enriches the life content of the poem, but also brings the whole painting in this poem to life because of the dynamic and static background.
Su Shi commented on Wang Wei's "painting in poetry". "Painting in Poetry" is not unique to Wang Wei. Any poem that vividly depicts the natural scenery and makes people have visual imagination will be picturesque. But the paintings in Wang Wei's poems are the strongest. The paintings in Wang Wei's poems are not only similar in shape, but also full of charm and colorful. It is not only tangible, color and composition, but also has the harmonious contrast between light and color, the contrast between light and shade, the sense of hierarchy and depth formed by the ingenious arrangement of distance, height, size and reality, and even shows brightness and humidity. In the poem "New Sunny Wild Hope", the fresh and open Yuan Ye and the clean and dust-free sky seem to be the big background in the picture frame. In this context, in front of the countryside, there are national gates and ferry heads in the distance, and village trees and Xikou in the vicinity; Behind the village, the white water in the fields and fields is near, and the Bifeng behind the mountain is far away. Close shot, middle shot and distant shot constitute the depth and layering of the picture, and the blue peak behind the mountain constitutes the three-dimensional depth of field. Bright white water, green peaks, alternating light and shade, how harmonious light and color are! There is light in "no air pollution", "Lintutou" and "Lianxikou", moisture in the white water outside the field and moisture in the Bifeng behind the mountain. Wang Wei is a great painter. He is good at observing and depicting scenery with the painter's eyes, and he is also proficient in painting theory. He is good at applying painting techniques to poetry, so Wang Wei's poems are full of painting effects, both artistic conception and artistic conception.
Of course, Wang Wei is mainly a poet. The main reason for Wang Wei's "Painting in Poetry" is that Wang Wei can "give full play to the enlightening function of language, arouse rich associations and imagination of light, color and state in readers' minds, and form vivid pictures" (Yuan Xingpei's "Painting in Wang Wei's Poetry"). Wang Wei knows very well that painting is good at describing static state and poetry is good at expressing dynamic artistic law. In this poem, Wang Wei described the static scenery, so he deliberately chose the words "Ming" and "Chu" to describe the static, "giving the still life a sense of movement", and finally added dynamic characters to this static landscape painting.
Poetry: New Sunny Wild Hope Poetry Author: Tang Dynasty Wang Wei Poetry Classification: Pastoral, Landscape Writing