Looking for flowers by the river;
Looking for flowers by the river alone
Du Fu, a poet in the first year of Shangyuan (AD 760) in Tang Suzong, lived in Chengdu, Sichuan, and built a thatched cottage beside Huanhuaxi in the western suburbs. He found a place to live for the time being and felt much more comfortable. In the spring season, he walked alone by the river to enjoy flowers and wrote a set of seven-character quatrains, which is the sixth of them.
The first sentence "Huang Siniang's home is full of flowers" points out the place to find flowers. A "path" is a path. "Flowers are all over the path" means that many flowers cover the path and connect it. The second sentence is "a thousand flowers are low." "A hundred flowers blossom" describes a large number. The words "pressure" and "low" in "Pressing branches low" are used very aptly and vividly, vividly depicting the dense, large and numerous flowers in spring, which bend the branches. This sentence is the embodiment of the word "full" in the previous sentence The third sentence, "There is a butterfly dance". "Linglian" describes butterflies flying around and reluctant to leave. Write the bright fragrance of spring flowers from the side. In fact, the poet was also attracted by colorful spring flowers and stayed. The fourth sentence is "Jiao Ying chirps". "Jiao" is a description of Ying Ge's softness and roundness. "Chen Wenjing Ti" means that when the poet came to enjoy the flowers, the oriole was singing. Just because the poet was happy, he took it for granted that oriole sang for himself. This is the same as the previous sentence, saying that butterflies are attached to spring flowers, which is empathy. Because the poet successfully used this technique to integrate things with me and create a scene, this little poem is more intimate and interesting to read.
In the first year of Shangyuan (760), Du Fu lived in Xiguo Caotang, Chengdu. After the troubled times, he began to have a place to live, which made the poet feel gratified. In spring, he walked alone along the river, and his feelings were born with the scenery, which became seven poems. This is the sixth group of poems.
The first sentence points out that the place to look for flowers is on the path of "Huangsiniangjia". This sentence is written in a poem by a famous person, which has a strong interest in life and a folk song flavor. The second sentence "a thousand flowers" is the embodiment of the word "full" in the previous sentence. "The branches are very low", which depicts the flowers bending the branches heavily, and the scenery is lifelike. The words "pressure" and "low" are used accurately and vividly. In the third sentence, colorful butterflies on the flower branches wander around, and they "linger" because they love flowers, suggesting that the flowers are fragrant and fresh. The flowers are lovely, and the dancing of butterflies is also lovely, which inevitably makes people who walk "linger". But he may not stop, but move on, because the scenery is infinite and there are many beautiful scenery. "Always" is not an occasional sight. Using this word, the fun of spring is rendered. Just when it was pleasing to the eye, a string of beautiful songs by oriole happened to wake up the poet who was intoxicated with flowers. This is the artistic conception of the last sentence. The word "jiao" describes Yinger's soft voice. "Freedom" is not only an objective portrayal of Jiao Ying's posture, but also a pleasant and relaxing psychological feeling. The poem ends with Ying Ge's "Chen Wenjing", which is full of charm. Reading this quatrain, I seem to be walking on the road to "Huang Si's maiden" in the suburbs of Chengdu thousands of years ago, enjoying the infinite beauty endowed by spring with the poet.
This poem is about appreciating the scenery, which is common in the quatrains of the prosperous Tang Dynasty. However, it is rare to see such a poem with exquisite description and unusually beautiful colors. For example, "So people are at the peach blossom bank until the stream flows in front of the door" (Chang Jian's "Looking for Li Jiuzhuang in Three Days"), "Last night, the wind opened the peach well, and the moon was high in the front hall of Weiyang" (Wang Changling's "Spring Palace Complaint"), these scenes all appear "beautiful"; After Du Fu's Flowers Blooming, a Thousand Flowers, butterflies and songs were added, and the scenery was beautiful. This kind of writing is unprecedented.
Secondly, people in the prosperous Tang Dynasty paid great attention to the harmony of poetic tone. Their quatrains can often be strung together, so they are very harmonious. Du Fu's quatrains are not written for singing, but purely poetry, so there are often awkward sentences. According to the law, the sentence "flowers are pressing branches" in this poem should be flat. But this "contradiction" is by no means an arbitrary destruction of the melody, and the overlap of "letting a hundred flowers blossom" has a taste of beauty. Although the word "duo" of "Qianhua" and the word "four" in the same position in the previous sentence belong to the same tone, the rising tone and falling tone are different from each other, and the tone still changes. It's not that poets don't pay attention to the musical beauty of poetry. This is manifested in the use of disyllabic words, onomatopoeic words and reduplicated words in three or four sentences. "Liulian" and "Freedom" are disyllabic words, such as the connection between beads and melody. "Chen Wenjing" is an onomatopoeic word, which describes a baby's voice and gives people an immersive auditory image. "Yes" and "Chen Wenjing" are overlapping words. Even if the upper and lower sentences form antithesis, the meaning is stronger and more vivid, which can better express the poet's sudden joy when he is infatuated with Hua Hudie and suddenly awakened by the sound of warblers. Except for the words "dance" and "warbler", these two sentences are all tongue-toothed.
The use of this series of tongue-and-teeth sounds creates a sense of language, which vividly shows the feeling that flower lovers are intoxicated and surprised by the beautiful scenery. The utility of sound is very helpful to the expression of emotions.
Syntactically, most of the poems in the prosperous Tang Dynasty were naturally mixed, but Du Fu was different from them. For example, "antithesis" (later couplets) is the style of quatrains in the early Tang Dynasty, and there are few quatrains in the prosperous Tang Dynasty, because it is difficult to achieve a perfect ending. Du Fu, however, is hard to see, and such a poem couplet is both steady and memorable, which makes people feel that it is used properly: when it is pleasing to the eye, isn't it more fascinating to listen to Ying Ge's "Cha Cha"? Besides, according to customary grammar, these two sentences should be written like this: butterflies dance while playing, and Yinger crows freely. Put "lingering" and "freedom" at the beginning of the sentence.
Lyrics of lime
This is a poem that holds things in the air to express one's ambition. The author uses lime as a metaphor to express his strong and unyielding quality and his thoughts and feelings of fighting evil forces to the end.
After hammering into the mountains for thousands of times, the fire is still there. Even if it's smashed to pieces, why be afraid? Just to keep a piece of blue and white in the world (as clear as the color of a stone, now often used as "innocence").
Takeishi
This is a poem carved on a map of bamboo and stone. The author praises bamboo stone, but it is not a general description of bamboo stone in nature, but contains the author's profound thoughts and feelings. The author compares things to people, writes about bamboo, but praises people. Based on the hard rock of Qingshan Mountain, the poet said that bamboo sticks to Qingshan Mountain, takes root and breaks the rock, and crushes thousands of blows. "Perseverance" is a true portrayal of the man symbolized by this weathered bamboo and bamboo. Therefore, it can be said that poetry has created an indomitable and indomitable glorious image of a strong man by praising bamboo and stone. The whole poem is fresh and smooth, with sincere feelings. Although language is popular, it is profound and meaningful.
Break up with Xinjian at Furong Inn.
This poem was written in the 29th year of Kaiyuan in the Tang Dynasty. The Furong Building mentioned in the poem, formerly known as Northwest Building, is located in the northwest of Runzhou (now Zhenjiang City, Jiangsu Province). In the vast rain curtain, the poet bid farewell to his friends who are about to return to Luoyang. Although he was in a bad situation of being vilified by many people, he saw the Wujiang Chushan, where water and sky meet, and his heart was clear and there was no cold rain. He asked his friends to tell relatives and friends in Luoyang that he also had a pure jade pot and Bing Xin.
Exquisite conception, profound conception, melting into the artistic conception of empty cars, implicit and intriguing.
Seven step poem
This story comes from the allusions of the Three Kingdoms. Since Cao Pi proclaimed himself emperor, he has always held a grudge against his talented brother Cao Zhi. On one occasion, he ordered Cao Zhi to write a poem within seven steps. If he could not do it, he would be executed by Dafa (execution). But before his voice fell, Cao Zhi answered six poems, which is the well-known poem above. Because it is limited to seven steps, it is called "seven-step poem" by later generations. It is said that Cao Pi was "deeply ashamed" after hearing this, not only because Cao Zhi showed extraordinary talent in poetry, but also because of his eloquence, which made Wendy feel ashamed, and because the poems were explained by simple and vivid metaphors.
Sea miscellaneous poems
gong zizhen
Kyushu is furious.
It's a pity that a thousand horses can't walk.
I suggest that god stand up again,
Don't stick to a model and leave behind talents.
To annotate ...
1. This is the 220th poem in Qian Hai Zashi. Kyushu: China.
2. Angry: a lively situation.
3. Stone: Shit.
4. hey (y and n): dumb. Wanma Qi Qi: Metaphorically speaking, the social and political situation is lifeless. After all, after all
5. Providence: The Creator. Heavy: Come again. Cheer up: Cheer up.
6. Health: Birth.
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Only such a great force as the storm can make the land of China full of vitality.
However, the silence of the ruling and opposition parties is a kind of sorrow after all.
I suggest that the Emperor of Heaven stand up again.
Don't stick to certain specifications, and be more talented.
Writing background
In the 19th year of Daoguang (183 1 year), Gong Zizhen resigned and went back to his hometown to meet his wife and children in the north. On the way to the north and south, he felt the suppression and restraint of talents by the Qing court and wrote 3 15 poems, expressing his strong desire to change society.
Make an appreciative comment
This is an excellent political poem. The whole poem has distinct levels and is divided into three levels: the first level describes the lifeless real society in which thousands of troops and horses are silent and the ruling and opposition parties are silent. On the second level, the author points out that to change this dull and decadent view, we must rely on the great power like a storm. For example, China must undergo magnificent social changes in order to be full of vitality. Thirdly, the author believes that such strength comes from talents, and what the court should do is to recommend talents in an exceptional way. Only in this way can there be hope for China. Subjective images such as "Kyushu", "Lei Feng", "Wanma" and "Heavenly Palace" are chosen in the poem, which are profound and magnificent.
The poet enthusiastically calls for social change, thinking that the bigger the change, the better, as big as earth-shattering spring thunder. He also believes that the most important factor in implementing social change is talent, so he enthusiastically appeals: Heaven forbid! Please cheer up and give us all kinds of talents.
Break up with Xin Jian at Furong Inn:
Wudi, shrouded in misty rain in the night, is connected with the vast river. I will see you off at dawn, but I will stay alone, just like this lonely Chushan. If relatives and friends in Luoyang ask about me, please tell them that my heart is like crystal ice, clean and honest, stored in a jade pot.
Looking for flowers by the river;
The path around Huang Si's maiden is full of colorful flowers, and thousands of flowers bend the branches very low. The frolicking butterflies don't want to fly around, and the free little orioles crow harmoniously.
Lime song:
Stones mined from deep mountains, after hammering and chiseling, are common to fire. As long as you can leave your innocence in the world, you will not be afraid even if it is broken. The whole poem shows the poet's noble sentiment of being an incorruptible person without fear of danger, sacrifice, collusion and evil forces on the road of life.
Bamboo stone:
Bamboo sticks firmly to the green hills and is deeply rooted in the broken rocks. After all the hardships, it is still so tough and straight; No matter which direction the wind is, it can't be blown down and it won't give in.